“I’ve never done anything but dream. This, and this alone, has been the meaning of my life. My only real concern has been my inner life.” ~ Fernando Pessoa, from The Book of Disquiet

William Ascroft Sunset in June after Eruption of Krakatoa c1880 pastel

“Sunset in June after Eruption of Krakatoa” (c. 1880s, pastel)
by William Ascroft

                   

“When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world—profoundly unworthy in every sense and deeply absent in your very presence.” ~ Ingmar Bergman

Sunday, early evening. Partly cloudy and cold, 35 degrees.

No snow. Not a drop. No galumphing for Tillie, and no snow photos for me. Oh well . . .

So I’ve been thinking about clouds, not in a scientific way but in a philosophical way. Let me explain:

William Ascroft Amber Afterglow with Crepuscular Rays 1885 pastel

“Amber Afterglow with Crepuscular Rays” (1885, pastel)
by William Ascroft

When we look up at clouds in the sky, they seem to be buffeted along by the wind, without having any momentum of their own. They bump into other clouds along the way, sometimes just touching the sides, sometimes merging, sometimes completely obscuring. Clouds can be massive puffs (cumulus), multilayered (stratus), or wisps (cirrus), and all of the variations in between.

Now I know that in truth, clouds are propelled and formed by many factors: wind, gravity, moisture content, solar heating, etcetera. Yes, I know all about low level and upper level winds, jet streams, and all of that, but I’m keeping it basic as an extended metaphor for my life.

I realized that I am very much like a cloud: My life has moved along many paths, some of my choosing and others due to circumstance. Often I have felt as if I have had no say in the directions I seem to be traversing. Along the way, I meet people, some who seem to swallow me with their big personalities, and others who I tend to overshadow because consuming them is easy, and then there are the people who I meet in passing who may or may not leave me with any sort of lasting impression.

“After the cups of tea, coffee, public conversations . . . I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.” ~ Michael Ondaatje, from Running in the Family

Now if all of that sounds like some kind of new age bullshit, well, what can I say? I’m certain that I’m not the first person to have used this metaphor for life, nor will I be the last. I can only say that it occurred to me this morning as my consciousness was coming into waking, and I decided to go with it.

William Ascroft Sustained Light after Sunset 1886 pastel

“Sustained Light after Sunset (1886, pastel)
by William Ascroft

As children, we put our heads on our arms as we recline in the grass, and we look up at the clouds and try to make out shapes—bunny rabbits, cats, dogs. As adults, sometimes we see other things in the shapes—an arrow, a mass like a mushroom cloud, Richard Nixon (okay, maybe that one is just me). When do the innocuous shapes we see as children morph into things more reminiscent of our waking nightmares?

I couldn’t tell you. I only know that at various point in my life I have been content to be bounced around by the winds, landing wherever and whenever. I suppose it’s part of the overall adventure. But at other times I have felt indignant at having so little power to control my path, which reminds me of a particularly crass simile that I have heard many times: It’s like pissing into the wind.

Fate. It’s tricky, and sometimes it’s good and sometimes it’s bad, and sometimes it’s somewhere in the middle.

“I go, we go. On the way we keep a log-book, the book of the abyss and the shores. Everyone does. My books are thus like life and history, heterogenous chapters in a single vast book whose ending I will never know.” ~ Hélène Cixous

I know. Pretty flaky, and I couldn’t really tell you where any of this came from. Just thinking about life, my life in particular, life in general, and the fact that no one really has control, no matter how much they may think they do.

William Ascroft Sunset and Afterglow 1883 pastel

“Sunset and Afterglow” (1883, pastel)
by William Ascroft

Presbyterians believe in predestination, as in the idea that when someone is born, his or her life is already planned out, from start to finish, as willed by god. I always found that concept incredibly troubling. John Calvin contended that some people are born already condemned to eternal damnation, while others are slated for salvation. Think about this for just a moment: No matter what you do, you are damned if that is what god decided for you before you took your first breath.

Sucks.

I remember learning about this concept when I was about 10 or 11, and even then, it really bothered me. If one holds to predestination, then why try? I mean, if you have a run of bad luck at one point, is that god shaking the omnipotent finger at you, saying, “Tough luck. But this is your road, and you can’t do anything about it”? And if so, should you just give up because, well, what the hell? What’s the point?

“You know, maybe this is how your concerto ends. I mean, not a big end with trumpets and violin. Maybe this is the finish, just like that suddenly. Not sad, not happy, just a small room with a lamp, abed,a child sleeps, and tons of loneliness.” ~ Eran Kolirin, from The Band’s Visit

My awakening cloud metaphor stayed with me even as I read an article in Rolling Stone about Aaron Swartz (The Brilliant Life & Tragic Death of Aaron Swartz). You may not know the name, but Swartz was a brilliant Internet pioneer, helping to develop RSS and reddit, and he committed suicide in January of this year. Swartz was being charged with theft for downloading documents from the JSTOR system of MIT. JSTOR is an online repository of articles for which colleges and universities pay access.

William Ascroft Sky Study 1886 pastel

“Sky Study” (1886, pastel)
by William Ascroft

Swartz, who was a child prodigy, was also plagued by personal demons, including depression and a sense of isolation. What does this have to do with what I’ve been saying? A lot.

Swartz, even though he could create code like others brew coffee, wanted to be a writer. He often felt as if he had no control over the direction his life was taking him. That he committed suicide is sad for all of the obvious reasons, but also because society lost a bright star, one who contributed to much but felt as if he had contributed nothing. When he died, Tim Berners-Lee, the inventor of the world wide web, wrote that Swartz was “blazing across the dark sky of ordinary people, broken systems, a shining force for good, a maker of things.”

What touched me about this story was how this genius man-boy was so self-doubting, so insular, so afraid, yet others saw him as this fierce fighter for access to information.

We never see ourselves as others see us.

“The time of departure is not mine to choose; I must find my way alone in this darkness. With the shadow of the moon at my side, I search for traces of wildlife in the white snow.” ~ Wilhelm Müller, from “Good Night”

I have spent so much of my life drifting aimlessly, it seems, yet you tell me otherwise. I have spent so many years lost, but not really.

I have had the pleasure and pain of encountering kindred spirits and malevolent spirits, all of whom have helped to build me up and chip away at my soul. I have merged, dissolved, grown layers and lost parts along the way.

William Ascroft Sunset and Noctilucent Cloud 1885 pastel

“Sunset and Noctilucent Cloud” (1885, pastel)
by William Ascroft

I have been soldiered on by winds that were warm and comforting, and I have been tossed about without any ability to tether myself to something solid. If have felt spun, blown, thrown, carried, cajoled and heaved. I have lost my way and in being lost, have found other paths.

All of this is to say that in this third act of my life, I am older, wiser, and still thrashing about completely without a clue.

Just before waking, a woman in my dream said this to me: “Century, century, 25.” I had no idea what it meant, which is to say, business as usual. And all of this brings to mind that completely sardonic Yiddish proverb: “Men tracht und Gott lacht.” (Man plans and god laughs).

More later. Peace.

(All images are by British artist William Ascroft, who drew hundreds of pastel sketches following the eruption of the Krakatao volcano on a small island in Indonesia.)

Music by Mikky Ekko, “Feels Like the End”

                   

The Dumka

His parents would sit alone together
on the blue divan in the small living room
listening to Dvorak’s piano quintet.
They would sit there in their old age,
side by side, quite still, backs rigid, hands
in their laps, and look straight ahead
at the yellow light of the phonograph
that seemed as distant as a lamplit
window seen across the plains late at night.
They would sit quietly as something dense

and radiant swirled around them, something
like the dust storms of the thirties that began
by smearing the sky green with doom
but afterwards drenched the air with an amber
glow and then vanished, leaving profiles
of children on pillows and a pale gauze
over mantles and table tops. But it was
the memory of dust that encircled them now
and made them smile faintly and raise
or bow their heads as they spoke about

the farm in twilight with piano music
spiraling out across red roads and fields
of maize, bread lines in the city, women
and men lining main street like mannequins,
and then the war, the white frame rent house,
and the homecoming, the homecoming,
the homecoming, and afterwards, green lawns
and a new piano with its mahogany gleam
like pond ice at dawn, and now alone
in the house in the vanishing neighborhood,

the slow mornings of coffee and newspapers
and evenings of music and scattered bits
of talk like leaves suddenly fallen before
one notices the new season. And they would sit
there alone and soon he would reach across
and lift her hand as if it were the last unbroken
leaf and he would hold her hand in his hand
for a long time and they would look far off
into the music of their lives as they sat alone
together in the room in the house in Kansas.

~ B.H. Fairchild

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4 comments on ““I’ve never done anything but dream. This, and this alone, has been the meaning of my life. My only real concern has been my inner life.” ~ Fernando Pessoa, from The Book of Disquiet

  1. Suzann says:

    In your dream century,century 25. Would that mean year 2025?

  2. leah in NC says:

    “…in this third act of my life, I am older, wiser, and still thrashing about completely without a clue.”

    Me too, Lita, me too.

    My friend, B., asked me what it would take for me to admire myself… It was an interesting perspective to think about it from…

    I read the story about Aaron Swartz. It’s sad that the world lost someone with that intelligence, and the view of the world that information should be available to all.

    Someone ought to make a list of the “great projects of the world” that need to be done. To inspire the rest of us that need inspiration…

    • poietes says:

      The Swartz story is so sad. I had read a few news articles about it right after he died, but The Rolling Stone piece was in-depth.

      What would it take for me to admire myself? Good question. No answers.

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