Happy Father’s Day

mom, dad & me in England

Cherish them while you can . . .

                   

My father’s hands

are gnarled and time worn

Atrophy has eaten away at the muscles,

leaving his hands weak and small.

They remind me of a monkey’s hands—

brown and leathery.

These hands that have tended to so many machines—

fixed so many moving parts

These same hands have stroked the hair on my sons’ heads

and lovingly cradled my daughter’s face.

With these hands he has planted generations of gardens,

patted down the earth around all of the tender shoots.

He has cast lines into many waters,

unhooked his catch again and again,

alone under the moon on warm summer nights.

These hands held the back of my first two-wheeler—

blue with silver fenders and tassels streaming from the handlebars,

before finally letting me go to find my way on my own,

and they have wiped the blood and picked the gravel

from my skinned knees,

patched my wounds,

only to let me go again.

They patiently whittled the sticks to frame a homemade kite,

taught me the right way to pound a nail into wood

and how to make a seam true.

I have watched these hands make fine knots in a net

with the same careful tenderness

as when they held an injured dog as it lay dying.

And I watched these same hands pull a drowning woman

from a deadly current

with a strength I hadn’t known they possessed.

A world away in another lifetime,

my father’s hands wielded a rifle and a machete

in the jungles of a homeland that he left behind—

but never forgot.

Now, I watch his hands move back and forth

in morphine dreams,

sewing imaginary threads through invisible garments.

I look on helplessly as they pleat the stiff white sheets

and knit them to and fro, over and over.

In the few moments when they are still,

I hold my father’s hands close to my chest,

against my beating heart—

they are so diminished within my own.

These hands

that have labored and loved

harvested and hewn

These hands are the man he was

and the life he lived.

And now that his days are waning,

I want nothing more

than to be taken back to that one innocent moment

when everything was safe,

and nothing could harm me

because I was cloaked in my father’s inviolable protection,

taken back to that instant

when he held the fender of my bike

and guided me on the path.

touched me on the shoulder once

before setting me free to find my way.

L. Liwag

May 31, 2001

                   

Music by Mike and the Mechanics, “The Living Years”

“Who will wake up at the end of my dream?” ~ Jacques Roubad

Two for Tuesday: Nature in Asian Art

Zhao Shaoang Praying Mantis on Loquat Bamboo two scrolls, ink and color on paper

“Praying Mantis on Loquat Bamboo” (two scrolls, ink and color on paper)
by Zhao Shao’ang

                   

Zhao Shao’ang, Chinese (1903-1998)
Lingnan School, ink and watercolors on paper, scrolls

                    

Blossoms at night,
and the faces of people
moved by music.

~ Kobayashi Issa, trans. Robert Hass

After the Gentle Poet Kobayashi Issa

New Year’s morning—
everything is in blossom!
   I feel about average.
   A huge frog and I
staring at each other,
   neither of us moves.
   This moth saw brightness
in a woman’s chamber—
   burned to a crisp.
   Asked how old he was
the boy in the new kimono
   stretched out all five fingers.
   Blossoms at night,
like people
   moved by music
   Napped half the day;
no one
   punished me!
Fiftieth birthday:
   From now on,
It’s all clear profit,
   every sky.
   Don’t worry, spiders,
I keep house
   casually.
   These sea slugs,
they just don’t seem
   Japanese.
Hell:
   Bright autumn moon;
pond snails crying
   in the saucepan.

~ Robert Hass

                   

Music by Luke Sital Singh, “Fail For You”

“The wind was off shore, and only broke the sea’s surface into long, silvery ripples, and sent sheeny shadows flying across it . . . like transparent wings.” ~ L. M. Montgomery, from Anne’s House of Dreams (Anne of Green Gables)

The Rocky Basalt Shore of the Sea of Galilee cc

                   

“The Four Winds light was built on a spur of red sand-stone cliff jutting out into the gulf. On one side across the channel, stretched the silvery sand shore of the bar; on the other, extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary—they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery—we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only—a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels. ”

~ L. M. Montgomery, from Anne’s House of Dreams (Anne of Green Gables)