Post hoc, ergo propter hoc . . .

Berthe Morisot Fall Colors in the Bois de Boulogne 1888

“Fall Colors in the Bois de Boulogne” (1888, watercolor)
by Berthe Morisot


Two for Tuesday: Post hoc

Tuesday afternoon. Cloudy and cooler, 66 degrees.

It’s a “West Wing” kind of day . . .

Josh Lyman: Someone give me a river to forge, a serpent to slay.

C.J. Cregg: What’s his problem?

Donna Moss: He’s been drinking from the keg of glory. We’re to bring him all the muffins and bagels in the land.

Toby Ziegler: We heard.

Well if every week were to begin with a Monday like my yesterday, I doubt I would ever leave my bed. Let’s just say that it was a day worthy of Finagle’s Law of Dynamic Negatives: Anything that can go wrong, will—at the worst possible moment.

All three of my children were in crises, and I was in the midst of a massive migraine brought on by stress and lack of sleep. It was a mixture of illness, stress, bills, and life. Somehow we all muddled through and managed to take care of a few pressing issues. And somehow I was able to sleep last night, short bursts of sound sleep, interrupted by my dogs’ incessant need to wander into the back yard in the middle of the night and look around, sniff the air and . . . just stand there as if they had all of the time in the world.

Anyway, I talked to Corey last night, and he seemed to be in the midst of his arm of the Murphy’s corollary, with things not going all that well for him either. Sometimes, sleep is the only answer.

                   

Edvard Munch Elm Forest in Autumn 1919-20

“Elm Forest in Autumn” (1919-20)
by Edvard Munch

After All This

After all this love, after the birds rip like scissors
through the morning sky, after we leave, when the empty
bed appears like a collapsed galaxy, or the wake of
disturbed air behind a plane, after that, as the wind turns
to stone, as the leaves shriek, you are still breathing
inside my own breath. The lighthouse on the far point
still sweeps away the darkness with the brush of an arm.
The tides inside your heart still pull me towards you.
After all this, what are these words but mollusk shells
a child plays with? What could say more than the eloquence
of last night’s constellations? or the storm anchored by
its own flashes behind the far mountains? I remember
the way your body wavers under my touch like the northern
lights. After all this, I want the certainty of hidden roots
spreading in all directions from their tree. I want to hear
again the sky tangled in your voice. Some nights I can
hear the footsteps of the stars. How can these words
ever reveal the secret that waits in their sleeping light?
The words that walk through my mind say only what has
already passed. Beyond, the swallows are still knitting
the wind. After a while, the smokebush will turn to fire.
After a while, the thin moon will grow like a tear in a curtain.
Under it, a small boy kicks a ball against the wall of
a burned out house. He is too young to remember the war.
He hardly knows the emptiness that kindles around him.
He can speak the language of early birds outside our window.
Someday he will know this kind of love that changes
the color of the sky, and frees the earth from its moorings.
Sometimes I kiss your eyes to see beyond what I can imagine.
Sometimes I think I can speak the language of unborn stars.
I think the whole earth breathes with you. After all this,
these words are all I have to say what is impossible to think,
what shy dreams hide in the rafters of my heart, because
these words are only a form of touch, only tell you I have no life
that isn’t yours, and no death you couldn’t turn into a life.

~ Richard Jackson

                   

Anne Redpath A Borders River Landscape, Lyon and Turnbull, Edinburgh

“A Borders River Landscape, Lyon and Turnbull, Edinburgh” (nd, oil on board)
by Anne Redpath

The Layers

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray. When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

~ Stanley Kunitz

                   

Music by Great Lake Swimmers, “Moving Pictures Silent Films”

Sunday afternoon . . .

William-Adolphe Bouguereau Petite fille au bouquet 1896 oil on canvas

Petite fille au bouquet (1896, oil on canvas)
by William-Adolphe Bouguereau

Animated version of above


 “At the heart of all great art is an essential melancholy.” ~ Federico García Lorca

Sunday afternoon. Partly cloudy, warmer and humid, 79 degrees.

Woke up with the same headache and a buzzing sound in the back of my head only to realize that Mike was out back with the chainsaw working on the tree that fell on the fence. Corey is paying him to do the work while he’s gone, and man, is it a job and a half. I don’t think that Corey realized just how much stuff was overgrown back there; I know I didn’t.

Anyway, it’s another necessary part of getting things done around here, so that’s a half check on the list (project isn’t completed). Moving right along . . .

The following series of images appeal to the part of me who wishes she had been an art history major. More and more, I wish that I had gotten one of my degrees in art history, as I find that my love of art is almost as intense as my love of words. I only wish that I had been exposed to the art that I see and share on a daily basis back when I was working for the art museum. I think, no, I know that I could have gotten even more out of the experience.

I spent more than one lazy hour wandering the galleries when I found myself overwrought and overstressed. It never failed to calm me.

Anyway, I’m pretty sure that I’ve shared the video by Italian animator Rino Stefano Tagliafierro before, but I don’t think that I’ve posted the images individually. I find these animations of Renaissance paintings so compelling, and admittedly, some more than a bit creepy. Tagliafierro took around 100 images and brought them to life using the 2.5D effect. I’m reposting his short video “Beauty” below.

The aspect of this that truly amazes me is how, because of the rich details and layers of light, these paintings lent themselves so well to being animated, not that I’m implying that what Taliafierro did was in any way easy. Do I dare to think that many of these old masters would appreciate the repurposing of their original works? I do, and I think that they would. But that’s just me.

Enjoy.


Music by Joshua Radin, “Someone Else’s Life”

                     

Musée Des Beaux Arts

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just
walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s
horse
Scratches its innocent behind on a tree.

In Brueghel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water: and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

~ W. H. Auden

“This is what I miss, Cordelia: not something that’s gone, but something that will never happen.” ~ Margaret Atwood, from Cat’s Eye

Theodor Kittelsen, Øde, 1904

“Øde” (1904, illustration)
by Theodor Kittelsen


“And you wait, you wait for that one thing
that will infinitely enlarge your life;
the gigantic, the stupendous,
the awakening of stones,
depths turned round toward you.” ~ Rainer Maria Rilke, from “Memory,” trans. by Edward Snow

Thursday night. Partly cloudy, 73 degrees.

Another lovely day. The temperatures continue to drop, and I couldn’t be happier about it.

Theodor Kittelsen Dragen 1904

“Dragen” (1904, illustration)
by Theodor Kittelsen

So I finally called the repair place that had my phone because Corey hadn’t heard from them. When he took it in for repair, they had said two days for the part to come in and seven days before it would be ready, so I figured yesterday at the latest. I called, and they said that it had been ready for a week and that they had tried to call the number given (Corey’s), but it didn’t work.

Such complete ca ca (one word or two?) . . .

Before I left to get the phone, I looked for the SIM card, which I was pretty sure Corey had said that he put on my dresser. Trouble is that when I dusted the furniture last week, I didn’t think about the SIM card, so it’s probably been dusted into some strange place in my bedroom. I decided to pay the $10 to get a new one and save my back the pain of looking under things for something thinner than a dime.

Anyway, phone is back, but it wasn’t charged when they gave it to me (would that really have been that hard to do?), and I discovered that the USB port I keep in my car is broken. Always something. So glad to have my phone back, though, mostly because I hate being tied to a house phone in one room of the house, in this case, the dining room where I spend very little time. We have other phone connections throughout the house, but it would have meant moving furniture to get to them, and frankly, I just didn’t have that in me.

“On the beach the sadness of gramophones
deepens the ocean’s folding and falling.
It is yesterday. It is still yesterday.” ~ Mark Strand, from “Nostalgia”It is yesterday. It is still yesterday.” ~ Mark Strand, from “Nostalgia”

Last night I had some crazy dreams, or maybe all one dream:

I dreamed that there had been an earthquake in downtown, and the only way to get about was through a chute. I got to the opening of the chute, but I realized immediately that I would never be able to put myself in it without having a complete claustrophobia-induced panic attack, so I walked on the top of it. I got to the center of the city, and it was a mess. There were piles of things everywhere, and there were people looking for their belongings.

Theodor Kittelsen Nøkken_som_hvit_hest The Nix as a white horse 1909

“Nøkken som hvit hest aka The Nix as a White Horse” (1909, illustration)
by Theodor Kittelsen

At first, I kind of randomly looked for my things, first my books, which I was somehow able to summon from the wreckeage by simply saying something like “Shakespeare,” and all of my Shakespeare would stack up in front of me. Of course, it meant that I got everyone else’s Shakespeare as well, which didn’t make me very popular, so I stopped summoning.

Then I began to look for other things, mostly antiques. As order began to be restored, people began to set up impromptu shopping stalls. One of my long-deceased English professors told me that he was only communicating by Twitter these days, but he wanted to give me some old statues of famous writers, like Poe. I found a pair of garnet earrings that were 50 percent off, and Brett found a cool carved pipe.

I happened to run into an old beau of mine, and when I went to introduce him to Corey, Corey refused to shake his hand, claiming that he had just smoked a cigarette. It was very awkward.

I ran into my ex and his sister, and there was a fight about an old turntable and some china.

The dream finished with me trying to find a tire store to replace my tires because I had bought the wrong size, and we needed to drive to Ohio. The whole thing was utterly bizarre. I awoke with a headache . . . as usual.

“It is the finely wrought
detail that captivates us; not
the thing you’ve said, but how you’ve said it.” ~ Amy Glynn Greacen, from “Sword Lily”

Other than the phone fiasco and the mind-blowing dreams, not a lot else going on. I’ve been perusing the web looking for affordable kitchen cabinets and other things. Since we’re preparing the house to sell, I don’t want to install the knotted pine cabinets I had in mind. It would just be a waste.

Theodor Kittelsen Nøkken, 1887–92 aka The Water Spirit

“Nøkken aka The Water Spirit” (1887–92, illustration)
by Theodor Kittelsen

I’ve been reading books by Dominick Dunne in recent days. Not sure how I got on that tangent, but I finished The Two Mrs. Grenvilles last night, based on the 1955 Woodward shooting, and before that I read A Season in Purgatory, An Inconvenient Woman, and Another City, Not My Own.

The thing I like about Dunne’s books is that they are thinly-veiled retellings of famous true events, but he is able to get away with more because he disguises them as fiction. I find Dunne’s handling of these romans à clef (novels in which real characters/situations are disguised) quite skillful, but at times his name-dropping gets a bit tedious, especially with Another City, Not My Own, which has his narrator Gus Bailey covering the O. J. Simpson murder.

Still, it’s enjoyable and fast reading.

Not much else to say. Life goes on . . .

More later. Peace.

All images are by Norwegian artist and illustrator, Theodor Kittelsen (1857-1914).

Music by One Two, “Without You”

                   

Canary

for Michael S. Harper

Billie Holiday’s burned voice
had as many shadows as lights,
a mournful candelabra against a sleek piano,
the gardenia her signature under that ruined face.
(Now you’re cooking, drummer to bass,
magic spoon, magic needle.
Take all day if you have to
with your mirror and your bracelet of song.)
Fact is, the invention of women under siege
has been to sharpen love in the service of myth.
If you can’t be free, be a mystery.

~ Rita Dove

 

“Doesn’t it make you shiver? | There’s a fearlessness I envy | In the simple soft wavering dark.” ~ Alicia Ostriker, from “Ohio Evening”

Spring Grove Cemetery & Arboretum, Cincinnati by David Ohmer FCC

Johnny Appleseed Statue, Spring Grove Cemetery & Arboretum, Cincinnati by David Ohmer (FCC)


 

These things float around in my head
Like a boat that cuts its motor
In the middle of a lake,
Where under a full moon and no wind
The singing of the crickets far away
Goes up and up like a curtain of beads.” ~ Alicia Ostriker, from “Ohio Evening”

Monday afternoon. Cloudy and humid, 73 degrees.

Cooler temperatures have me longing for fall—red and orange foliage, mountain trails, the smell of loam and cold spring water, crisp apples straight from the orchard, wildflower honey. Ah me. I don’t know if I’ll make it through a real post today, so I’ll just start musing and see where it takes me, okay?

So Corey heard from the landowner, and it doesn’t look promising. The owner wants to sell outright, no lease to buy, and that’s perfectly understandable; also,  the other family that is very interested in the property told him that they can have the financing by March of next year. So if we want this property, we need to sell one of these houses so that, we hope, we can secure a new mortgage for the property before March 2015.

Did you get all of that?

Tofukuji Temple, Japan by Ari Helminen FCC

Tofukuji Temple, Japan by Ari Helminen FCC
Even though this image has a copyright symbol on it, it was listed on the photographer’s site as being creative commons

In essence, unless we sell something, we’re not going to get my dream property. And the bummer is that we just cannot put our house on the market without doing some work on it. I refuse to take a loss on this house, which might seem stubborn, but it would seem too much like a failure.

Here’s what we need to do to put it on the market:

  • Rip up the old carpet and make the floors look presentable
  • Install a new back door
  • Replace all of the windows
  • Gut the kitchen and install new cabinetry and tile
  • Paint everything
  • Replace a couple of interior doors
  • Have central ac installed
  • Replace three ceiling fans and install new lighting in the kitchen
  • Finish the bathroom

“And you are left in the end with all that pain cannot take from you.” ~ Carole Maso, from Beauty is Convulsive: The Passion of Frida Kahlo

It actually isn’t a whole lot, and we can do everything except for the AC, and if we do the work, I think that we can get everything done for between 20 and 30K.

I mean, the boys and I can work on the painting while Corey is out. If we’re not staying here, then we don’t need to install the expensive door that I had picked out, and we can save on the kitchen cabinetry as well. Doing a kitchen is not nearly as hard as doing a bathroom; I know this because I’ve done the kitchen in this house before (my ex and I). Installing cabinetry takes a level and two people to handle the cabinets.

Oregan Trail in Autumn by Ian Sane FCC

Oregon Trail in Autumn by Ian Sane (FCC)

Corey has said that he never wants to take on another renovation project himself, having been almost defeated by the bathroom gut and reno; he says that he would rather hire someone to do it, but I think if it means the difference between getting and not getting this property while we wait for funds to do the work, he may see it my way. At least I’m hoping he will. This is one of those situations in which it would be nice if his brothers lived closer so that they could chip in a day or two of help, especially his brother Chad, who is incredibly handy and seems to just know how to do anything.

Anyway, if we start on this work next month, I honestly think that we could be finished by December, and then we could put the house on the market.

Am I not being realistic? Maybe. But this means too much to me to just sit back and accept that we cannot do it.

“A thousand dreams within me softly burn.
From time to time my heart is like some oak
whose blood runs golden where a branch is torn.” ~ Arthur Rimbaud, from “Evening Prayer,” trans. Wyatt Mason

As far as putting the house on the market, I have no idea what the market is like in this area at the moment. I haven’t been in touch with any of my realty contacts in years, so I don’t know if the market is a buyer’s or a seller’s or no one’s. I know that the market has rebounded since the crash of 2007, and I know that it isn’t inflated like it was in 2004-05. Other than that, I have no idea if we can even sell this stupid house.

GE Eastman House, NY by Lisa Cook fcc

GE Eastman House, NY by Lisa Cook (FCC)

I really don’t want to think about it any more at the moment. Let’s see, in other news . . .

I’ve been eating everything in sight for the past few days. No idea where that’s coming from unless it’s stress. It’s stress . . . it’s always stress . . . I throw up . . . it’s stress . . . I eat too much . . . it’s stress . . . I can’t sleep . . . it’s stress . . . I sleep too much . . . it’s stress.

Sheesh. Whatever.

Later this afternoon I’m picking up Olivia, and she’ll stay with me until tomorrow. At least I have that to look forward to. A few hours with le bébé, and almost always it puts me right as rain, even though it leaves me exhausted . . . it’s stress . . .

More later. Peace.

Music by Luke Sital, “Nearly Morning”

                   

So Much of the World

So much of the world exists
without us

the mountain in its own steepness

the deer sliding
into the trees becoming
a darkness
in the woods’ darkness.

So much of an open field
lies somewhere between the grass
and the dragonfly’s drive and thrum

the seed and seedling,
the earth within.

But so much of it lies in someone
standing alone at the edge of a field
with a life apart

feeling for a moment
the plover’s cry
on the tongue

the curve and plumb
of the apple bough
in limb and bone.

So much of it between
one thing and another,

days of invitation,
then of release and return.

~ Gregory Djanikian