Sunday afternoon . . .

William-Adolphe Bouguereau Petite fille au bouquet 1896 oil on canvas

Petite fille au bouquet (1896, oil on canvas)
by William-Adolphe Bouguereau

Animated version of above


 “At the heart of all great art is an essential melancholy.” ~ Federico García Lorca

Sunday afternoon. Partly cloudy, warmer and humid, 79 degrees.

Woke up with the same headache and a buzzing sound in the back of my head only to realize that Mike was out back with the chainsaw working on the tree that fell on the fence. Corey is paying him to do the work while he’s gone, and man, is it a job and a half. I don’t think that Corey realized just how much stuff was overgrown back there; I know I didn’t.

Anyway, it’s another necessary part of getting things done around here, so that’s a half check on the list (project isn’t completed). Moving right along . . .

The following series of images appeal to the part of me who wishes she had been an art history major. More and more, I wish that I had gotten one of my degrees in art history, as I find that my love of art is almost as intense as my love of words. I only wish that I had been exposed to the art that I see and share on a daily basis back when I was working for the art museum. I think, no, I know that I could have gotten even more out of the experience.

I spent more than one lazy hour wandering the galleries when I found myself overwrought and overstressed. It never failed to calm me.

Anyway, I’m pretty sure that I’ve shared the video by Italian animator Rino Stefano Tagliafierro before, but I don’t think that I’ve posted the images individually. I find these animations of Renaissance paintings so compelling, and admittedly, some more than a bit creepy. Tagliafierro took around 100 images and brought them to life using the 2.5D effect. I’m reposting his short video “Beauty” below.

The aspect of this that truly amazes me is how, because of the rich details and layers of light, these paintings lent themselves so well to being animated, not that I’m implying that what Taliafierro did was in any way easy. Do I dare to think that many of these old masters would appreciate the repurposing of their original works? I do, and I think that they would. But that’s just me.

Enjoy.


Music by Joshua Radin, “Someone Else’s Life”

                     

Musée Des Beaux Arts

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just
walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s
horse
Scratches its innocent behind on a tree.

In Brueghel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water: and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

~ W. H. Auden

“September: it was the most beautiful of words, he’d always felt, evoking orange-flowers, swallows, and regret.” ~ Alexander Theroux, from Darconville’s Cat

Mark TObey Orange Leaves sumi ink on paper

“Orange Leaves” (1965, Sumi ink on paper)
by Mark Tobey


“Perhaps my life is nothing but an image of this kind; perhaps I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn what I should simply recognize, learning a mere fraction of what I have forgotten.” ~ Andre Breton, from Nadja

Saturday, late afternoon. Mostly cloudy, 77 degrees. Make that Saturday night, 74 degrees.

So this is how my day began:

Dreaming: Nooooo. Make it stop. Make it stop . . . (pounds something imaginary then bolts upright)

Thinks to self: No. Wait. What was that? Seriously? Did I just dream that?

Says out loud to dogs: Whoa. You know it’s time to make yourself get up when Kris Jenner enters your dream.

Dog 1 to Dog 2: Is she having weird dreams again?

Dog 2 to Dog 1: Obviously. She’s already talking to us, and it isn’t even noon yet.

Seriously? Kris Jenner? Whyohwhyohwhy?!? Those K women are already everywhere, so I certainly don’t need them intruding upon my dreams. Of course, the result was . . . wait for it . . . a migraine.

Surprise!

Anyway, I spent most of the afternoon reworking a poem I began yesterday. I was going to post it, but I don’t think that I’m ready. Instead, let me share some truth is stranger than fiction facts with you:

Source: 1 2 3 4 5 6 7
I can’t decide which person I am gladdest that I am not—the person who destroyed the moon landing footage or the financial analyst who advised the honchos at Yahoo to pass on buying Google.

More later. Peace.

Music by James Vincent McMorrow, “We Don’t Eat”

                   

The Motive for Metaphor

You like it under the trees in autumn,
Because everything is half dead.
The wind moves like a cripple among the leaves
And repeats words without meaning.

In the same way, you were happy in spring,
With the half colors of quarter-things,
The slightly brighter sky, the melting clouds,
The single bird, the obscure moon—

The obscure moon lighting an obscure world
Of things that would never be quite expressed,
Where you yourself were not quite yourself,
And did not want nor have to be,

Desiring the exhilarations of changes:
The motive for metaphor, shrinking from
The weight of primary noon,
The A B C of being,

The ruddy temper, the hammer
Of red and blue, the hard sound—
Steel against intimation—the sharp flash,
The vital, arrogant, fatal, dominant X.

~ Wallace Stevens

If it’s Friday, it must mean leftovers . . .

This week’s headline:

“Five years down the road, Harry might have become a fornicating, drug-addicted Evolutionist!” ~ Grace Anne fanfiction of Harry Potter

Friday afternoon. Sunny and lovely, 77 degrees.

I had an absolutely dreadful night, and at some point I had a horrible dream about a friend from whom I have been estranged for many years, but I dreamt that his two-year-old daughter had died in a horrible accident, and no one had told me . . . and then I was awakened this morning by some very loud yard machine that sounded as if it needed a new muffler. Egads.

I tend to have an allergic reaction to one of my pain medications: I start to itch all over, even into my scalp, so I try to avoid this particular medication unless I absolutely have to have it. Benadryl helps, sometimes. I bought some of that ointment that I had seen advertised—Tricalm, but I don’t see that it helps any better than plain old hydrocortisone cream. That’s seven bucks wasted. Anyway, I awoke several times during the night and morning because of the uncontrollable itching, do once the noise started, I just gave up and got out of bed.

I consoled myself for the lack of sleep by working my way through a small book: Drowned, by Swedish author Therese Bohman. I’ve been wanting to read more Swedish authors ever since I finished Stieg Larsson’s Millenium Trilogy. The story was good, even though the writing was a bit uneven, but I really did not like the ending.

Oh well.

“The couple’s problems might be sexy and Aquarian, but the solution was the same as it ever was: Allie had to ‘hold her tongue’ and ‘mend her ways’ to avoid ‘bossing and manipulating’ Kip.” ~ From a December 1970 “Can This Marriage be Saved?” column

I seem to be on quite a tangent lately, which is, unfortunately, compelled by too many recent news stories concerning domestic abuse, college rapes, and other vile things.

The warped world of 1950s marriage counseling:

Ladies Home Journal Illustration by Coby Whitmore 1959

Ladies Home Journal Illustration by Coby Whitmore (1959)

Do you remember the “Can This Marriage be Saved?” column in Ladies Home Journal? Well a recent article shed light on a patently one-sided vein to the early columns in the 50’s, 60’s, and 70’s. For example, in the case of Sue and her physically abusive husband Joe

But it was Sue who had the most work to do. She showed a lack of insight – she didn’t understand her husband. By refusing to have sex with him after he hit her, ‘she… touched off another almost inevitable explosion. Many husbands endeavour to make up for their misdeeds by such ardour, a fact of life that wise and loving wives accept.’

W-ORD Channel 7 News With John Oliver & Cookie Monster

Ah yes. The Scholastic Book Fair—nothing better. I used to send Alexis in with a blank check and a maximum budget. The librarians loved that. Good times.

Actress Nina Millin’s Beyoncelogues: “Best Thing I Never Had”

Classic Art Meets Magazine Covers:

Barbara Walters- Arrangement in Grey and Black No.1 (Whistler's Mother)

Barbara Walters + “Whistler’s Mother”

Kate Upton- The Priestess

Kate Upton + “The Priestess”

From beauty to blegh: Is this not one of the creepiest things you have ever seen?

Say what?

Photo: We'll have more steak in just a momentaneousment.

Brett and I were just discussing the failures of public schools, and then I saw this:

georgetakei:</p><br /><br /> <p>I’m going to need a lot of patience just to not hit my forehead so hard with my palm.<br /><br /><br /> Source: That’s Messed Up - http://po.st/1df5Hk

You put what in my candy?

Photo: The other OTHER white meat.

Definite face palm Tiger face palmmoment . . .

wtfpopo

Your weekly public service informational announcement:

This is so cool: Pendulum wave demonstration

I would love to own a pair of these jeans:

 

“This is what I miss, Cordelia: not something that’s gone, but something that will never happen.” ~ Margaret Atwood, from Cat’s Eye

Theodor Kittelsen, Øde, 1904

“Øde” (1904, illustration)
by Theodor Kittelsen


“And you wait, you wait for that one thing
that will infinitely enlarge your life;
the gigantic, the stupendous,
the awakening of stones,
depths turned round toward you.” ~ Rainer Maria Rilke, from “Memory,” trans. by Edward Snow

Thursday night. Partly cloudy, 73 degrees.

Another lovely day. The temperatures continue to drop, and I couldn’t be happier about it.

Theodor Kittelsen Dragen 1904

“Dragen” (1904, illustration)
by Theodor Kittelsen

So I finally called the repair place that had my phone because Corey hadn’t heard from them. When he took it in for repair, they had said two days for the part to come in and seven days before it would be ready, so I figured yesterday at the latest. I called, and they said that it had been ready for a week and that they had tried to call the number given (Corey’s), but it didn’t work.

Such complete ca ca (one word or two?) . . .

Before I left to get the phone, I looked for the SIM card, which I was pretty sure Corey had said that he put on my dresser. Trouble is that when I dusted the furniture last week, I didn’t think about the SIM card, so it’s probably been dusted into some strange place in my bedroom. I decided to pay the $10 to get a new one and save my back the pain of looking under things for something thinner than a dime.

Anyway, phone is back, but it wasn’t charged when they gave it to me (would that really have been that hard to do?), and I discovered that the USB port I keep in my car is broken. Always something. So glad to have my phone back, though, mostly because I hate being tied to a house phone in one room of the house, in this case, the dining room where I spend very little time. We have other phone connections throughout the house, but it would have meant moving furniture to get to them, and frankly, I just didn’t have that in me.

“On the beach the sadness of gramophones
deepens the ocean’s folding and falling.
It is yesterday. It is still yesterday.” ~ Mark Strand, from “Nostalgia”It is yesterday. It is still yesterday.” ~ Mark Strand, from “Nostalgia”

Last night I had some crazy dreams, or maybe all one dream:

I dreamed that there had been an earthquake in downtown, and the only way to get about was through a chute. I got to the opening of the chute, but I realized immediately that I would never be able to put myself in it without having a complete claustrophobia-induced panic attack, so I walked on the top of it. I got to the center of the city, and it was a mess. There were piles of things everywhere, and there were people looking for their belongings.

Theodor Kittelsen Nøkken_som_hvit_hest The Nix as a white horse 1909

“Nøkken som hvit hest aka The Nix as a White Horse” (1909, illustration)
by Theodor Kittelsen

At first, I kind of randomly looked for my things, first my books, which I was somehow able to summon from the wreckeage by simply saying something like “Shakespeare,” and all of my Shakespeare would stack up in front of me. Of course, it meant that I got everyone else’s Shakespeare as well, which didn’t make me very popular, so I stopped summoning.

Then I began to look for other things, mostly antiques. As order began to be restored, people began to set up impromptu shopping stalls. One of my long-deceased English professors told me that he was only communicating by Twitter these days, but he wanted to give me some old statues of famous writers, like Poe. I found a pair of garnet earrings that were 50 percent off, and Brett found a cool carved pipe.

I happened to run into an old beau of mine, and when I went to introduce him to Corey, Corey refused to shake his hand, claiming that he had just smoked a cigarette. It was very awkward.

I ran into my ex and his sister, and there was a fight about an old turntable and some china.

The dream finished with me trying to find a tire store to replace my tires because I had bought the wrong size, and we needed to drive to Ohio. The whole thing was utterly bizarre. I awoke with a headache . . . as usual.

“It is the finely wrought
detail that captivates us; not
the thing you’ve said, but how you’ve said it.” ~ Amy Glynn Greacen, from “Sword Lily”

Other than the phone fiasco and the mind-blowing dreams, not a lot else going on. I’ve been perusing the web looking for affordable kitchen cabinets and other things. Since we’re preparing the house to sell, I don’t want to install the knotted pine cabinets I had in mind. It would just be a waste.

Theodor Kittelsen Nøkken, 1887–92 aka The Water Spirit

“Nøkken aka The Water Spirit” (1887–92, illustration)
by Theodor Kittelsen

I’ve been reading books by Dominick Dunne in recent days. Not sure how I got on that tangent, but I finished The Two Mrs. Grenvilles last night, based on the 1955 Woodward shooting, and before that I read A Season in Purgatory, An Inconvenient Woman, and Another City, Not My Own.

The thing I like about Dunne’s books is that they are thinly-veiled retellings of famous true events, but he is able to get away with more because he disguises them as fiction. I find Dunne’s handling of these romans à clef (novels in which real characters/situations are disguised) quite skillful, but at times his name-dropping gets a bit tedious, especially with Another City, Not My Own, which has his narrator Gus Bailey covering the O. J. Simpson murder.

Still, it’s enjoyable and fast reading.

Not much else to say. Life goes on . . .

More later. Peace.

All images are by Norwegian artist and illustrator, Theodor Kittelsen (1857-1914).

Music by One Two, “Without You”

                   

Canary

for Michael S. Harper

Billie Holiday’s burned voice
had as many shadows as lights,
a mournful candelabra against a sleek piano,
the gardenia her signature under that ruined face.
(Now you’re cooking, drummer to bass,
magic spoon, magic needle.
Take all day if you have to
with your mirror and your bracelet of song.)
Fact is, the invention of women under siege
has been to sharpen love in the service of myth.
If you can’t be free, be a mystery.

~ Rita Dove