Lives in Pieces: Vale et memini (Goodbye and I Remember)

september-moon

A Postscript to Lives in Pieces (Sequence Out of Order)—As Yet Unfinished

 

Part 4 is still in progress. This poem was written after the events, but it addresses the resultant effects of the events. Sometimes life is not linear, especially in the retelling. More often than not, the poems that arise in the initial retelling are too raw, too intense, and so they must be subsumed until much later when they can be resurrected for retelling in another time, with different  pieces to surround and enfold them. This is the time for this poem. Its context will become clear once the whole story has been told. Perhaps I should wait until such time, but the words are crying out now to be heard. I must hearken to the words.

                                                                                                                          

For My Husband, Returning to His Lover

 

The lover speaks:

 “She is the sum of yourself and your dream.

Climb her like a monument, step after step.

She is solid.

 

As for me, I am watercolor.

I wash off.” — “For My Lover, Returning to His Wife,” by Anne Sexton

 

I ask my only love

if his new love

is prettier than I.

“The same,” he replies.

The same?  How can that be?

Look. If I stand naked

before my mirror,

it is obvious (at least to me),

my beauty and hers

cannot be the same.

For example, here,

hidden beneath the hairs of my

pubis, lies the scar

of the last child I bore him.

And here, in the hollow of my neck

is the flickering pulse

whose rhythm I have attuned

to only him.  And clearly,

my breasts have grown softer and lovelier

from use–four babies

have suckled them.  How many

have found sustenance at her breasts?

I pity their unused firmness.

Look closely, these faint gray lines

at the tops of both my thighs, surely

she has not acquired anything

quite as exquisite.  Mine are badges,

earned by keeping pace with him

for decades–the many treks

we made across life’s arduous terrain.

And this, explain this:

right here, this layer of skin,

thicker across my heart.

How can she possibly have

the same strong patch of derma,

repeatedly flayed and regenerated,

toughened from years of surviving

the fierce pain of first one loss

and then another?  The same? No.
 

He is wrong.  Her beauty

cannot compare.  I have lived

too long in the arms of grace.

I have all of the petals

of all of the flowers

he ever brought to my bed

scotch-taped to my hair.

And I have all of the salty droplets

from every tear

ever shed between us

collected here, in the deepening lines

surrounding my eyes.

Eyes that have seen

too many sleepless nights,

sleepless from comforting

his three living children–

set forth under the moon–

nurturing his flesh,

preserving his legacy.

Eyes that have grown so dark

from all they have absorbed

that they are almost liquid now.

Anyone’s eyes

can reflect the light as hers do.

How many eyes

can swallow pure light whole

and still enrapture

with just a glance?

The same?  No. I still have all

of his seed, given freely

every time he planted himself

within me, pooled here,

in this round part of my belly.

Her belly is flat.  What does it know

of planting and reaping? 

Show me the blood she has let

as I did when it came time

to sustain him, when only my corpuscles

could satisfy his concupiscence.

His teeth marks have formed ridges

all over my body–tattoos from the times

he could not taste me

deeply enough.

All of the magic lotions

in all of the pretty bottles,

will not fade these scars,

nor would I even try.
 

The same?  Foolish man!  Her beauty

comes from a soft, unsullied life

and Max Factor.  It is ephemeral, borne

of spun air and cloudless skies.  It

washes off

like a late afternoon shower,

fading quickly from memory.

Mine is borne of tempests–

fiercely fought hurricanes

and unforgiving, relentless winds.

My landscape is permanent

and far too complicated

to be compared to an empty orchard,

awaiting the coming of life’s sweet apples.

The same? No.  Forgive his ignorance.

Come closer. Can you not see?

The saint commits the sin.

Only wisdom

can offer absolution.

There is no wisdom

in evanescence. There is no permanence

in beauty without substance.

The same? No. Careless man.

What an inadequate answer

to an inane question.

Tell him to go and play in spring’s garden

where the blooms

have already begun to fade.

As for me, I have

an elegant tapestry to return to,

just waiting for more golden threads

to be woven into its strong, peerless fiber.

The same?  What I have

is as permanent as Michelangelo’s hand of God

reaching out to Adam.

The same?  What I hold

is as valued as all of the beads

on all of the rosaries

in all of God’s houses.

The same? Poor, silly lost man.

His fingers have become so caught

in her embrace

that he has forgotten

how to read maps. He has forsaken

all he knows to be true. The same?

I think not.

 

September 19, 1998

 

There will be more later. Peace.

 

 

 

One thought on “Lives in Pieces: Vale et memini (Goodbye and I Remember)

  1. Lita,
    Your poem is one of the most moving I have ever read. There is hurt, grief but the most moving aspect of it is the overwhelming pride and respect you have for yourself (and rightly so) You celebrate the life you once shared , good and bad in full knowledge that no one can ever take that away from you and she can never give that to him.
    What a woman you are!
    Maureen

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