Sharing this just because I found it interesting, more interesting than anything that I have to say today . . .
French words and phrases with no direct English translation
Dépaysement: The sensation of being in another country.
La douleur exquise: The heart-wrenching pain of wanting someone you can’t have. Even a Sex in the City episode was named after it!
Chômer: To be unemployed, but because it’s a verb, it makes the state active.
Profiter: To make the most of or take advantage of.
Flâneur: As defined in the book Elegant Wits and Grand Horizontals, it’s “the deliberately aimless pedestrian, unencumbered by any obligation or sense of urgency, who, being French and therefore frugal, wastes nothing, including his time which he spends with the leisurely discrimination of a gourmet, savoring the multiple flavors of his city.”
Esprit d’escalier: The literal translation is staircase wit, but it means to think of a comeback when it’s too late.
Retrouvailles: The happiness of meeting again after a long time.
Sortable: An adjective for someone you can take anywhere without being embarrassed.
Voila/voici: It’s so necessary that we use it all the time. “Voila” literally means “there it is” and “voici means “here it is.”
Empêchement: An unexpected last-minute change of plans. A great excuse without having to be specific
“In a time of universal deceit, telling the truth is a revolutionary act.” ~ George Orwell
Unconfirmed, but via Reddit: “Soldiers in Libya are using .50 BMG bullets on civilians. To put it in perspective, that’s the one on the left.”
“If you are not ready to die for it, put the word freedom out of your vocabulary.” ~ Malcolm X
The so-called February 17 revolution is not like the recent Egyptian protests that resulted in President Hosni Mubarak stepping down. Col. Muammar el-Qaddafi, ruler of Libya for the past 40 years (1969), has always been regarded as a loose cannon: unpredictable, volatile, and deadly. And after Qaddafi’s speech, it’s quite apparent that he does not intend to leave Libya peacefully, and as he put it, he expects to die as a martyr.
The 15-member U.N. Security Council has condemned Qaddafi’s use of violence against the protestors, and in a bold move, Libya’s deputy ambassador to the UN. Ibrahim Dabbashi, openly broke with the dictator, accusing Qaddafi of genocide: “I think the Qaddafi statement was a code for his collaborators to start the genocide against the Libyan people. They are attacking people in all the cities in Western Libya.”
According to ABC News, the Security Council is urging Libyan authorities to “act with restraint, lift restrictions against the press, ensure the safety of foreign nationals and allow immediate access for human rights monitors.”
Various reports put the death toll at anywhere from 500 to over 1,000 individuals. The U.S. and several European nations are urging their citizens to leave the country as soon as possible.
“No dictator, no invader, can hold an imprisoned population by force of arms forever. There is no greater power in the universe than the need for freedom. Against that power, governments and tyrants and armies cannot stand.” ~ J. Michael Straczynski
For another good background piece on the current revolution in Libya, see this article in The Atlantic by Associate Editor Max Fisher. In the meantime, I found the following Hopi quote to be uncannily relevant to what is happening in the world right now:
“You have been telling people that this is the eleventh hour. Now you must go back and tell people that this is the hour! And there are things to be considered: Where are you living? What are you doing? What are your relationships? Are you in right relation? Where is your water? Know your Garden. It is time to speak your truth. Create your community. Be good to yourself. And not look outside of yourself for a leader. This could be a good time! There is a river flowing very fast. It is so great and fast that there are those who will be afraid. They will hold on to the shore. They will feel that they are being torn apart, and they will suffer greatly. Know that the river has its destination. The elders say that we must let go of the shore, push off into the middle of the river, keep our eyes open, and our heads above the water. See who is in there with you and celebrate. At this time we are to take nothing personally, least of all, ourselves. For the moment that we do, our spiritual growth comes to a halt. The time of the lone wolf is over. Gather yourselves! Banish the word struggle from your attitude and your vocabulary. All that we do now must be done in a sacred manner and in celebration. We are the ones that we have been waiting for.” ~ The Elders, Oraibi, Arizona Hopi Nation
(Congressman Anthony Weiner (D-NY) became furious at his GOP colleagues during a debate over a 9/11 victims compensation bill. The bill would have provided up to $7.4 billion in aid to people sickened by World Trade Center dust.)
This is how politics should be, people: full of fire and passion and a belief in what is right. Yes, I am wearing my rose-colored glasses again, but my god, exactly when and where did we agree to such depraved complacency in the running of our government? Why do we not say and do more when the most basic bills get waylaid by people who want nothing more than to prove Obama wrong? This has nothing to do with Obama, or parties, or even politics. This has to do with doing what is right, what is morally right. Anything else is repugnant.
Castle Door and Keyhole by Horia Varlan (flckr creative commons)
“I have filled 3 Mead notebooks trying to figure out whether it was Them or Just Me.” ~ David Foster Wallace
This is all that I can muster tonight, and trust me, it’s much better than my own words:
“The truth is you already know what it’s like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes.
But it does have a knob, the door can open. But not in the way you think…The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali–it’s not English anymore, it’s not getting squeezed through any hole.
So cry all you want, I won’t tell anybody.” ~ David Foster Wallace
Ruins of 19th Century Manor House by alterallensteiner (flckr creative commons)
“Life is either a dream or a frenzy, inside an enclosure.” ~ D. H. Lawrence, Lady Chatterley’s Lover
Thursday evening. Rapidly dropping temperatures after a lovely high of 70 degrees.
First let me say that there will be no ranting tonight. Just thought I should let you know right upfront since the past two days have been pretty vitriolic, even for me.
Today I finally set up my Avon representative e-site. I thought that I would give this a whirl just to see if I can make a bit of money from it. Who knows. If anyone is interested in checking it out, click here. I did send an e-mail to a few people in my mailbox, but it was automatically generated, so I have no idea what it said . . .
So at the moment, I’m listening to some tunes and munching on saltines. I saw my PCP on Tuesday, and most of my blood work was fine. Only problem was that for some reason, the lab didn’t do my lipid profile or my thyroid, which meant that I had to fast again and go back on Wednesday. Those are probably the two most important tests for me: my triglycerides and my thyroid. One troubling thing: I seem to have adult onset diabetes (just barely). The reality is that if I start exercising again and cut down on the carbs (no rice?), I should be fine without any additional medication, which suits me just fine.
Tomorrow is the eye doctor. I don’t think that I’ve looked forward to an eye appointment so eagerly since my very first appointment which I had when I was 12. I had put off telling my mother that I thought that I needed glasses until I could no longer see the blackboard. For a while, I borrowed Kim Reese’s glasses (funny, the things you remember). I was so eager to have glasses so that I could see things clearly again, but getting used to glasses was hard as I didn’t wear them all of the time; hence, I lost my first pair fairly quickly.
The reason I didn’t wear my glasses all of the time? Because of something my mother said to me (and yes, you will probably be horrified): “Boys don’t make passes at girls who wear glasses.” What the hell? And you people wonder why I have such low self-esteem. That was fairly typical for the kinds of things my mother said to me, and at the time, it was a pretty stupid thing to say as I wasn’t even really interested in boys yet.
“With the daggers I pilfered from an angel I build my dwelling.” ~ Edmond Jabès, from “Slumber Inn”
(Just an aside: If you’ve never heard Eva Cassidy’s version of Sting’s “Fields of Gold,” you should give it a listen. Beautiful.)
Isn’t the above just a bone-jolting quote? “Daggers I pilfered from an angel”—wow. I mean, just think about it, someone writing about stealing daggers from an angel, the juxtaposition of the hard g-sound in daggers with the fluidity of pilfered and dwelling. Bold. Beautiful. Mystical. I love it.
I have come to Edmond Jabès late in life, but at least I have finally found him. Jabès was born an Egyptian Jew but was forced to relocate to France during the Suez Crisis in 1956, where he become one of the most famous post-war French poets. I haven’t read any of his books yet, but as is often the case in life, I keep running across quotes from his work in the strangest places, and the more I read, the more that I want to read. I suppose that I shall begin with The Book of Questions, Vol. I.
Paul Aster in the New York Review of Books said this about the book: “Neither novel nor poem, neither essay nor play, The Book of Questions is a combination of all these forms, a mosaic of fragments, aphorisms, dialogues, songs, and commentaries that endlessly move around the central question of the book: how to speak what cannot be spoken.” I find the description very appealing, that Jabès’ work is an amalgamation of writing forms.
“I have followed a book in its persistence, a book which is the story of a thousand stories as night and day are the prow of a thousand poems. I have followed it where day succeeds the night and night the day, where the seasons are four times two hundred and fifty seasons” ~ The Book of Questions, p. 325
“Mystery is truth’s dancing partner.” ~ Johann Wolfgang von Goethe
My tumblr dash continues to be a sustaining source of inspiration for me. I find that I open it each day with an emotion akin to giddiness (truthfully, I just don’t do giddy) at what new, beautiful things I will see and read there. The dash is where I first saw words by Jabès, where each day I see incredible photographs of abandoned castles, old writing desks, empty performance houses.
I’m not sure where my love of abandoned buildings comes from. I’ve only been in a few, but I love to see pictures of them. I’m certain that if I were younger and still able to do such things, I would be one of those urban adventurers who seeks out abandoned buildings, the ruins of castles and manor opens, old opera houses, empty hospitals that still house rusty gurneys in hollow exam rooms. I think that such places are filled with a singular mystery and beauty because they are abandoned. And once so, they assume a presence of their own.
The emptiness allows the imagination to run free: What kind of soprano stood in the middle of that stage? Was she wearing a red velvet dress? Who sat in this alcove and looked out the lake and the gazebo and the trees? How many people climbed this staircase? Why did they leave just the shell of a grand piano here and nothing else?
These are the kinds of things that I ponder if I just let my mind wander, and it only stokes within me more of a desire to visit these places, to walk through the crumbling entrance to an abandoned manor. It’s like Harry Potter returning to Sirius Black’s family home and looking beneath the dusty bed, finding part of a letter written in his mother’s handwriting. Those forgotten pieces of the past that most people see as trash and junk—what secrets do they hold?
I remember walking to school when we lived in London. Part of the route took us past the iron fence to an old hospital. One day, I noticed a woman’s black clutch purse shoved behind a bush. I thought about that purse for weeks: Who did it belong to? Who put it there? Why? I wanted to look inside that purse so badly that I almost became obsessed. I didn’t care about finding money; I wanted to see what the purse revealed about its owner. I still remember exactly what that purse looked like. I was six, seven at the most.
“When others asked the truth of me, I was convinced it was not the truth they wanted, but an illusion they could bear to live with.” ~ Anaïs Nin
Last night, in keeping with our newest addiction, Corey and I watched a particularly good episode of “Dr. Who” called “Vincent and the Doctor.” It was the episode in which the doctor and Amy Pond went back in time to Provence to see Vincent van Gogh (played by Tony Curran, a great likeness for the self-portrait). I had already seen this episode, but Corey hadn’t, and I really wanted to see it again because it was poignant.
When the doctor and Amy encounter the artist, he is the subject of public ridicule, being thrown out of cafes for not paying his bills, his works of art seen as garish depictions in which no one is interested. The appearance of the charming doctor and his companion provide a nice distraction for van Gogh (as an American, I am so used to Gogh being pronounced as go, so it was unsettling to hear the British pronunciation rhyme with cough, as in goff), who happens to be seeing invisible monsters.
Turns out, the monster, a Krafayis, is just as real as the other things that torture the artist. In the ensuing battle with the monster, Vincent accidentally kills the Krafayis while defending himself. But as the doctor, who realizes that the creature is blind, comforts the dying creature, the visibly stricken Vincent comments that the creature was only afraid and frustrated, feelings with which the artist can empathize.
But the part of the episode that I really liked the best was when the doctor and Amy took Vincent into the future so that he could see his paintings hanging in the Musée d’Orsay (I will go there one day) and to hear an art scholar (Dr. Black, played by the wonderful Bill Nighy) praise the artist by referring to him as “the greatest painter of them all” and “one of the greatest men who ever lived.” A stunned Vincent cries tears of joy and hugs and kisses the confused scholar.
The doctor and Amy had hoped that by affirming Vincent’s talent, that they might be able to keep him from the despair that drives him to take his own life a few months later. Of course, it doesn’t work. But during the episode, to hear the Vincent character speak about beauty and color so passionately is incredibly moving. I know: I’m a sap.
I have always loved van Gogh’s paintings, the vibrancy of the colors, his choices of subjects. But it has always been the brush strokes that have always fascinated me: they are almost ferocious, as if he couldn’t put the paint to the canvas fast enough or hard enough. What is must have taken out of him each time he created a canvas awash in color and a beauty that he saw, and how it must have devastated him that no one else saw it.
A tortured mind and a tortured soul who produced such immense beauty.
More later. Peace.
Music by Don McLean “Vincent (Starry, Starry Night)”
I Know My Soul
I plucked my soul out of its secret place,
And held it to the mirror of my eye,
To see it like a star against the sky,
A twitching body quivering in space,
A spark of passion shining on my face.
And I explored it to determine why
This awful key to my infinity
Conspires to rob me of
sweet joy and grace.
And if the sign may not be fully read,
If I can comprehend but not control,
I need not gloom my days
with futile dread,
Because I see a part and not the whole.
Contemplating the strange, I’m comforted
By this narcotic thought: I know my soul.