Finally, the true meaning of sportsmanship and fair play. If this doesn’t put a smile on your face, then you should go live in a box.
Finally, the true meaning of sportsmanship and fair play. If this doesn’t put a smile on your face, then you should go live in a box.
Wednesday early evening. Sunny and mild, 59 degrees.
I must admit that I was shocked to receive the notice from the WordPress people that my blog is five years old. I really had no idea. That first year, my posting was erratic, with a total of only 135 posts, with just two in that first February of 2008. By the end of the year I was posting almost regularly and beginning to hit my stride. In fact, I’m not even ashamed of most of that first year’s posts, which is saying something.
Blogging was a new beast for me, and I only got into it because of a professor who gave us the assignment to create a website of some sort for his class. It was a very open-ended assignment, and several people in the class opted for WordPress blogs. Not being familiar with WordPress, I went the difficult route of purchasing a domain name and paying for hosting. I remember those initial attempts at coding my own site not at all fondly. It was painful, and the end result was . . . pitiful.
After noticing the WordPress address in other people’s assignments, I finally got a clue and moved to a platform that did the coding for me, provided me with options for layouts and widgets and all of that good stuff, and I have had no desire to move since. It’s a good fit for me: ridiculously easy at the best price of all—free. I am forever thankful that there are people out there who like to code and even more, who like to share that coding with those of us who can’t.
So when I began this blog, what did I hope for, what did I expect? I don’t know. I remember being excited beyond belief the first time that someone actually commented on a post. This is wonderful, I thought. Someone out there found me and read me. How cool is that? And then when that stats counter went past 100 hits, I wanted to break out the champagne. One hundred hits! One hundred!
They like me. They really like me, a la Sally Field.
Okay, then I came back to earth when I realized that people were getting that many hits in one minute, when I saw that there were people with hits in the millions. Ooh, blog envy. It’s not a pretty thing, and that first year I was filled to the brim with envy. Why couldn’t I glam onto a phenomenon like Mudflats, or some such thing, and be propelled into the blog elite? I know, I know. Petty.
Really though, I guess what I wanted was to be able to say anything that I wanted, without fear of repercussion or ridicule, and I wanted people to read me, and okay, I wanted them to like me. It mattered, that whole liking thing. But then something quite unexpected happened: I began to enjoy myself. I found other people to read. I realized that I wasn’t such a strange bird, after all, and I began to care less about being liked and more about having something to say.
Year two (2009) saw me finding a groove, deciding on a format that incorporated quotes and images and trying to have an underlying theme with each post. And then when I began tumblr in June of 2010, I think everything kind of clicked: Here was the companion to my writing blog, a source for quotes and images to complement my words.
And, well, here I am five years later. And here are some of the things that I have learned along the way:
Art of Neuroscience Competition 2012
Blogging has been a lifeline for me in so many ways, helping to keep me sane (somewhat), and grounding me, giving me that tether to the outside world, especially now that I am less in the world than I used to be. A few observations:
Art of Neuroscience Competition 2012
The other aspect that I want to address is that of the act of writing itself. I know that I go on and on about not finishing my novel, about not having an agent, about not being a real writer (whatever that is) . . . and all of this is yet another prime example of how I don’t believe in myself enough, how I am my own worst enemy. With that in mind, I thought I’d force myself to do a bit of analysis:
Art of Neuroscience Competition 2012
By the way, this is post 1200. Thanks for sticking with me through the years. Thank you for commenting, for sending me e-mails and cards, for enabling my chocolate addiction. Thank you for five years. I wonder if there will be five more.
More later. Peace.
(All images are from the 2012 Art of Neuroscience Competition, sponsored by the Netherlands Institute for Neuroscience)
Music by Andrew Belle, “In My Veins”
Sometimes, I Am Startled out of Myself,
like this morning, when the wild geese came squawking,
flapping their rusty hinges, and something about their trek
across the sky made me think about my life, the places
of brokenness, the places of sorrow, the places where grief
has strung me out to dry. And then the geese come calling,
the leader falling back when tired, another taking her place.
Hope is borne on wings. Look at the trees. They turn to gold
for a brief while, then lose it all each November.
Through the cold months, they stand, take the worst
weather has to offer. And still, they put out shy green leaves
come April, come May. The geese glide over the cornfields,
land on the pond with its sedges and reeds.
You do not have to be wise. Even a goose knows how to find
shelter, where the corn still lies in the stubble and dried stalks.
All we do is pass through here, the best way we can.
They stitch up the sky, and it is whole again.
~ Barbara Crooker
The Failure of Language
First day of class, I ask the students, by way
of introduction, what they believe:
Language is our best tool, or language fails
to express what we know and feel.
We go around the room.
Almost everyone sides with failure.
Is it because they’re young,
still find it hard to say what they mean?
Or are they romantics, holding music and art, the body,
anything wordless as the best way in?
I think about the poet helping his wife to die,
calling his heart helpless as crushed birds
and the soles of her feet the voices of children
calling in the lemon grove, because the tool
must sometimes be bent to work.
Sitting next to my friend in her hospital bed,
she tells me she’s not going to make it,
doesn’t think she wants to,
all year running from the deep she’s now drowning in.
I change the flowers in the vase,
rub cream into her hands and feet.
When I lean down to kiss her goodbye,
I whisper I love you, words that maybe
have lost their meaning, being asked to stand
for so many unspoken particulars.
The sky when I walk to the parking lot
this last weekend of summer
is an opal, the heat pinkening above the trees
which dusk turns the color of ash.
Everything we love fails, I didn’t tell my students,
if by fails we mean ends or changes,
if by love we mean what sustains us.
Language is what honors the vanishing.
Or is language what slows the leaving?
Or does it only deepen what we know of loss?
My students believe it’s important
to get the words right.
Once said, they can never be retrieved.
It takes years to learn to be awkward.
At their age, each word must be carefully chosen
to communicate the yes, but also leave room
for the not really, just kidding, a gateway car
with the engine running.
Inside us, constellations,
bit thread knotted into night’s black drape.
There are no right words,
if by right we mean perfect,
if by perfect we mean able to save us.
Four of us pack up our friend’s apartment.
Suddenly she can’t live unassisted.
I remember this glass, part of a set
I bought her years ago
when she became for a time a scotch drinker.
I bought it for its weight, something
solid to hold, and for the way an inch or two
of amber would look against its etched walls.
I wrap it in newspaper and add it to the box marked Kitchen.
It’s my friend herself who is fragile.
When I take her out to eat, each step is work.
The restaurant is loud and bright.
She wants to know if she looks normal.
I make my words soft. Fine,
which might be the most useless word in English,
everything is going to be fine.
The Routine after Forty
Because my mother doesn’t ask questions,
not the way I would, grilling the oncologist
until she ripped a corner off the examining-table paper
and drew it out, I don’t really understand
what it means to have the markers for cancer.
But later in the week, the technician
giving me a mammogram is surprisingly clear
when I ask her, and reassuring. Everyone’s body
produces cancer cells all the time,
she tells me. She’s blond and ample,
looks like someone who could fix
a leaky sink, then make a pie
to take to a party. But we slough off
the irregular cells, catching early
whatever bad is pitched our way.
Listening to her, I love my body,
its diligence, the work I know nothing about.
Markers in the blood show the body no longer able
to do this. I’ve shed my paper jacket,
the one handed to me so I would feel less naked
as my breasts lay on the glass plate
like fish on ice. When the jacket slipped,
I let it fall, so now I’m standing here
topless with a little sticker like a pasty
on each nipple, a reference point for the radiologist.
The technician and I have passed the formality
of modesty. Bad things bombard us daily
but for years we are stronger than what will kill us.
You can get dressed now
she tells me, but what I want
is to put my head in her lap,
have her stroke my hair while I tell her
how much I will miss my mother
when she is gone.
The markers of grief,
because my body will accommodate
the vast loneliness of my life without my mother.
My head in the technician’s lap,
her fingers lacing my hair,
tell me again about how hard the body tries,
how most of the time it wins.
Music by Gravenhurst, “The Diver”