Two for Tuesday: Peter Everwine
Back from the Fields
Until nightfall my son ran in the fields,
looking for God knows what.
Flowers, perhaps. Odd birds on the wing.
Something to fill an empty spot.
Maybe a luminous angel
or a country girl with a secret dark.
He came back empty-handed,
or so I thought.
Now I find them:
the barbed weeds
all those with hooks or horns
the snaggle-toothed, the grinning ones
those wearing lantern jaws,
old ones in beards, leapers
in silk leggings, the multiple
pocked moons and spiny satellites, all those
with juices and saps
like the fingers of thieves
nation after nation of grasses
that dig in, that burrow, that hug winds
and grab handholds
in whatever lean place.
In a corner under the eaves
of the porch, a nesting dove—
the same returning dove—tosses
a few dry weeds, willy-nilly,
into the prevailing wind, then waits
for them to fall in place. Some do.
Because I mean her no harm
she allows me to draw close
to her precarious balcony.
I bid her good morning,
she cocks her head at me and blinks—
two old familiars who share
a moment of dappled light falling
on the peaceable kingdom
of the front porch.
This morning, a light drift
of feathers on the lawn
and the day’s expectations sour.
Each spring this dumb show of events
repeats itself: a nest abandoned, another
plundered by crow or jay, eggs
spilled from their thatch, an inch
of blue flesh, like a maimed thumb,
drying in the sun.
Does the dove, in its season,
despite its plaintive moan, learn nothing?
And I, in mine? I fetch the paper
from the lawn, people drive by
to another day of work.
Nothing is brought to completion.
Later I’ll sweep away the nest—empty,
again, of everything but a blind
belief in the possible.
Music by Kill it Kid, “Caroline”