“Nobody wanted your dance,
Nobody wanted your strange glitter – your floundering
Drowning life and your effort to save yourself,
Treading water, dancing the dark turmoil” ~ Ted Hughes, from “God Help the Wolf after Whom the Dogs Do Not Bark”
Sunday afternoon, partly cloudy and quite warm, 90 degrees.
Yesterday was the birthday of notable British poet Ted Hughes (August 17, 1930-October 28, 1998).
I know that I said I would continue the NRA post today, but I just can’t. I need a break. I worked on that frigging post for over eight hours, and my body hasn’t recovered. When I get into intense writing mode, I don’t pay attention to my posture, and I tend to sit with all of my muscles tensed. Of course, the result is that I pay for it afterwards. Today my shoulders are a bundle of knots, as is my lower back, which negates any relief I may have gotten from the trigger point injections.
I’m still awaiting a prior authorization on my Robaxin (muscle relaxer), which is what I take during the day, every day. I really need that. Well, that, or a masseuse. Don’t have either at the moment.
Corey and I both got a lot done yesterday: I wrote a thoroughly researched article, and he finished the fence on the back pasture for the goats. Hoorah, hoorah.
Anyway, back to Ted Hughes, who some of you may know as the husband of the poet Sylvia Plath; their marriage and her suicide negatively colored his reputation as a writer until his death, but he was incredibly talented in his own right. Unfortunately for Hughes, the woman for whom he left Plath, Assia Wevill, killed herself and their 4-year-old daughter Shura after Plath’s death. Hughes spent the remainder of his life writing and farming with his second wife, Carol Orchard.
If you want to know more Hughes and Plath, the 2008 book The Letters of Ted Hughes is a great read, as is his 1998 book Birthday Letters. I own the latter but not the former; it’s on my wish list. I enjoy reading the correspondence of writers as the majority of them lay themselves bare in notes and letters. It always strikes me as being much more immediate than a biography.
You can find a good biography here on the Poetry Foundation site. The Paris Review interviewed Hughes for its “Art of Poetry Series” (No. 71) in 1995. You can find the article here. In the following quote Hughes discusses how location affected his writing, something I am always pondering myself:
Ever since I began to write with a purpose I’ve been looking for the ideal place. I think most writers go through it.
. . . When I came back to England, I think the best place I found in that first year or two was a tiny cubicle at the top of the stairs that was no bigger than a table really. But it was a wonderful place to write. I mean, I can see now, by what I wrote there, that it was a good place.
I chose “A Woman Unconscious,” the poem below, because once again, its content seems so timely, especially in light of the recent nuclear missile explosion in Russia
More later. Peace.
A Woman Unconscious
Threats nudge an act that were without doubt
A melting of the mould in the mother,
Stones melting about the root.The quick of the earth burned out:
The toil of all our ages a loss
With leaf and insect. Yet flitting thought
(Not to be thought ridiculous)
Shies from the world-cancelling black
Of its playing shadow: it has learned
That there’s no trusting (trusting to luck)
Dates when the world’s due to be burned;
That the future’s no calamitous change
But a malingering of now,
Histories, towns, faces that no
Malice or accident much derange.
And though bomb be matched against bomb,
Though all mankind wince out and nothing endure —
Earth gone in an instant flare —
Did a lesser death come
Onto the white hospital bed
Where one, numb beyond her last of sense,
Closed her eyes on the world’s evidence
And into pillows sunk her head.
Music by You + Me, “Love Gone Wrong”