Wordless Wednesdays . . .

Wednesday afternoon, cloudy and cooler, 79 degrees.

Sometimes, word are simply not enough.


Music by 2Cellos, “Now We Are Free”

“Everything we care about lies somewhere in the middle, where pattern and randomness interlace.” ~ James Gleick, from The Information: A History, a Theory, a Flood


“Anxious, we keep longing for a foothold-
we, at times too young for what is old
and too old for what has never been;
doing justice only where we praise,
because we are the branch, the iron blade,
and sweet danger, ripening from within.” ~ Rainer Maria Rilke, from “Sonnets to Orpheus: XXIII” (Trans. Stephen Mitchell)

Monday afternoon, storms and dropping temps, 84 degrees.

About half an hour ago, a line of thunderstorms whipped through here, and it was pretty wild. The girl goats and Sassy (the horse) were all clustered on the porch for shelter from the fierce wind, and Tillie was hiding in the bathroom. Fortunately, it was a quick storm, but more are looming on the horizon.

Speaking of the bathroom, last night I had a major scare: I was switching out laundry when I heard a rattle. A large (in my mind) black snake was hanging out on the corner of the work table on which I stack the folded laundry. I made some kind of weird noise and hightailed it out of there. Corey was standing in the hall when this happened, and as he’s asking me, “What? What?” I’m trying to say the word snake, but honestly, I’m not sure if any real words came out of my mouth.

My deep, abiding phobia about snakes has not lessened with time. If anything I think that it might be worse.

So Corey goes on snake patrol only to tell me that everything is fine because the snake had gone back under the house. I did not find this statement nearly as comforting as he would have thought because my first thought was how in the hell did it go back under the house from the bathroom?

Apparently, there is a hole beneath the pipes. Great. Just g-r-e-a-t……..

“Today my grief abated like water soaking
underground, its scar a little path
of twigs and needles winding ahead of me
downhill to the next bend. Today I let
the rain soak through my shirt and was unharmed.” ~ David Mason, from “In the Mushroom Summer”

When I told Corey that I was afraid to go to the bathroom in the middle of the night because of what might be lurking (I don’t usually turn on the light), he laughed, but I reminded him that I knew of a real incident in which a snake was in the toilet: one of my parents’ neighbors across the back fence once found out the hard way that a snake was in his toilet.

I will never forget that story. Is it any wonder that I am terrified of snakes?

I realized that moving to the country meant that I would encounter more wildlife, and I’m okay with that—mostly—but that doesn’t mean that I’m okay with snakes in the house. I remember when Brett’s partner lived in our house, and she had a pet snake; I could only go in their room if I kept my eyes averted. Granted it was a small snake, but it was still a snake, in the house, in my house.

Full body shudders.

(Note: I had to leave this post on Monday so that we could go see Dallas. Ended up being caught in a downpour. More on this later)

“A burning sense of injustice, sobs, sorrow: desire to fight back, and no time or energy to do so,” ~ Sylvia Plath, from a journal entry, April 22, 1958

Wednesday afternoon, more storms, warm and humid, 84 degrees.

Corey and I made the trip to see Dallas because we had a proposition: We would trade him Beric the goat to get Napoleon back; however, when we got to his house, he was nowhere to be found. He’s taken to hiding in his house because animal control has been called on him. So we searched everywhere, and then a big storm hit. As we were waiting for the storm to pass, Dallas’s nephew drove up with Dallas in the truck.

The attempts at conversation were futile as Dallas was drunk, and there’s just no talking to him when he’s like that. I don’t particularly want Dallas to have Beric, but I’m desperate to get Napoleon back over here. The long and short of it, though, is that I don’t think that he’s ever going to bring Napoleon back, and truly, that breaks my heart. Dallas is known for giving and then taking back when he gets mad. We’ve heard stories of such from several people and from Dallas himself. I really wish that I had known this before he ever brought the horses over here, before I became too attached.

You just shouldn’t tell a person that you’re giving them something, when in fact you don’t mean give at all. Quite frankly, I’m sick to death of the man and his constant stream of lies and tall tales. So I just need to resign myself to this reality. If only I had the money to offer to buy Napoleon and bring him home.

“We are amazed how hurt we are.
We would give anything for what we have.” ~ Tony Hoagland, from “Jet”

So more snake news: last night I started to go into the bathroom only to find Ash staring intently at something near the toilet. I backed out, and Corey went in and wrangled the snake again. He’s fairly certain that it’s the same snake. I did not look closely enough to notice. Thank god Ash was on high alert as I probably wouldn’t have noticed or been able to see the damned thing as my eyesight is getting worse.

Funnily enough, earlier in the day Corey had pointed out that a snake was wrapped around one of the fence posts, and he thought that it was probably the same snake. He asked me if he should kill it, and even though I hate, hate, hate it, there’s no good reason for killing a black snake as they are harmless. Well, almost harmless. A couple of weeks ago Corey found a black snake in the chicken coop, and it was trying to eat one of the chickens. So there’s that . . .

Enough on my ophidiaphobia; I wouldn’t say herpetophobia as I’m not afraid of all reptiles, only snakes.

“I know I am restless and make others so,
I know my words are weapons full of danger, full of death ~ Walt Whitman, from “As I Lay with My Head in Your Lap Camerado”

I had originally planned to post pictures of all the goats for Wordless Wednesday, but I really wanted to finish this post as the longer that it remains unfinished, the more I stress over it, and one of the main reasons I keep this blog is to write away my stress, not compound it.

Anyway, here’s the current goat status: four females, three males. The Nubians are Sylvia,  Bobby, Roland, and the new baby Zeke. Ruby is a Miniature Nubian. Daisy is a pygmy, and Beric is a Nigerian Dwarf. Corey’s plan is to breed and sell registered Nubians and Miniature Nubians. Bobby gave birth to Zeke a week ago, but she had no interest in nursing him, so both he and Roland are currently in the house being bottle fed, but Roland is almost ready to be weaned (even though he probably doesn’t think so).

I find it more than a little amusing that Corey has managed to spoil the two goat babies in the same way that I spoil dogs and cats. It’s so bad that Roland cries at night if Corey leaves the kitchen, which is where we have the crates for both of them. Corey puts Roland in his crate for the night, and then he has to wait for Roland to fall asleep; otherwise, his cries get progressively louder and more anxious, and I swear that it’s as unnerving as listening to a baby cry.

Well, that’s all for now, folks. More later. Peace.


Music by Wafia (featuring Finneas), “The Ending”


[from the sustaining air]
from the sustaining air
fresh air
There is the clarity of a shore
And shadow,   mostly,   brilliance
summer
                the billows of August
When, wandering, I look from my page
I say nothing
      when asked
I am, finally, an incompetent, after all
~ Larry Eigner (found on Poetry Foundation)

 

 

“A nothingness that compounded nothing into being” ~ Wangechi Mutu and Juliane Okot Bitek, from The Rwanda Genocide, twenty years later: 100 Days of photographs + poems

Rwanda Genocide Aftermath by Larry Towell (Magnum Photos)

Two for Tuesday: The Rwanda Genocide, Twenty Years Later

Tuesday morning, sunny, cooler, 64 degrees.

I had this post planned for last week, but then life intervened. I came upon a link on tumblr that led me to this incredible site, and I knew that I had to write a post about it.

100 Days by Wangechi Mutu

A little back story: In 1994, a world away, I found myself horrified by ongoing reporting of the Rwanda genocide because no one anywhere in the world truly intervened in the madness. The images that I saw made me seriously contemplate what genocide means and how some genocides seem to matter more than others based on exactly where in the world they occurred and what peoples were involved, and I have just never understood that.

Over 800,000 people were slaughtered during the 100 days of this ethnic cleansing. If you are unfamiliar with the history of the Rwanda genocide, this article provides a good explanation of what happened and how the rest of the world reacted. When it was all over, we heard that pat phrase “never again” once again. Never. Again. Empty words. Small comfort, hollow placation. We even have a month for it:

You hear this solemn pledge a lot every April, since the month commemorates not only Holocaust Remembrance Day but the official anniversaries of both the Armenian and Rwandan genocides. Leaders at every level seem to love hearing themselves declare “Never Again.” But those who mean it have no power and those with power never mean it. The record speaks for itself.

I won’t apologize for the politics of this post. I’m tired. I’m tired physically and emotionally. I’m tired of myself. I’m tired of things, and I’m so tired of the state of this country and of the world at large and all of hollow promises and untruths that continue to fall from the lips of politicians and world leaders.

As to the following poems I chose for this post, I think that the best way to describe the 100 days project is to use Juliane Okot Bitek’s words

On April 6th, 2014, Wangechi Mutu posted a picture on social media via Facebook and Instagram. It was the photograph of a woman whose somber pose was that of an exhausted spirit. She titled the picture #100Days #Kwibuka20 – and immediately, I knew what I had to do. The photograph provided me an “in” to the conversation that I’ve wanted to be a part of for more than twenty years. I wanted to think about what it means to be a witness, however obliquely, and how to create solidarity with people who have some idea about the experiences of people I know and love. I decided to write and post “100 Days,” a poem for every day from April 6th forward, inspired by Wangechi Mutu’s work . . .

I wrote to Wangechi and suggested that I compose a poetic response to her photos, and she agreed. I have been posting a poem a day, thinking about what it means to engage with such knowledge today, twenty years after. What do commemorations and declarations do for people who are still deeply haunted and scarred by those events that we think of as History? What is it to be in a world that witnessed yet did nothing about your suffering? How do we hold just enough bitterness to keep us focused on what needs our attention? Above all, what does it mean for us to witness the suffering of others? It is so easy to stay hypnotized by the swirl of information that comes at us from the internet, in print and, of course, on television. How much out there does not reflect the reality of our day to day hauntedness?

It was hard to choose just two images and two poems, and if you are at all interested, I suggest you follow the links.

There will be more later. Peace. Please.


Day 78 by Wangechi Mutu

Day 92

We wish for absolution, for a clearing,
for a forgetting, a filling of the heart
& a joyousness once more

We wish for children of innocence
we wish for an instantiation of things
a rationality that resonates with our emotions

We wish for the silence of the moon
the quieting of ghosts
& a peace to rest in

Day 96

What is the essence of beauty?
Why do mists swirl and rise but never completely disappear?
Why should iron gleam through soil?
Why should our dances be graceful, our cloths bright
Our memories long, our language rich and layered?
Why should beauty render us speechless?
What is it to come from a land that swallows its own people?”

~ Wangechi Mutu and Juliane Okot Bitek, from “The Rwanda Genocide, twenty years later: 100 Days of photographs + poems”


Music by Svrcina, “Who are you?”