“We are our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.” ~ Tom Robbins, from Still Life with Woodpecker

Saturday snippets  . . .

Saturday afternoon, rainy and cold, 46 degrees.

Well, here is what’s been happening in the ongoing saga of non-functioning laptop. On Sunday last, I decided to bite the bullet and completely reset my laptop in an attempt to fix the script errors and all of the other stuff that’s been making posting well nigh impossible without pulling out my hair. I’ve spent the days since reloading the stuff that was deleted in the reset, finishing updates, etc. At first, it looked promising that things had been fixed, and then not so much.

I’m still trying to work out the bugs, and that New Year’s post that I began over two weeks ago (really? that long?) is still unfinished. I decided to post the following quote by Tom Robbins just to let you know that yes, I’m still here, but no, I haven’t fixed my laptop or my internal dysfunctions to allow for regular posting.

I’m trying. Truly I am.


How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding—escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience—maybe those people, people who won’t talk to rednecks, or if they’re rednecks won’t talk to intellectuals, people who’re afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar’s Hell. Some folks hide, and some folk’s seek, and seeking, when it’s mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren’t afraid to look and won’t turn tail should they find it—and if they never do, they’ll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth’s sweet gas.

~ Tom Robbins, from Still Life with Woodpecker


Music by Flora Cash, “You’re Somebody Else”

“We are right at the start, do you see. As though before everything. With a thousand and one dreams behind us and no act.” ~ Rainer Maria Rilke, from “Notes on the Melody of Things” (Section I)

I began this post Sunday afternoon, and then my computer decided to act up again. All of the script errors are back, and now whenever I do a search, half of the results page is blank. I’ve scanned for malware, and the scan says that everything is fine, but obviously, everything is not fine. I am so weary—these recurring computer issues always seem to rear their ugly head precisely at the moment in which I have decided to post, that exact moment in which I am finally ready to sit here and just let the words pour forth.

The fates conspire against me.


Sunday afternoon, partly cloudy, 43 degrees.

Rainer Maria Rilke wrote “Notes on the Melody of Things” in 1898, when he was only twenty-two years old, but the piece was not published in his lifetime. Many of the same ideas from “Notes” appeared in another essay, “The Value of theMonologue.” I have chosen to share just a few of my favorite passages, but you can find the full text here.

III. That occurs to me: when I observe: that we still always paint people against a gold background, like the Italian Primitives. People stand before something indefinite—sometimes gold, sometimes gray. Sometimes they stand in the light, and often with an unfathomable darkness behind them.

XVI. Whether it be the singing of a lamp or the voice of a storm, whether it be the breath of an evening or the groan of the ocean — whatever surrounds you, a broad melody always wakes behind you, woven out of a thousand voices, where there is room for your own solo only here and there. To know when you need to join in: that is the secret of your solitude: just as the art of true interactions with others is to let yourself fall away from high words into a single common melody.

XX. In other cases, when there is no difficult, heavy pain to make people equally silent, one of them hears more of the powerful melody of the background, the other hears less. Many no longer hear it at all. They are like trees that have forgotten their roots and now think that the rustling of their branches is their power and their life. Many people don’t have time to hear it. They are impatient with every hour enveloping them. These poor, homeless people have lost the meaning of existence. They strike the keyboard of their days and play the same, monotonous, lost note over and over again.

XXI. If, then, we want to be initiates of life, we must keep two things in mind:

First, the great melody, in which things and scents, feelings and pasts, twilights and desires, all play their parts; —

and second: the individual voices which augment and complete this full chorus.

Today is the birthday of novelist and playwright Frances Hodgson Burnett (November 24, 1849 – October 29, 1924), author of one of the first books that I chose to read as a child, The Secret Garden (1911). I still have a very clear memory of the local library’s children’s section, the exact location of the stacks I used to spend countless hours perusing in search of books to read.

I also read her other well-known book The Little Princess (1905), which was turned into a movie with child actor Shirley Temple, but I much preferred a lesser known book The Lost Prince (1915). Even as a child, I had a propensity for finding an author and dedicating myself to reading as much of that author’s oeuvre as I could get my hands on. When you are an only child, books can be a reliable bulwark against loneliness, as they were for me.

More later. Peace.


Music by Ben Cocks, “So Cold”

If it’s Friday, it must mean leftovers . . .


“For we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.” ~ George Eliot, from Middlemarch

Friday afternoon, drizzle, 48 degrees.

Another week without much production on my part. I’ve spent over a week trying to coordinate the delivery of my next Aimovig shot, and the entire process has been unnecessarily tedious and difficult, talking with different reps each day, being told different things each day, being told delivery was scheduled only to find that it has not been scheduled.

As I’m getting this medication free, I probably should not complain, but what bothers me the most is that I have been unable to introduce this medicine into my system uninterrupted; it’s one of those things that needs consistency to work best, so because of the hiccup in delivery, I’m starting over.

Things like this tend to consume my attention, which means that everything else falls by the wayside, which, most especially, means posting (or not posting, as it were) with any regularity. Add to this the stress resulting from the omnipresent impeachment hearings, and my daily allotment of brain cells burns up far too quickly.

I know. I could not pay attention to the politics, and I could ignore the incompetence of the people giving me incorrect information, but you and I both know that I won’t.

Oh well . . . . . . Have some leftovers . . . . . . . . .

Today is the birthday of British writer George Eliot, pen name for Mary Ann Evans (November 22, 1819–December 22, 1880). You can read about her here.


Need this:

Yep.

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This explains Japan’s love affair with all things Kit Kat related:

It never fails to happen . . .

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Too true, that . . .

Took me a second . . .

Do I detect a bit of sarcasm?

The memes are vicious today:

And finally: