We were gone all afternoon, so of course, the dogs had a field day. Their latest trick is unfurling rolls of toilet paper and TP’ing the house. It’s adorable . . . not at all.
Had an MRI on my neck today. Wasn’t as bad as some that I’ve had in the past in that it didn’t take as long, and the machine had a wider opening so I didn’t feel as if I couldn’t breathe. The biggest surprise was that they wanted a $40 payment before they would do the test. Supposedly someone told me this, but neither Corey nor I remembered that, which is a sure sign that it didn’t happen as I always try to tell him in advance so that at least he’ll remember. This has happened before here, but never used to happen in Norfolk.
Weird. Even weirder? They gave me a 10 percent discount for paying on the day of the test, but I couldn’t get the test done unless I paid on the day on which it was scheduled. Now figure that one out
Still having major sleep issues. Maybe now that cooler weather seems to be here finally I’ll be able to sleep better at night. Who knows. Dreams have been wicked intense and detailed. Continuing issues with my prescription coverage, being told different things by different people working for the same place. That’s always fun, fun, fun.
Anyway, just wanted to do a quick note to try to get back into more regular posting once again.
Today is the birthday of an incredible poet, Amiri Baraka (October 7, 1934-January 9, 2014). You can read about him at the Poetry Foundation site. I’m including a beautiful poem that I used to feature in my American Literature classes. I liked to begin the discussion by asking the class about the implications of the poem’s title . . .
More later. Peace.
Preface to a Twenty Volume Suicide Note
for Kellie Jones, born 16 May 1959
Lately, I’ve become accustomed to the way
The ground opens up and envelopes me
Each time I go out to walk the dog.
Or the broad edged silly music the wind
Makes when I run for a bus…
Things have come to that.
And now, each night I count the stars,
And each night I get the same number.
And when they will not come to be counted,
I count the holes they leave.
Nobody sings anymore.
And then last night, I tiptoed up
To my daughter’s room and heard her
Talking to someone, and when I opened
The door, there was no one there…
Only she on her knees, peeking into
“Many in legacy media love mass shootings. You guys love it. I’m not saying you love the tragedy. But I am saying that you love the ratings. Crying white mothers are ratings gold . . .” ~ Dana Loesch, NRA Spokeswoman from speech at 2018 CPAC
Monday afternoon, cloudy and very humid, 86 degrees.
So I decided that I should try to finish my companion post on the NRA, Wayne LaPierre, and NRATV (here is link to Saturday’s post). Honestly, I feel that writing about it is one of the best things that I can do in response to the most recent gun violence massacres. I don’t know how effective my forum actually is as regards getting some kind of message out there, but if I don’t try, then I shouldn’t complain. I mean, I’m pretty much removed from access to marches until I have a working vehicle, but I have to at least try to participate however I can.
I realize that Mitch McConnell, in not forcing Congress back into session, is probably hoping things will die down before Congress resumes, that the recent violence will not be so fresh in people’s minds, which means that calls for reform can be glossed over with more important things, like continuing to benefit from an influx of Russian cash into his home state of Kentucky. But I’m hoping that the American people will not be lulled back into complacency so easily this time, that the three mass killings in less than two weeks will continue to be a raw wound that gnaws at us so that the momentum for reform doesn’t stall.
And so I will continue to write and to post.
“If it’s crazy to call for putting police and armed security in our school to protect our children, then call me crazy.” ~ Wayne LaPierre, NRA EVP/CEO
I have to say that I, for one, am incredibly glad that there were no weapons in schools when I was teaching middle school. Having been personally involved in three (yes, three) altercations, I can only imagine what would have happened if one of those kids had been able to grab someone’s gun. It actually gives me chills to contemplate it.
Most of the outrageous things that Wayne LaPierre predicts never come to fruition, like when he declared that there was a “massive Obama conspiracy to deceive voters and hide his true intentions to destroy the Second Amendment during his second term.” Or when LaPierre stated that in a 1995 fundraising letter that a ban on semi-automatic weapons would give “jack-booted government thugs more power to take away our constitutional rights, break in our doors, seize our guns, destroy our property, and even injure or kill us.”
I’ll give him this: The man loves his rhetoric.
But we don’t need any more rhetoric. We may not even need an assault-weapons ban as it’s so easy for manufacturers to work around it as they did in the 90’s. But could we at least discuss seriously universal background checks and restrictions on large capacity magazines? Poll after poll show that the majority of Americans are behind these reforms. I mean, come on—when you hunt, do you need a magazine that holds 30 rounds? There won’t be much of that quail left if you unload your magazine into it.
I also think that places like Wal-Mart and others should have limits on how much ammunition can be purchased at one time. Now before all of you survivalists out there scream at me (not that I think there are actually any in my audience), I know that you stockpile ammo for the zombie apocalypse. I also know that you buy your supplies gradually over time. It’s the people intent on doing harm who go in and buy 1,000 rounds, like the Las Vegas shooter in 2017. He purchased 720 rounds from just one dealer. It needs to be harder to get so much ammunition because right now, there are no limits, and the NRA fights any time a state tries to impose such limits.
Admittedly, the irony is that the Las Vegas shooter passed his background check for his weapons, which included 23 guns, including a handgun in his hotel room and 19 firearms at his home in Mesquite, Nevada. But he didn’t have to pass any kind of check for the ammunition that he had, which allowed him to commit the largest mass shooting in the country’s history.
Anyway, enough of my stream of consciousness on all of this. I had wanted to feature info on the NRA’s now defunct TV station, which was yet another vehicle by which millions of dollars of the organization’s money were spent, but the last post was so darned long that I had to break things up—and they’re both still too long . . .
“They [mainstream media] are the rat-bastards of the earth. They are the boil on the backside of American politics.” ~ DANA LOESCH, political commentator/NRA’s national spokesperson, on NRATV
During the NRA’s 2019 annual meeting Oliver North was forced out as president amid reports of infighting and budget deficits and accusations of financial improprieties, including money the organization spent on NRATV, which aired a particularly embarrassing segment in September of the previous year (see image above). In addition to his role as NRA president, North was hired by Ackerman-McQueen in a seven-figure contract to produce content for NRATV.
In June, the group’s chief lobbyist and head of political operations, Chris Cox, was suspended and then later resigned following allegations that he and North attempted to extort LaPierre. In legal filings, the NRA contends that North conspired with Ackerman and McQueen, Cox, and board member Dan Boren “to unseat the NRA’s executive leadership and give Ackerman lucrative, de facto control over its largest client.” The NRA contends that North called LaPierre’s assistant in April and allegedly threatened that Ackerman McQueen would reveal information about the CEO and the organization’s finances that would “cause maximum reputational harm,” according to the NRA complaint.
The following timeline of the fight between NRA and its advertising agency comes from Media Matters:
September 7, 2018: Loesch showed Thomas & Friends characters with KKK hoods on during her NRATV show.
March 11, 2019: The New York Times reported that several board members “questioned the value” of NRATV following Loesch’s segment.
April 12, 2019: The NRA files a lawsuit against its ad agency and producer of NRATV, Ackerman McQueen.
April 17, 2019: A Trace article written in partnership with The New Yorker exposed more than a decade of financial problems at the NRA, including that the group “has run annual deficits of as much as forty million dollars” and currently spends less than 10% of its budget on firearms education, safety, or training.
April 24, 2019: NRA updates its civil lawsuit complaint against Ackerman McQueen, saying Oliver North “double-dipped by drawing a salary” from the group and the ad agency.
April 26, 2019: Executive Vice President and CEO Wayne LaPierre accuses North of trying to extort him.
April 27, 2019: North is forced out on the third day of the annual meeting.
April 27, 2019: NRA suspends its top lawyer. Following North’s departure, Steve Hart, a longtime lawyer for the NRA board of directors, was reportedly suspended.
April 27, 2019: New York attorney general opens an investigation into NRA’s tax-exempt status.
April 29, 2019: NRA elected Carolyn Meadows to succeed North as its newest president; Meadows is on the board of an organization that maintains the largest Confederate monument in America.
May 2, 2019: Questions arise about LaPierre’s travel expenses.
May 6, 2019: Meadows claimed Rep. Lucy McBath won her House race because she is a “minority female.”
May 15, 2019: Leaked documents show “lavish” spending for LaPierre despite poor conditions for NRA staff.
May 22, 2019: NRA files a second lawsuit against Ackerman McQueen requesting $40 million in damages.
May 23, 2019: Ackerman McQueen files countersuit against NRA asking for up to $100 million in damages
May 29, 2019: Ackerman McQueen submits a notice to terminate its contract with the NRA, leaving NRATV’s future in question.
June 2, 2019: The NRA admits “the concept” of NRATV “remains under review.”
June 3, 2019: Ackerman McQueen claims the NRA is preventing them from cooperating with Senate Finance Committee subpoena.
June 6: The NRA subpoenaed North and two other board members.
June 7: NRATV host Grant Stinchfield said, “If you think I’m too blunt, our words are too strong, quit your whining, get serious about this fight or move over and let someone else fight for you.”
June 9: Post reports that the NRA “bought nearly $3.1 million in ammunition and other supplies” from Crow Shooting Supply, run by former board member and president Peter Brownell.
June 10: Daily Beast reports that NRA told North to pick a side.
June 19: Ackerman McQueen warns NRATV could be shut down within days because NRA owes the ad agency nearly $1.7 million for promotional work.
June 20: NRA suspends its second-in-command after an alleged failed coup attempt against its chief executive. In a lawsuit filed on June 19, the NRA alleged that text messages and emails show top lobbyist Chris Cox and another board member discussing their efforts to oust NRA Executive Vice President Wayne LaPierre.
“I was returning to my musty court and madness but my kind of madness.” ~ Charles Bukowski, from “Would You Suggest Writing as a Career?”
Monday afternoon, rainy and much cooler, 72 degrees.
It’s a Charles Bukowski kind of day; by that I mean that it’s ordinary, but depressing in its ordinariness. I’m of two minds about Bukowski: I like some of his poetry, but his short stories sometimes get on my nerves because they are so filled with misogyny. I was just perusing the 1983 collection Tales of Ordinary Madness (originally published by Lawrence Ferlinghetti in 1972). Bukowski had a seeming antipathy towards women that I have a hard time getting past. Yet at the same time, he wrote some lines that were real pearls. For example, take the closing line of one of his short stories, “A .45 to Pay the Rent”:
then the beautiful child was asleep and the moon was full.
It’s such a peaceful line, closing a story with such violent undertones.
The truth is, though, that Bukowski was a true curmudgeon: he just didn’t get along with most people, and he found ordinary life hard, taxing. So he drank and smoked and did drugs, none of which I really do; nevertheless, I sometimes feel a real affinity for the man, the writer, and the intense creative force that compelled him.
“‘Would you suggest writing as a career?’ one of the young students asked me. ‘Are you trying to be funny?’ I asked him. ‘No, no, I’m serious. Would you advise writing as a career?’ ‘Writing chooses you, you don’t choose it.’” ~ Charles Bukowski, from “Would You Suggest Writing as a Career?”
I was reminded of the collection when I was prowling the ether looking for quotes that fit my mood for today. I may have over 100 draft posts filled with quotes and poems and songs, but none of them seemed to fit today’s mood. Then I found the quote for this section, which I have always loved, which led me to search for an online copy of the short stories. I found one here as a PDF, if you are so inclined. I actually found a site that has nothing but quotes from the collection. You can find it here if you’re interested.
Anyway, the drastic switch in temperatures and dropping barometric pressure has caused a combination sinus/migraine, which probably accounts for my weird mood. No real surprise there. Intense pressure and pain do not make for a pleasant afternoon under any circumstances, as I am sure you can agree.
One good thing on the horizon, though: Corey was able to borrow a small horse trailer that works with a standard hitch. We should be able to bring Napoleon home today or tomorrow, depending on weather. I am so relieved.
“I like to prowl ordinary places and taste the people— from a distance.” ~ Charles Bukowski, from”59 Cents a Pound”
This section quote comes from a poem contained in the book (epub here) Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit. I mean, how can you not love something with that title? It’s as if Bukowski was at times two different people. The crass woman-hater in the short stories, and the astute observer of humanity and life in the poems. I mean, he wrote poems about the souls of dead animals and dreaming of injured cats; there’s a remembered section from some poem, “It’s so easy to be a poet | and so hard to be | a man.”
Truthfully, though I have never read a biography on him, so I probably should do so before attempting to analyze the man in any kind of cogent way.
There was actually a point here. The title of the collection reminds me so much of my friend Gail Kelly from the medical school. She came to me one afternoon so excited because she had found the Tom Waits’ song called “The Piano Has Been Drinking.” It was a classic Gail moment. She was a wild woman, and like so many of my friends, I lost touch with her, and that’s really a shame because we had a real connection.
But back to me and my headache.
It hurts. My eyes are throbbing and I’m typing without really focusing on the screen, not just because of the head but also because the pair of glasses that I use during the day is an old pair of prescription sunglasses, and I lost a nose piece the other day. I haven’t pursued getting a new pair of glasses because of the whole cataract thing. I’m hoping to have an eye exam in August, and perhaps then I can get a referral to an eye surgeon; although, I would really prefer to have the operation done in Norfolk, but who even knows if I can swing that.
Allow me to apologize. I know that this post has been all over the place. Like I said in the beginning: a Bukowski kind of day.
That’s about all for now. More later. Peace.
Music by Tom Waits, “The Piano has been Drinking,” what else? I picked one with the lyrics. For Gail.
59 cents a pound
I like to prowl ordinary places
and taste the people—
from a distance.
I don’t want them too near
because that’s when attrition
but in supermarkets
I can look at their bodies
and their faces
and their clothing—
watch the way they walk
or what they are doing.
I’m like an x-ray machine
I like them like that:
I imagine the best things
I imagine them brave and crazy
I imagine them beautiful.
I like to prowl ordinary places.
I feel sorry for us all or glad for us
caught alive together
and awkward in that way.
there’s nothing better than the joke
the seriousness of us
the dullness of us
buying stockings and carrots and gum
buying birth control
and toilet paper.
we should build a great bonfire
we should congratulate ourselves on our
we stand in long lines
we walk about
I like to prowl ordinary places
the people explain themselves to me
and I to them
a woman at 3:35 p.m.
weighing purple grapes on a scale
looking at that scale very
she is dressed in a simple green dress
with a pattern of white flowers
she takes the grapes
puts them carefully into a white paper
that’s lightning enough
the generals and the doctors may kill us
but we have
“It was that sort of sleep in which you wake every hour and think to yourself that you have not been sleeping at all; you can remember dreams that are like reflections, daytime thinking slightly warped.” ~ Kim Stanley Robinson, from Icehenge
Monday afternoon, partly cloudy and slightly cooler, 83 degrees.
Last night’s dream:
Lots of numbers and colors. Five people on a team, myself, the leader, and three other men. The three men married, one for 36 years. A woman with a scar down the back of her head. Five jewels: emerald, diamond, ruby, garnet and topaz. Three witches. One feather. Wind blowing in two different directions, one side red, one side green. Three SUVs, one police car. Three bicycles. A mall, meeting four other women at 7:30. Makeup from three stores. A purple file folder on sale for $4.07. Half a xanax and $100 someone owed me. Fried green beans, a deli pickle served on a bed of sprouts. Five pans of food on a circular stove. One glass of bourbon. A spiral staircase. Eamonn as a toddler reaching for the five pans of food.
Woke up to the sound of barking. Exhausted.
Corey dreams I was married to a man named Andrew . . .
Music by Dustin Kensrue, “This Good Night is Still Everywhere”
It’s beautiful outside today, and I had planned to take a walk with the dogs, but in looking for my other shoe, I began going through boxes, which is never a good idea if you’re trying to do something else. So . . . no walk.
Anyway, still not in a great frame of mind. Easter is always hard for me because of too many memories of Caitlin. In that vein, I’m sharing a video from “The Magicians” because it’s actually a perfect companion to my thoughts at the moment.
The cast of “The Magicians” singing “Take on Me” for Quentin:
“—all are mingled, combined, amalgamated in Notre-Dame. This central mother church is, among the ancient churches of Paris, a sort of chimera; it has the head of one, the limbs of another, the haunches of another, something of all.” ~ Victor Hugo
Monday night, clear and cold, 39 degrees.
Rather than a regular post, I feel the need to share some key passages from Victor Hugo’s Notre-Dame de Paris (1831), better known as The Hunchback of Notre Dame.* The burning of this historical masterpiece just breaks my soul, and as news images around the world depict, countless individuals are mourning the loss. The world has lost far too many architectural wonders—to time, but more so, to the ravages of war and genocidal myopia—far too many to list here.
Fans of the Disney movie and/or the novel may be unaware that Hugo originally wrote his book because he was so dismayed by the state of disrepair in which the great cathedral sat in the 1800’s. Hugo wanted to preserve the Gothic architecture he believed was tied so directly to France’s history, rather than see it succumb to renovation or destruction in favor of Baroque buildings. Quasimodo, the hunchback, represents all of the deformities bestowed upon such architecture by subsequent generations, and Hugo bestowed in Quasimodo a pure love for the cathedral and all of its many statuary: “the cathedral was not only society for him, but the universe, and all nature beside.”
Hugo and his endearing creation helped to lead to the massive 1844 restoration of Notre-Dame. The following passages are taken from Chapter 1 of the third book:
The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. But, beautiful as it has been preserved in growing old, it is difficult not to sigh, not to wax indignant, before the numberless degradations and mutilations which time and men have both caused the venerable monument to suffer, without respect for Charlemagne, who laid its first stone, or for Philip Augustus, who laid the last.
On the face of this aged queen of our cathedrals, by the side of a wrinkle, one always finds a scar. Tempus edax, homo edacior; which I should be glad to translate thus: Time is a devourer; man, more so.
If we had leisure to examine with the reader, one by one, the diverse traces of destruction imprinted upon the old church, time’s share would be the least, the share of men the most . . .
. . . the tranquil grandeur of the whole; a vast symphony in stone, so to speak; the colossal work of one man and one people, all together one and complex, like the Iliads and the Romanceros, whose sister it is; prodigious product of the grouping together of all the forces of an epoch, upon each stone, one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation, in a word, powerful and fecund as the divine creation of which it seems to have stolen the double character,—variety, eternity.
. . . these hybrid constructions are not the least interesting for the artist, for the antiquarian, for the historian. They make one feel to what a degree architecture is a primitive thing, by demonstrating (what is also demonstrated by the cyclopean vestiges, the pyramids of Egypt, the gigantic Hindoo pagodas) that the greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation’s effort, than the inspired flash of a man of genius; the deposit left by a whole people; the heaps accumulated by centuries; the residue of successive evaporations of human society,—in a word, species of formations. Each wave of time contributes its alluvium, each race deposits its layer on the monument, each individual brings his stone. Thus do the beavers, thus do the bees, thus do men. The great symbol of architecture, Babel, is a hive.
Great edifices, like great mountains, are the work of centuries. Art often undergoes a transformation while they are pending, pendent opera interrupta; they proceed quietly in accordance with the transformed art. The new art takes the monument where it finds it, incrusts itself there, assimilates it to itself, develops it according to its fancy, and finishes it if it can. The thing is accomplished without trouble, without effort, without reaction,—following a natural and tranquil law. It is a graft which shoots up, a sap which circulates, a vegetation which starts forth anew. Certainly there is matter here for many large volumes, and often the universal history of humanity in the successive engrafting of many arts at many levels, upon the same monument. The man, the artist, the individual, is effaced in these great masses, which lack the name of their author; human intelligence is there summed up and totalized. Time is the architect, the nation is the builder.
. . . architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.
*You can find an online copy of the complete novel here, thanks to Project Gutenberg.
Music by Gabriel Fauré, “Pie Jesu Requiem, Op. 48”
“Our doubts are traitors
And make us lose the good we oft might win
By fearing to attempt.” ~ William Shakespeare, from Measure for Measure (I,iv)
Monday afternoon, partly cloudy, 55 degrees.
Monday misgivings . . .
I was so eager for the internet to be restored, and then when it was, I think that I froze internally. I stared at the posts that I had written on Word, and then realized that I didn’t have images or poems or songs, and I immediately became dismayed, and then distracted, and then I ended up playing hours of spider solitaire.
Later, I was so angry with myself that I decided I would post everything today, with or without images. I compromised with that perfection side of myself and settled for adding an image at the top of Friday’s and Saturday’s posts, even though it makes me view them as being incomplete, somehow. I tend to think that since I’m so heavy on verbiage that the inclusion of images helps to break up everything and make it easier to read. (Does it?)
But I did have a good idea about which music to include, and the poems were actually easy as I keep a collection of them for future posts; it’s just a matter of marrying themes, if possible.
Anyway, that’s what happened to my big plans for back posting yesterday. Whatever . . . . . . . . . . .