Not quite wordless Wednesday . . .

Wednesday morning, cloudy, not as hot today, 79 degrees.

In my dream last night, Brett was on my mom’s front porch, and Dom was at the edge of the yard. They were there to tell me that they were going to have a baby. My mother was upset. I was happy. Brett came inside, and we talked. That’s all that I remember.

Really missing the ocean today . . .


Music by Fleet Foxes, “Grown Ocean”

 

“What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.” ~ Werner Herzog

Dreamscapes: Pop-up art installation in Salt Lake City, Utah (sponsored by the Utah Arts Alliance)

“It was that sort of sleep in which you wake every hour and think to yourself that you have not been sleeping at all; you can remember dreams that are like reflections, daytime thinking slightly warped.” ~ Kim Stanley Robinson, from Icehenge

Monday afternoon, partly cloudy and slightly cooler, 83 degrees.

Last night’s dream:

Lots of numbers and colors. Five people on a team, myself, the leader, and three other men. The three men married, one for 36 years. A woman with a scar down the back of her head. Five jewels: emerald, diamond, ruby, garnet and topaz. Three witches. One feather. Wind blowing in two different directions, one side red, one side green. Three SUVs, one police car. Three bicycles. A mall, meeting four other women at 7:30. Makeup from three stores. A purple file folder on sale for $4.07.  Half a xanax and $100 someone owed me. Fried green beans, a deli pickle served on a bed of sprouts. Five pans of food on a circular stove. One glass of bourbon. A spiral staircase. Eamonn as a toddler reaching for the five pans of food.

Woke up to the sound of barking. Exhausted.

Corey dreams I was married to a man named Andrew . . .


Music by Dustin Kensrue, “This Good Night is Still Everywhere”

Two for Tuesday: The Things that Haunt Us

Pyotr Konchalovsky Blue House in Winter
“Blue House in Winter” (1938)
by Pyotr Konchalovsky


“Strange—things neglected begin to appeal
to a part inside us. It is called the soul.
These times, it lives on less and less.” ~ William Stafford, from “Noticing”

Tuesday night, late. Clear and not as cold, 50 degrees.

I had Olivia yesterday and today, and so tonight I am exhausted. I also had to make a trip to campus to pick up Em because Brett got a ticket for having an expired inspection sticker, which threw him into a tailspin. We are trying to figure out how to get rid of his broken-down Honda and make enough money so that Vik can finish the work on the Rodeo, the work he began this time last year.

I’m not even going to get into that. Anyway, lots going on, but too much to ponder at the moment.

More later. Peace.

                   

(c) BRIDGEMAN; Supplied by The Public Catalogue Foundation
“Winter Evening” (oil on board)
by Ruskin Spear

What’s in My Journal

Odd things, like a button drawer. Mean
Things, fishhooks, barbs in your hand.
But marbles too. A genius for being agreeable.
Junkyard crucifixes, voluptuous
discards. Space for knickknacks, and for
Alaska. Evidence to hang me, or to beatify.
Clues that lead nowhere, that never connected
anyway. Deliberate obfuscation, the kind
that takes genius. Chasms in character.
Loud omissions. Mornings that yawn above
a new grave. Pages you know exist
but you can’t find them. Someone’s terribly
inevitable life story, maybe mine.

~ William Stafford

                    

5.1.2
“Up the Hudson” (nd, oil on canvas)
by Frank C. Kirk

Things

There are worse things than having behaved foolishly in public.
there are worse things than these miniature betrayals,
committed or endured or suspected; there are worse things
than not being able to sleep for thinking about them.
It is 5 a.m. All the worse things come stalking in
and stand icily about the bed looking worse and worse and worse.

~ Fleur Adcock

                   

Music by 30 Second to Mars, “Alibi”

“Some things | you know all your life. They are so simple and true | they must be said without elegance, meter and rhyme, | they must be laid on the table beside the salt shaker, | the glass of water” ~ Philip Levine, from “The Simple Truth”

Edvard Munch Winter Landscape from Kragerø 1910 oil on canvas
“Winter Landscape from Kragerø” (1910, oil on canvas)
by Edvard Munch  

Two for Tuesday: Philip Levine

Tuesday night, late. Some remaining drizzle and cold, 33 degrees.

Ah yes. The schedule and publish function of this blog. So seemingly easy, and yet . . .

You cannot possibly be surprised that I did not manage to post this on Tuesday, Tuesday for which it was compiled, Tuesday, the day after Monday and before Wednesday, Tuesday, the day for which songs have been written, Tuesday . . .

Yet here it was, in my list of drafts . . .

Ah, me.

                   

Edvard Munch Winter Forest 1900-01 oil on cardboard
“Winter Forest” (1900-01, oil on cardboard)
by Edvard Munch

 

After Dinner

She’s eaten dinner talking
back to the television, she’s
had coffee and brandy, done
the dishes and drifted into
and out of sleep over a book
she found beside the couch. It’s
time for bed, but she goes
instead to the front door, unlocks
it, and steps onto the porch.
Behind her she can hear only
the silence of the house. The lights
throw her shadow down the stairs
and onto the lawn, and she walks
carefully to meet it. Now she’s
standing in the huge, whispering
arena of night, hearing her
own breath tearing out of her
like the cries of an animal.
She could keep going into
whatever the darkness brings,
she could find a presence there
her shaking hands could hold
instead of each other.

                   

Edvard Munch Winter Night 1923 oil on canvas
“Winter Night” (1923, oil on canvas)
by Edvard Munch

 

Everything

Lately the wind burns
the last leaves and evening
comes too late to be
of use, lately I learned
that the year has turned
its face to winter
and nothing I say or do
can change anything.
So I sleep late and waken
long after the sun has risen
in an empty house and walk
the dusty halls or sit
and listen to the wind
creak in the eaves and struts
of this old house. I say
tomorrow will be different
but I know it won’t.
I know the days are shortening
and when the sun pools
at my feet I can reach
into that magic circle
and not be burned. So
I take the few things
that matter, my book,
my glasses, my father’s ring,
my brush, and put them aside
in a brown sack and wait —
someone is coming for me.
A voice I’ve never heard
will speak my name
or a face press to the window
as mine once pressed
when the world held me out.
I had to see what it was
it loved so much. Nothing
had time to show me
how a leaf spun itself
from water or water cried
itself to sleep for
every human thirst. Now
I must wait and be still
and say nothing I don’t know,
nothing I haven’t lived
over and over,
and that’s everything.

                    

Music by The Moody Blues, “Nights in White Satin” (bet you thought it’d be “Tuesday Afternoon”)

Sunday afternoon . . .

“My brother once showed me a piece of quartz that contained, he said, some trapped water older than all the seas in our world. He held it up to my ear. ‘Listen,’ he said, ‘life and no escape.’” ~ Anne Carson, from Plainwater: Essays and Poetry

Sunday afternoon. Drizzly and cool, 64 degrees.

Corey is outside with the chipper shredder processing all of the trees and shrubs that he and Mike cut down yesterday. It was a massive undertaking, but one that had to be done.

The pain from my trigger point injections on Friday is finally receding, which is a good thing because I have so many things that I need to do. We’ll see how much I’m able to accomplish. I have to say, though, that I’ll be really glad when that noise is over. Two days of really loud equipment going all out right outside my bedroom window is really hard on the head.

But then again, what isn’t?

Here. Have something pretty . . .

More later. Peace.

                   

Reblogged from All That is Odd:
source
Five Fascinating Beaches Around the World
Glass Beach – Fort Bragg, California

Fort Bragg residents used to throw their garbage (including glass bottles) over a cliff onto the beach before it was outlawed in 1967. Over the decades the waves and sand have broken down the glass into smooth, rounded pieces.
(Photo: mlhradio/Flickr)

Jokulsarlon Lake – Iceland

The glacial lake is located in the Vatnajokull National Park, and the shore is filled with huge pieces of ice resting on black volcanic sand. But what really makes this beach unique is that during the winter, it is the perfect place to see the breathtaking northern lights.
(Photo: Ingo Meironke/Flickr)

Bowling Ball Beach – Schooner Gulch, California

The rocks at the Schooner Gulch State Beach are almost perfectly round due to a natural process called concretion.
(Photo: John K/Flickr)

Shell Beach – Shark Bay, Australia

This beach is home to billions of coquina bivalve shells instead of fine grains of sand. The water has a high salt concentration that attracts the shelled creatures.
(Photo: Stefan L/Flickr)

Maldives Beach – Republic of the Maldives

This beach in the Maldives lights up at night, thanks to microscopic organisms called bioluminescent phytoplankton. The organisms respond to changes in the water. Any movement will leave an impressive trail of bluish lights.
(Photo: Exilism/Flickr)

                   

Music by Sleeping at Last, “Ruby Blue”

“I have only these words that seem as if | they climbed up from the bottom of a dry well.” ~ Richard Jackson, from “Silences”

Spring Grove Cemetery & Arboretum by David Ohmer
Spring Grove Cemetery & Arboretum by David Ohmer (FCC)

 


Two for Tuesday: Richard Jackson

Tuesday afternoon. Sunny and lovely, 80 degrees.

Night Sky, Cornwall UK by Karen FCC
Night Sky, Cornwall, UK by Karen (FCC)

Last night around midnight I opened the back door to let the dogs go out, and I stared up into the sky. It was one of those awesome night skies, not because of the stars, but because of the clouds. Huge dollops of cumulous clouds dotted the sky, obscuring the stars, but appearing luminous all the same. Even though it was a new moon, the sky seemed alit with hidden light. I thought of Richard Jackson.

                   

Night Sky, Ukraine by Juanedc FCC
Night Sky, Ukraine by Juanedc (FCC)

Ten Things I Need to Know

The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush.

                   

Night Sky by David DeHetre FCC
Night Sky by David DeHetre (FCC)

Objects in this Mirror are Closer Than They Appear

Because the dawn empties its pockets of our nightmares.
Because the wings of birds are dusty with fear.
Because another war has eaten its way
into the granary of stars. What can console us?

Is there so little left to love? Is belief just the poacher’s
searchlight that always blinds us, and memory just
the tracer rounds of desire? Last night,
under the broken rudder of the moon, soldiers

cut a girl’s finger off for the ring, then shot her and the boy
who tried to hide under a cloak of woods beyond their Kosovo
town. Listen to me, —we have become words
without meanings, rituals learned from dried

river beds and the cellars of fire-bombed houses.
Excuses flutter their wings. Another mortar round is
arriving from the hills. How long would you say
it takes despair to file down a heart?

When, this morning, you woke beside me, you were mumbling
how yesterday our words seemed to brush over the marsh
grass the way those herons planed over
a morning of ground birds panicking in their nests.

When my father left me his GI compass, telling me
it was to keep me from losing myself, I never thought
where it had led him, or would lead me. Today,
beside you, I remembered simply the way you eat

a persimmon, and thought it would be impossible for each
drop of rain not to want to touch you. Maybe the names
of these simple objects, returning this morning
like falcons, will console us. Maybe we can love

not just within the darkness, but because of it. Ours is
the dream of the snail hoping to leave its track on the moon.
we are sending signals to worlds more distant
than what the radio astronomers can listen for, and yet—

And yet, what? Maybe your seeds of daylight will take root.
Maybe it is for you the sea lifts its shoulders to the moon,
for you the smoke of some battle takes the shape of a tree.
On your balconies of desire, in your alleyways of touch,

each object is a door opening like the luminous face of
a pocket watch. Maybe because of you the stars, too,
desire one another across their infinite,
impossible distances forever, so that it is not

unthinkable that some bird skims the narrow sky where
the sentry fires have dampened, where the soldier, stacking
guns in Death’s courtyard, might look up, and remember
touching some story he carries in his pockets, a morning

like this blazing through the keyholes of history, seeing not
his enemy but those lovers, reaching for each other, reaching
towards any of us, their words splintering on the sky,
the gloves of their hearts looking for anyone’s hands.

                   

Music by Aleah, “Water and Wine”