Sunday afternoon, cloudy, not quite as hot, 86 degrees (feels like 93)
We’re supposed to get rain. We need it. Last night was quite a light show of lightning in the distance, but the rain never got here. Corey parked my car where it can be rained on because it’s so dirty. I never used to let my vehicles get this dirty.
I thought that I’d share part of an interview with writer Catherine Chung from the June 18 “Ten Questions” feature in Poets & Writers. I like this particular feature as I find it interesting to read what writers have to say about their craft. P&W is a wonderful publication, one that I really should take better advantage of, but as with most things, I do not.
Oh well . . . Know thyself, as they say.
Here are Chung’s answers to two of the questions asked:
2. What was the most challenging thing about writing the book?
My mind! My mind is the biggest challenge in everything I do. I write to try to set myself free, and then find myself snagged on my own limitations. It’s maddening and absurd and so, so humbling. With this book, it was a tie between trying to learn the math I was writing about—which I should have seen coming—and having to confront certain habits of mind I didn’t even know I had. I found myself constantly reining my narrator in, even though I meant for her to be fierce and brilliant and strong. She’s a braver person than me, and I had to really fight my impulse to hold her back, to let her barrel ahead with her own convictions and decisions, despite my own hesitations and fears.
3. Where, when, and how often do you write?
I write where I can, when I can. I’ve written in bathtubs of hotel rooms so as not to wake my companions, I’ve written on napkins in restaurants, I’ve written on my phone on the train, sitting under a tree or on a rock, and on my own arm in a pinch. I’ve walked down streets repeating lines to myself when I’ve been caught without a pen or my phone. I’ve also written on my laptop or in a notebook at cafes and in libraries or in bed or at my dining table. As to how often I write, it depends on childcare, what I’m working on, on deadlines, on life!
Here is a link to the list of P&W “Ten Questions” features.
P.S. Thought I’d post the beautiful sonnet by Emma Lazarus to which I alluded in yesterday’s post, “The New Colossus,” which is mounted on a plaque on the pedestal below the Statue of Liberty. You know, the universal symbol of freedom, that woman who greets immigrants to a better life here in the U.S.
Music by Mumford & Sons, “White Blank Page”
The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
“……………But mine is darker, slanted, nitrous blue at the root,
an acrostic of what is most free and far.” ~ Joanna Klink, from “Aubade”
Tuesday late morning, cloudy and humid, 80 degrees.
It’s interesting living in a house during the summer without an air conditioner. It would be impossible in Norfolk, where the summer humidity hovers between 90 and 100 percent. But it’s not bad here, except when doing something physical, like cleaning. Then it becomes impossible. Nevertheless, I like the fact that we’re not adding to global warming even though that’s not why we don’t have AC.
Unfortunately, I’m still not venturing outside much except to help Corey milk Penny the goat. We don’t have a milking stand, so I hold her and soothe her as he milks, and when I come back inside, I am covered in bites. Once we have a stand, the whole milking process should improve. It will be good when the pasture is finally divided and fenced so that I can reclaim the front yard from the animals. Truly, it looks as if a barnyard out there, and there is no escape from the no-seeums that plague my body with bites.
Today’s poems are by American poet Joanna Klink. Both are entitled “The Graves.” I have included links to the sites on which I found the poems. I love the following passage in which Klink talks about why she writes poes:
“In poems I am trying to find my bearings through a world that at times feels remote and inchoate and struck blank with noise. I would like to place myself in a field of deep attention, and out of that attention come to feel and regard with more acute understanding what is there. I write to be less hopelessly myself, to sense something more expansive than where I speak from.”
Wind for your sickness.
The moon for your sickness.
…….A river of night- …….trees. Mossy patches
where something recently slept.
A hand-drawn sketch of
fish for your sickness,
…….red and ghost- …….loamed. From your mother,
for your sickness, a late
flock of snow-geese
swept up in a gust.
…….From your father, a cave …….of violas in luminous …….pitch. For the panic
desolation. For scratchy bed-
sheets, the gathering of tumors,
a dispensation traveling in
…….far-nesses across the …….galaxy-quiet of what is
to come. Dark-sunned,
you are swimming in schools.
…….For the despairing quality of …….hospital fluorescence,
the secondhand alarm—
theft of time theft of
…….hope. The messages …….arrive like flowers.
For the common un-
contested light of dusk.
For tobacco moths
…….in clouds of wings at …….the door. For the dawn-
emotion, a calm-in-vastness
that descends upon
what is. Upon the storm-
…….tangle of branches, wing- …….veins and hand-veins …….shadow-shown on that pale
skin of sky. Too stone for
fear. Too brittle for
…….findings. From the powers that, …….born on the site of sorrow,
fall in strands of smoke
across your sickness,
for your sickness,
…….and carry and keep you. …….That would keep you here.
But this is the very condition of existence. To become spring, means accepting the risk of winter. To become presence, means accepting the risk of absence . . .” ~ Antoine de Saint Exupéry, from The Little Prince
Monday afternoon, partly sunny, 82 degrees.
Well yesterday was interesting. Temperatures in Roanoke were hotter, and the AC in the truck doesn’t work; by the time we got home, my eyes were dry and hurting from the wind coming in the windows. We picked up the two female Nubian goats. They already have names: Sylvia and Roberta. Sylvia I can handle, but Roberta? Never liked that name. She’s young enough that maybe we can switch her name to Bobby. We’ll see.
Unfortunately, Sylvia had her babies prematurely, and neither survived. One died on Saturday, and the other died before we got there yesterday. Bobby is still pregnant, so we’re hoping that everything goes okay with her. The woman from whom we bought them says that she thinks it may have been a mineral deficiency. As Bobby is Sylvia’s daughter, we know that Sylvia can have successful pregnancies, so at least there’s that.
All of the animals were worked up by the time we got home. Tillie and Bailey went for each other, but luckily, Corey and I were both on hand to break it up. Roland is hoarse today, so he must have been bleating for hours, which makes me feel guilty, but we couldn’t take him with us because we thought we’d be bringing a baby goat home. At the moment, Roland thinks that he’s one of the dogs; it will be interesting once he’s bigger to see if he still acts the same way—i.e., wanting to take an afternoon nap on the couch.
“Not only rational and irrational, but even inanimate creatures have a voice, and speak loudly to men, and it is our duty to learn their language, and hearken to them.” ~ Ralph Austen, from The Spiritual Use of an Orchard or Garden of Fruit Trees
We’ve learned that the temperatures here on the ridge tend to be a bit cooler than surrounding areas. I think that it’s because we’re pretty much situated in a bowl, so we always have a good breeze. The downside is that breeze can really be a fierce wind at times. We’ve been discussing shelter issues for the outside animals, and we had talked about one of those metal buildings, but I’m afraid that if it isn’t fixed properly, the wind will just pick it up and drop it.
More than once we’ve wished that we could have a barn building like the Amish. Remember that beautiful scene from the Harrison Ford movie Witness? But we’re missing one or two of the key components for such a thing: people and lumber.
Ah me . . .
Yesterday, just as we were getting ready to leave for Roanoke, Dallas showed up. I knew that he would because Corey had slipped and told him that we were going to Roanoke. I was afraid that he’d come while we were gone to try to take Sassy back, but he didn’t bring the horse trailer. Instead, he said that he was coming to fish in the ponds, which is fine, as long as he doesn’t try to take back the last horse that we have.
“I must wash myself clean with abstract thoughts, transparent as water.” ~ Jean-Paul Sartre, from Nausea
I took the opportunity of having him in front of me to confront Dallas about still having Napoleon, but he claims that he still needs him for stud. Originally, he had told me that he’d only have Napoleon for two weeks, but I should know by now that he just tells you what he thinks you want to hear and that the truth rarely escapes his lips. I did tell him that Sassy is lonely as horses need the company of other horses, and I pointed out how overgrown the pasture is getting, so he ultimately agreed to bring over some more horses. We’ll just have to see, I suppose.
Look, I know that technically, the horses belong to him; I’m not unaware of the reality. But we take much better care of the animals that are here than he ever could, not to mention the fact that when he first brought the horses here, he said that he was giving them to me. But again, it’s the matter of him saying one thing while meaning something completely different. We’ve learned that he has a habit of taking things back when he gets mad at someone; he’s done it repeatedly with different people—he giveth and then he taketh away.
Dallas is a prime example of being both a boon and a curse. And quite frankly, we’ve had way to many curses in the last few years. I tire of them. I tire of never getting ahead, never making forward progress.
“Animals, at least, don’t experience fear until it’s upon them, immediately. But our nerve reactions can convey worry about the future, until the fear insinuates itself into the present, into everything.” ~ Sylvia Plath, from a letter to Eddie Cohen, September 11, 1950
We hit rain on the way home even though the forecast had not called for any, and then as we neared the ridge, it was apparent that there had been a big storm while we were gone. I think that’s part of the reason the dogs were so riled when we got home. Tillie is very afraid of storms, especially if no one is around to comfort her, and I think that Bailey senses that unease.
As we came down the drive, the trees were heavy with rain. So everything was close to the sides of the drive, almost as it was the first time that we came to the ridge, and everything was so overgrown. At least the gas company fixed the part of the drive that had washed out, but they just cut into the side of the mountain, which is essentially compacted soil, so it’s a temporary fix at best. The next big wind and rain storm will undoubtedly wash out more. It would be nice if they’d build up the embankment with rock, but unfortunately, we have no control over what they do with the drive.
I saw the big excavator that the company had parked on the side after carving more of the mountain side on the drive, and I told Corey that it’s too bad that we don’t know how to hot wire it and use it for a few days. We could scoop up some of the loose gravel that’s around the wells and dump it on the drive. Or we could dig out a hole for an in-ground pool. I’ve always wanted to drive something like an excavator—how awesome would that be? It’s an interesting fantasy.
“The sky is lowering and black, a strange blue-blackness, which makes red houses pink, and green leaves purple. Over the blowing purple trees, the sky is an iron-blue, split with forks of straw-yellow. The thunder breaks out of the sky with a crash, and rumbles away in a long, hoarse drag of sound.” ~ Amy Lowell, from “Before the Storm (III)”
This morning the dogs were doing their fierce, alert barks, and Corey looked out the window to see a bear in the pasture again. Oddly enough, Sassy didn’t seem to be afraid of it. She was at the trough and took a few steps towards the bear. I’m hoping that it’s the same bear and not another one. Knowing that one bear is nearby is unnerving enough; I’d hate to have to wonder about several.
I do wonder, though, where he or she was hibernating; I’m hoping the bear is male because a female with cubs can be very vicious when in protection mode. We haven’t really come upon any caves in our walks, but I would imagine that there have to be some around here. Here’s hoping the dogs will be enough to keep the bear from coming too close. Corey says that Llamas and Alpacas are good to have for herd protection. That’s something to think about for the future.
The future is something I don’t really want to think about at the moment. We find ourselves in a precarious position yet again, and truthfully, I’m really tired of living this way, never really knowing how we’re going to survive, pay the bills. The fear of losing everything yet again never seems to be far away, and the really weird aspect of all of this is that I know that we make more money than many people around here, and trust me when I say that living on my disability is not making a lot of money.
Again, I know that if we can survive the year, that things will change, that getting started on a farm is precarious at best, but damn I’m tired of precarious. I’m tired of always worrying. I suppose I’m just tired, but who isn’t any more?
More later. Peace.
Music by Welshly Arms, “Legendary”
The Trees are Down
—and he cried with a loud voice: Hurt not the earth, neither the sea, nor the trees— (Revelation)
They are cutting down the great plane-trees at the end of the gardens.
For days there has been the grate of the saw, the swish of the branches as they fall,
The crash of the trunks, the rustle of trodden leaves,
With the ‘Whoops’ and the ‘Whoas,’ the loud common talk, the loud common laughs of the men, above it all.
I remember one evening of a long past Spring
Turning in at a gate, getting out of a cart, and finding a large dead rat in the mud of the drive.
I remember thinking: alive or dead, a rat was a god-forsaken thing,
But at least, in May, that even a rat should be alive.
The week’s work here is as good as done. There is just one bough
On the roped bole, in the fine grey rain,
Green and high
And lonely against the sky.
And but for that,
If an old dead rat
Did once, for a moment, unmake the Spring, I might never have thought of him again.
It is not for a moment the Spring is unmade to-day;
These were great trees, it was in them from root to stem:
When the men with the ‘Whoops’ and the ‘Whoas’ have carted the whole of the whispering loveliness away
Half the Spring, for me, will have gone with them.
It is going now, and my heart has been struck with the hearts of the planes;
Half my life it has beat with these, in the sun, in the rains,
In the March wind, the May breeze,
In the great gales that came over to them across the roofs from the great seas.
There was only a quiet rain when they were dying;
They must have heard the sparrows flying,
And the small creeping creatures in the earth where they were lying—
It was so cold last night, and early this morning, everything was covered with a layer of frost. Spring is tomorrow, yes? Now that we’re thinking about crops, I couldn’t help but feel a pang of worry for people with fruit trees. Would the cold dip and frost hurt their crops? I absolutely love oranges, and I remember a year in which the Florida citrus crops were devastated by crops. Not sure of what year. No idea where that memory emerged from in the recesses of my mind. Hmm . . .
Things that make you go hmm . . . Which reminds me, I really need to plant a mock orange somewhere around the porch.
Yesterday I had a post planned (old story, I know), but then I realized that I had nothing to say. Hence, no post yesterday.
Actually, I did have something to say, but I just couldn’t do it. My eldest son’s birthday was this past weekend, and as a result, my kids have been ever-present on my mind. I check my email every few days, and if I really want to torture myself, I search on Alexis’s and Eamonn’s names, just on the off-chance that one of them emailed me. It’s an exercise in futility and pain.
So that’s why I didn’t write.
Anyway, today’s post features two poems by Dana Gioia (pronounced JOY-uh), the first obviously because of my latest bout with insomnia. Gioia, former chairperson of the NEA, has written five collections of poetry. You can read a complete biography on his site.
Now you hear what the house has to say.
Pipes clanking, water running in the dark,
the mortgaged walls shifting in discomfort,
and voices mounting in an endless drone
of small complaints like the sounds of a family
that year by year you’ve learned how to ignore.
But now you must listen to the things you own,
all that you’ve worked for these past years,
the murmur of property, of things in disrepair,
the moving parts about to come undone,
and twisting in the sheets remember all
the faces you could not bring yourself to love.
How many voices have escaped you until now,
the venting furnace, the floorboards underfoot,
the steady accusations of the clock
numbering the minutes no one will mark.
The terrible clarity this moment brings,
the useless insight, the unbroken dark.
And in the end, all that is really left
Is a feeling—strong and unavoidable—
That somehow we deserved something better.
That somewhere along the line things
Got fouled up. And that letter from whoever’s
In charge, which certainly would have set
Everything straight between us and the world,
Never reached us. Got lost somewhere.
Possibly mislaid in some provincial station.
Or sent by mistake to an old address
Whose new tenant put it on her dresser
With the curlers and the hairspray forgetting
To give it to the landlord to forward.
And we still wait like children who have sent
Two weeks’ allowance far away
To answer an enticing advertisement
From a crumbling, yellow magazine,
Watching through years as long as a childhood summer,
Checking the postbox with impatient faith
Even on days when mail is never brought.
“I’m like that. Either I forget right away or I never forget.” ~ Samuel Beckett, from Waiting for Godot
Sunday afternoon, sunny and warmer, 64 degrees.
Another wretched night. I kept waking up and then being unable to get back to sleep. The time change always messes with me. I like getting that extra hour in the fall, but losing the hour in the spring throws me off balance, and trying to get the animals back on schedule is a pain. Benjamin Franklin originally came up with the concept of daylight savings time in a letter toJournal de Paris, on April 26, 1784 as a proposal to have more natural light in the home, but the idea wasn’t adopted in many countries until WWI and after as a way to conserve energy. But do we still need it? Is it really effective?
Who knows . . . certainly not I.
Yesterday evening, I was sitting here when I suddenly felt like someone was staring at me. I looked up, and Napoleon was at the door, just standing there, waiting for a treat. I love that horse. Unfortunately, because of all of the rain, his coat is developing bald spots. I have wished more than once that we lived in a community that still did barn raisings. Remember that beautiful scene in the movie Witness, with Harrison Ford, in which all of the Amish men raise a barn in one day? Yep. Like that.
We need a barn, a shelter for the horses, and then we’ll need a goat shed, or a combination building, and we need a shelter for the spring box that feeds water to the house. Each time that we have a deluge, the water becomes discolored because the box needs a major cleaning. The cover is a huge cement block that would take several people to put back in place; we don’t have several people, and as a result, the rain seeps into the box, and we have brackish water for a few days. We still aren’t drinking the water, but we are using it for showers and laundry, which means sometimes . . . ick.
“Dear Forgiveness, you know that recently …………we have had our difficulties and there are many things ………………………………………..I want to ask you. I tried that one time, high school, second lunch, and then again, ……….years later, in the chlorinated pool. …………………..I am still talking to you about help. I still do not have ……….these luxuries.” ~ Richard Silken, from “Litany in Which Certain Things are Crossed Out”
I’m listening to another old playlist today, songs I haven’t listened to for quite a while. Corey and I had a song from years ago, Fisher’s [correction: the title is “I Will Love You”] “You.” Neither the song nor the group were that well known, and I came upon it by accident (pre YouTube); it’s such an incredibly beautiful song, and it popped up a few minutes ago. I was immediately taken back to that Sunday afternoon so many years ago when we danced to our song in front of our families and friends. We didn’t spend a lot of money on our wedding as no one had a lot of money, but it was everything that we wanted. Truthfully, I don’t understand the whole idea of spending hundred of thousands of dollars, or even millions. Who is the pageantry for?
And then, how long do those expensive unions last? We were talking the other day about how not a single couple we knew when we got married was still together. How do some people endure while others move away without a seeming backward thought? I really don’t think that it has anything to do with morality or anything like that; more, that it goes back to the reasons you come together in the first place. There has to be something more to the spark than sex. But as I have already had one failed marriage, regardless of how long we were together, I suppose that I am not really the best person to ponder this.
I truly don’t know; and I think that the reasons that my parents stayed together, mostly finances and habit, belong to another generation. I don’t know what makes people come together, fall apart, never speak to one another again, or stay for the duration. I just don’t know.
“People always talk about how hard it can be to remember things – where they left their keys, or the name of an acquaintance – but no one ever talks about how much effort we put into forgetting. I am exhausted from the effort to forget… There are things that have to be forgotten if you want to go on living.” ~ Stephen Carpenter, from Killer
But getting back to music: If only I had realized weeks ago that listening to old songs would jump-start my writing . . .
The idiotic thing is that music has always been a source of inspiration for me, but I suppose as with most things in the past two or three years, I had forgotten that particular fact. I have this memory of watching some show on CMT many years ago in which it was the top 50 country love songs. Corey was at sea, when he was still on the tug boat, and I sat there and cried and cried, simply because the songs were so beautiful, but Corey wasn’t with me to hear them .
I never used to listen to country music, that is, not until I heard someone sing “Amazed” at the karaoke bar that I used to go to, once upon a time. I had never heard that song before, and as this was before you could find anything at the touch of a keystroke on the internet, I had to ask around to find the song again. It’s a song by Lonestar, but it’s in the perfect key for my voice, so I found the song and practiced and practiced until I felt that I could do it justice. I used to do that with songs, mostly so that I wouldn’t make a fool of myself at karaoke, which, I suppose, defeats the whole purpose of getting drunk and singing karaoke.
Anyway, after Corey and I got together, he introduced me to more country music, and eventually, the line between country and pop became so blurred that it really didn’t matter any more what category a song fell into; consider, Taylor Swift began as a country singer, and now look at her, not that I’m a big Swift fan, as I’m not. Just an example.
“I’m looking to cleanse regret. I want to give you a balm for lesions, give you evening primrose, milk thistle, turmeric, borage” ~ Lory Bedikian, from “Apology to the Body”
I say anyway, a lot, don’t I?
So the point was: music, any kind of music—it’s always been a big part of my life and a key to my creativity. Before country, it was soundtracks especially that got to me, the soundtrack from Legends of the Fall, the one from The Piano, but especially, the one from The English Patient. That music stirred something deep within me. And there is still one particular composition that always, always makes me misty-eyed: Samuel Barber’s “Adagio for Strings.” Mari introduced me to that one. If you don’t know it, I’ll include it below, but you’ve probably heard it at some point during a crucial death scene in a movie or show. I know that I’ve posted this one before, but once is never enough for this one
Another vivid memory: Driving through the cemetery in the afternoons after my morning classes at ODU, listening to David Lanz’s “Cristofori’s Dream” over and over. The cemetery was my sanctuary after I lost Caitlin, especially that first November. It’s full of maple trees, and they formed an amazing golden and red canopy over the narrow lanes between plots. And at the very back of the cemetery, against the very edge, were several old, individual mausoleums. They were beautiful in their stark loneliness, and once I hit that part of the cemetery, I would turn the car stereo almost all of the way up, and then the weeping would overcome me, and I would have to pull over and wait.
“And so it was. So it was that one by one I picked them up, remembered them, kissed them good-bye, and tore them to pieces. Some were reluctant to be destroyed, calling in pitiful voices from the misty depths of those vast places where we loved in weird half-dreams, the echoes of their pleas lost in the shadowed darkness” ~ John Fante, from The Road to Los Angeles
When we first buried Caitlin at Forest Lawn, there were no trees in the infant plot, and it was so freaking barren that just looking at it broke my heart, so the next year, our family pooled money and bought four Yoshino cherries, and then the next year, we bought two more. The people in charge of the cemetery told me that our gesture actually created the memorial tree program, so at least there was that.
It occurs to me that the cherry trees everywhere are coming into bloom now. Corey planted a weeping cherry in the yard at Benjamin, but I think that the weather was just too hot for it to thrive.
As I come to the end of this post, I realize that there exists one particular song for each and every significant even in my life, far too many to list all of them now, but here are just a few that come immediately to mind:
Elton John’s “Your Song” (junior year), Bruce Springsteen’s Thunder Road (senior year), Janis Ian’s “Seventeen” (second year of college), Robbin Thompson’s “Sweet Virginia Breeze” (graduate school), “Mandolin Rain” (after Caitlin), “Unchained Melody” (Eamonn), Joan Osborne’s “St. Theresa” (Alexis), Bryan Adam’s “I Do it for You” (Brett), Tracy Chapman’s “Promise” (the Museum), Annie Lennox’s “Why?” (after Paul), Melissa Etheridge’s “I’m the Only One” (surviving teaching 8th grade public school), Meredith Brook’s “Bitch” (karaoke), Melissa Etheridge’s “Sleep” (Dillard’s), Savage Garden’s “Truly Madly Deeply” (the first time I met Alana), Sugarland’s “Make Me Believe” (Corey, only one of many), and finally, because this list could go on interminably, Sarah McLachlan’s “I Will Remember You,” which is my anthem.
Enough for now. More later. Peace.
Music by Samuel Barber, “Adagio for Strings” (Detroit Symphony Orchestra, conducted by Leonard Slatkin)
Meridian, Last Night
Last night, I dreamt I went to Meridian again, and
in the dream, a slight dark girl darts from the side
of the house, arms waving, waving while a woman
inside resists the building’s collapse on its own
emptiness. The house is still standing and in ruin.
As it always was. As always.
Of these things on earth I know:
I cannot return. There is no time,
even now, that was golden above another.
Every epoch has its trials. We are human.
We are failing. We are always falling down.
The past was always more menace than I’d imagined;
the past is both retribution and reward
now that it has been endured.
And it is right that we stand in its ruin,
among all this longing and decay.
“My life is a crystal teardrop. There are snowflakes falling in the teardrop and little figures trudging around in slow motion. If I were to look into the teardrop for the next million years, I might never find out who the people are, and what they are doing.” ~ Joan Baez, as found in Joan Didion’s “Where the Kissing Never Stops”
Friday afternoon, snow and rain, cold, 39 degrees.
During the night when I was letting the dogs out, I looked out to see snow covering the ground, which was a surprise. The weather forecast did not call for snow, only more rain. Corey and I agree that the weather here is actually quite depressing. I can only hope that as the weather gets warmer that we are finally able to dry out around here. The mud is overwhelming, as is the near constant rain.
So we lost internet Wednesday night, right as I was watching that new documentary on HBO about Michael Jackson, Finding Neverland. It’s actually quite disturbing as it features two men who were childhood victims of abuse at Jackson’s hands. Truthfully, I’m surprised that they were able to make it. I know that Jackson’s estate sues people all of the time. Nevertheless, it’s more than time that these victims were able to tell their stories.
Anyway, I can’t believe the nerve of some companies, wanting to be paid for their services as opposed to offering them for free. I remember reading something sometime ago about how Tesla wanted electricity to be free, and someone who wanted the internet to be free. Such radical ideas: actually giving the public something that they can use as opposed to making a profit.
Hmm……..Things that make you go hmm……
“I hear two sibilants—here silk, the snowstorm outside. Beating soul and breathing blood. We both got what we wanted” ~ Marina Tsvetaeva, from “Playacting” (Trans. Christopher Whyte)
I decided to be proactive for a change, and rather than wait for the internet to become available again, I decided to go ahead and write some posts on Microsoft Word until we can get it restored on Monday. Then I’ll just post and backdate, which I know is cheating, but hey, when you’re me, and you never know what day it is, does it really matter?
So no podcasts for me for a bit, so I’ve been listening to some of my old music playlists. I made the mistake of putting on an old country playlist while I was taking a bath, and boy, some of those songs are just heartbreaking. For example, there was Blaine Larsen’s, “How Do You Get so Lonely,” which is about a boy who commits suicide, and then there was “Alyssa Lies,” which is about child abuse.
Boy, I know how to put together a playlist that makes you want to cut your wrists with a rusty razor blade—that was a Kathleen saying, or maybe it was a Gail saying. Can’t remember. But those two women were big friends of mine once upon a time.
“I’m tired of my life, my clothes, the things I say. I’m hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does..” ~ James Salter, from a letter to Robert Phelps (July 6, 1969-70)
Yesterday, I wrote a letter to another long-time friend of mine, the woman who taught me piano for almost eight years. I always looked up to her, and when she got melanoma years ago, I was so afraid that she would succumb to it, but fortunately, she didn’t, and she went on to have a son by a man who later betrayed her big time.
She was such a classy, talented woman, and oddly enough, she’s the one who made me love Bach, who I had always eschewed before she started teaching me. I was intimidated by Bach—too many notes on the page, as it were, but I learned to master his Two-Part Inventions, and went on to the Three-Part Inventions before I stopped.
I really miss playing, but my piano is in terrible shape. I hope that one day I can find a decent used piano to purchase. Corey’s parents had a beautiful piano in their basement that I always coveted, but then his brother threw out the keys that had come loose, and they got rid of the piano. I miss learning new pieces. I mean, I could teach myself, but there is something special about learning from someone who really knows music. God I loved to play the piano, and I was relatively good at it. I wasn’t one of those naturals who can sit down at a keyboard and just play what they hear in their brains, nor could I ever master changing keys on my own.
I went to school with a couple of people like that, incredibly talented both of them. The one who played the cello died of AIDS during the height of the epidemic, and the other, who played any instrument she touched, ended up having a major tragedy in her life that she never recovered from.
“My wound existed before me; I was born to embody it.” ~ Joë Bousquet, from “Traduit du silence”
Which just proves that no one is immune from life’s travails, regardless of talent, and here I am still, even when I never imagined being this old, never thought that I would make it this far, and I still feel mediocre every single day of my life. I’ve been doing a lot of soul searching for months now, trying to figure out why I can’t be happy. Honestly, I still don’t have an answer, and my inability to find one just makes me madder and madder at myself.
Granted, the last few years have been majorly stressful, and that I even made it out in sort of one piece still amazes me. I remember years ago, after I lost Caitlin, and I went to that first psychiatrist (who I loathed), and he told me that losing a child is ranked as the second or third biggest stressor in life, with being in a concentration camp ranking as first. How did people even survive that when they were finally liberated? How did they not hate everyone and everything?
Anyway, I had a point, which was that other life stressors include moving, starting a new job, and getting married. I got married (the first time), moved to Blacksburg, and started graduate school and teaching composition all within two weeks of each other.
I supposed I’ve never been one to do things half way. It’s all or nothing. Or maybe, it’s everything or nothing. Who knows.
“All I can hear now is the sound of my own heart, opening and closing, opening and closing, opening.” ~ Margaret Atwood, from The Handmaid’s Tale
But getting back to the idea of being happy: I know that only I can control my happiness. I’m not naïve enough to think that someone else can make me happy. No matter how much Corey loves and cares for me, he cannot control what is inside of me, nor does he try to.
There is such a feeling of deep regret within me, regret, and guilt, and a sense of being incredibly ungrateful.
Let me explain: I have wanted to live in the mountains, on my own property, for as long as I can remember, ever since the first time I drove into Blacksburg to visit Paul. I knew in that instant that my soul belonged in the mountains. So here I am, surrounded by everything I ever wanted, land, an incredible vista, animals, yet somehow, it’s not enough.
No. Let me back that up. It’s not that it’s not enough; it’s that there is such a large hole in my heart that I’m having a hard time allowing myself to be filled with the splendor with which I am surrounded. Aside from the mud, this place is everything. But I don’t have my kids, and I no longer have a home in Norfolk. I wasn’t able to keep my parents’ home in the family, and I know that many people are not able to do this, but I feel like such a failure because of that, and because I wanted my kids to have the opportunity to have it someday. And more than that, I want my kids.
It’s coloring everything, and I hate it more than I can say, so maybe I should stop trying to say anything more at the moment.
More later. Peace.
Music by Ruelle, “Slip Away”
You work with what you are given,
the red clay of grief,
the black clay of stubbornness going on after.
Clay that tastes of care or carelessness,
clay that smells of the bottoms of rivers or dust.
Each thought is a life you have lived or failed to live,
each word is a dish you have eaten or left on the table.
There are honeys so bitter
no one would willingly choose to take them.
The clay takes them: honey of weariness, honey of vanity,
honey of cruelty, fear.
This rebus—slip and stubbornness,
bottom of river, my own consumed life—
when will I learn to read it
plainly, slowly, uncolored by hope or desire?
Not to understand it, only to see.
As water given sugar sweetens, given salt grows salty,
we become our choices.
Each yes, each no continues,
this one a ladder, that one an anvil or cup.
The ladder leans into its darkness.
The anvil leans into its silence.
The cup sits empty.