Pierre Yves-Petit aka Yvon, Notre Dame Spire from another angle, c1920s
Pierre Yves-Petit aka Yvon, Notre Dame Spire, c1920s
Pierre Yves-Petit, aka Yvon, Ponte Notre-Dame, c1920s
Pierre Yves-Petit aka Yvon, Le Bouquiniste Notre Dame in the mist), c1920s
Pierre Yves-Petit, aka Yvon, Notre-Dame Gargoyle, c1920s
With angel’s wings and brutish-human form, Weathered with centuries of sun and storm, He crouches yonder on the gallery wall, Monstrous, superb, indifferent, cynical: And all the pulse of Paris cannot stir Her one immutable philosopher. ………………..~ Edmund Kemper Broadus, “A Gargoyle on Notre Dame”
Tuesday afternoon, sunny and warmer, 64 degrees.
Did I tell you that it snowed for a few minutes yesterday? Snowflakes in April on tax day. How fitting. It was cold yesterday.
I still have Notre-Dame on the brain, so I thought that I’d share some historic images of the cathedral from the 1800s. Thinking of Notre-Dame reminds me of Raymond Carver’s short story “Cathedral,” a favorite of mine that I used to teach in American Literature classes. If you haven’t read it, you can find it here.
Today is a Two for Tuesday, but the theme is kind of murkier: the mind as a personal cathedral.
More later. Peace.
The man in the yellow hard hat,
the one with the mask
across his nose and mouth,
pulls the lever that turns
the great arm of the crane up
and over and sideways
toward the earth;
then the wrecking ball
so delicately, like a silver fob
loosened from a waistcoat pocket:
shocking to see
the dust fly up and the timber
sail up, then so slowly
down, how the summer air
bristles with a hundred splinters
and the smallest is a splintered flame,
for it takes so many lengthening
erratic movements to tear away
what stands between the sidewalk
and the bell tower,
where the pigeons now rise
in grand indignant waves
at such poor timing, such
a deaf ear toward the music;
in this way the silence
between hand and lever is turned
into a ragged and sorely lifted
wing: the wrecking ball lurches
in a narrowing arc until only
the dust resists—the rest
comes down, story by story,
and is hauled off in flatbed trucks.
Meanwhile the pedestrians come
and go, now and then glancing
at their accurate watches.
Gradually, the dust
becomes the rose light
But one evening a woman
loses her way as she’s
swept into a passing wave
of commuters and she
looks up toward the perfectly
now hanging between
the rutted mud and the sky.
There along the sides
of the adjacent building,
like a set for a simple
elementary school play,
like the gestures of the dead
in her children’s faces,
she sees the flowered paper
of her parents’ bedroom,
the pink stripes leading
up the stairs to the attic,
and the outline of the claw-
footed bathtub, font
of the lost cathedral of childhood.
~ Susan Stewart
Explication of an Imaginary Text
Salt is pity, brooms are fury,
The waterclock stands for primordial harmony.
The spruce forest, which is said to be Like a cathedral
Indicates proliferation of desire.
The real meaning of the beginning
Will not become clear until later, if ever.
Things no longer being what they were,
Artifice poses as process,
The voice is tinged with melancholy.
The teacup, the brass knuckles, and the pearl-handled razor
As if to say
That half the wind is in the mind
And half in the mind of the wind.
Speaking through the character
Who comes to faith on his deathbed,
The author makes apology
For saying things he didn’t mean.
Little girl-cousins with ribbons in their hair
Confuse him with their names and are carried away
By laughter. Thus,
The force of love comes from belief, Hate is from lack of doubt.
Paradox by paradox the narrative proceeds
Until half the stars are absolute tears.
The other half are mirrors.
~ James Galvin
Continue to be in a blues mood. Music by Gary B.B. Coleman, “The Sky is Crying”
“—all are mingled, combined, amalgamated in Notre-Dame. This central mother church is, among the ancient churches of Paris, a sort of chimera; it has the head of one, the limbs of another, the haunches of another, something of all.” ~ Victor Hugo
Monday night, clear and cold, 39 degrees.
Rather than a regular post, I feel the need to share some key passages from Victor Hugo’s Notre-Dame de Paris (1831), better known as The Hunchback of Notre Dame.* The burning of this historical masterpiece just breaks my soul, and as news images around the world depict, countless individuals are mourning the loss. The world has lost far too many architectural wonders—to time, but more so, to the ravages of war and genocidal myopia—far too many to list here.
Fans of the Disney movie and/or the novel may be unaware that Hugo originally wrote his book because he was so dismayed by the state of disrepair in which the great cathedral sat in the 1800’s. Hugo wanted to preserve the Gothic architecture he believed was tied so directly to France’s history, rather than see it succumb to renovation or destruction in favor of Baroque buildings. Quasimodo, the hunchback, represents all of the deformities bestowed upon such architecture by subsequent generations, and Hugo bestowed in Quasimodo a pure love for the cathedral and all of its many statuary: “the cathedral was not only society for him, but the universe, and all nature beside.”
Hugo and his endearing creation helped to lead to the massive 1844 restoration of Notre-Dame. The following passages are taken from Chapter 1 of the third book:
The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. But, beautiful as it has been preserved in growing old, it is difficult not to sigh, not to wax indignant, before the numberless degradations and mutilations which time and men have both caused the venerable monument to suffer, without respect for Charlemagne, who laid its first stone, or for Philip Augustus, who laid the last.
On the face of this aged queen of our cathedrals, by the side of a wrinkle, one always finds a scar. Tempus edax, homo edacior; which I should be glad to translate thus: Time is a devourer; man, more so.
If we had leisure to examine with the reader, one by one, the diverse traces of destruction imprinted upon the old church, time’s share would be the least, the share of men the most . . .
. . . the tranquil grandeur of the whole; a vast symphony in stone, so to speak; the colossal work of one man and one people, all together one and complex, like the Iliads and the Romanceros, whose sister it is; prodigious product of the grouping together of all the forces of an epoch, upon each stone, one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation, in a word, powerful and fecund as the divine creation of which it seems to have stolen the double character,—variety, eternity.
. . . these hybrid constructions are not the least interesting for the artist, for the antiquarian, for the historian. They make one feel to what a degree architecture is a primitive thing, by demonstrating (what is also demonstrated by the cyclopean vestiges, the pyramids of Egypt, the gigantic Hindoo pagodas) that the greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation’s effort, than the inspired flash of a man of genius; the deposit left by a whole people; the heaps accumulated by centuries; the residue of successive evaporations of human society,—in a word, species of formations. Each wave of time contributes its alluvium, each race deposits its layer on the monument, each individual brings his stone. Thus do the beavers, thus do the bees, thus do men. The great symbol of architecture, Babel, is a hive.
Great edifices, like great mountains, are the work of centuries. Art often undergoes a transformation while they are pending, pendent opera interrupta; they proceed quietly in accordance with the transformed art. The new art takes the monument where it finds it, incrusts itself there, assimilates it to itself, develops it according to its fancy, and finishes it if it can. The thing is accomplished without trouble, without effort, without reaction,—following a natural and tranquil law. It is a graft which shoots up, a sap which circulates, a vegetation which starts forth anew. Certainly there is matter here for many large volumes, and often the universal history of humanity in the successive engrafting of many arts at many levels, upon the same monument. The man, the artist, the individual, is effaced in these great masses, which lack the name of their author; human intelligence is there summed up and totalized. Time is the architect, the nation is the builder.
. . . architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.
*You can find an online copy of the complete novel here, thanks to Project Gutenberg.
Music by Gabriel Fauré, “Pie Jesu Requiem, Op. 48”
“This is how I live Up here and simply” ~ from “I Live Up Here”
I am quite late in acknowledging the passing of a wonderful American poet, so I decided to post this today instead of my usual Friday leftovers.
Poet W. S. Merwin died on the anniversary of my mother’s birthday, March 15, 2019. He was 91. U. S. Poet Laureate from 2010 to 2011, Merwin won numerous awards, including two Pulitzer Prizes and a National Book Award in 2005. Merwin was an incredibly prolific writer who published almost three dozen volumes of poetry, essays, short fiction, and memoirs. He was also known for his translations of Dante and Pablo Neruda, as well as other poets. Merwin’s poems, which often dealt thematically with moments in time and passing time, were devoid of punctuation and predominantly spare, though still poignant and powerful. I remember that one of my favorite poems was about the grey whale, “For a Coming Extinction.”
A passionate student and admirer of the natural world, Merwin devoted many years to personal conservation efforts on his former pineapple plantation in Hawaii, on which he planted thousands of palms, as well as numerous other natural species of flora.
But perhaps my favorite bit of trivia about the poet is that he refused to answer the telephone. God, I love that and can completely relate. In case you haven’t heard it from me enough, I hate the telephone, and only use it (when it works) to make and cancel appointments. Otherwise, I ignore it.
For a lovely remembrance of Merwin, see poetry editor Kevin Young’s essay in The New Yorker. Also, you may want to visit The Merwin Conservancy here. Below I am including his 2005 poem about fellow poet John Berryman, under whom he studied at Princeton.
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don’t lose your arrogance yet he said
you can do that when you’re older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England
as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry
he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention
I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can’t
you can’t you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don’t write
“I am tired like the ancients were tired.” ~ Natalie Lyalin, from “Your Brain is Yours”
Saturday afternoon, overcast and warmer, 57 degrees.
So last night was pure hell. Earlier in the evening, Corey spotted a dog that was not ours beneath the swing-set on the side of the house, and then we heard a bunch of howling. He went to investigate, and at the top of the driveway, and he saw several strange dogs roaming around, apparently chasing something.
Anyway, this went on for hours during the night, and each time that the pack would start barking and yelping, Maddy would sit up and begin to bark. It’s really hard to sleep through all that noise. We both had the hardest time getting back to sleep, and consequently, I ended up dreaming that I couldn’t sleep, which is incredibly tiring. I had very strange dreams involving my mother—who has been in my dreams repeatedly lately—a dessert, a gay couple, and Olivia’s toys.
You know the theory that your dreams are your brain’s method of sifting through the day’s detritus? Well apparently my brain was overflowing with many a non sequitur, that is if indeed my dreams are any kind of barometer of such things.
“Let me begin again as a speck of dust caught in the night winds sweeping out to sea. Let me begin this time knowing the world is salt water and dark clouds, the world is grinding and sighing all night, and dawn comes slowly, and changes nothing.” ~ Philip Levine, from “Let Me Begin Again”
Corey has taken all of the dogs for a long walk to the big pond, which leaves the house blissfully quiet, except for my music and the hum of the washing machine. Ever since the first time he took them there, they now head for it anytime he leaves the house; I think that they’re looking for him, but when they don’t find him, they come back. I shouldn’t worry, but I know that there are coyotes here, and the puppies are still puppies, after all.
I know. I know. I worry too much.
When we left the house on Benjamin, I really looked forward to having a house that wasn’t inherently dusty, which that one was; however, as I knew nothing about the soot that wood stoves produce, I was unprepared for the layers and layers of dust that inhabit this house. I suppose as with the mud, I just need to wait for warmer temperatures when the stove isn’t heating the house, and then I can sweep away the dust and cobwebs and start anew.
Of course, I say that now, but who knows how I’ll feel when it is actually spring, and as Corey reminded me this morning, spring is less than two weeks away. My inability to track time seems to be getting worse the older that I get. I’ve always seemed to skip over November and February, but this feels worse, somehow. Don’t ask me how as I truly don’t know. Perhaps it’s because I’m looking forward to warmer temperatures too much that I feel as if once again I’m setting myself up for failure; I mean, I have so many projects that I want to finish. Will I just retreat further inside and get nothing at all accomplished?
Who knows? Certainly not I.
“Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.” ~ Haruki Murakami, from Kafka on the Shore
I wonder how other people do it—live their lives, I mean. I don’t remember a time in my life in which I was not living with my depression. It’s a way of life for me, so I truly wonder how people who do not suffer from this crippling disorder manage to make it through their days. I know that some have religion, and some have drugs, and some have money, but what about the rest of them? Are they floating through their lives as seemingly lost as I have always been?
I know that yesterday I mentioned those two incredibly talented people who I knew in high school, and how their lives turned out so differently than anyone ever thought they would or could. But I mean, come on. I know that there are people out there whose days are not filled with self-doubt. Are they sociopaths? Is that how they move through their days, blissfully unaware of pain and anguish? Or are they so completely satisfied with their lots in life that they just move forward and never look back?
How does it work? How does it work for people unlike me who feel everything too much, so much that eventually we become numb, closed off for protection or fear or both? I think again of concentration camp survivors, most of whom are now dead, but how did they get on with their lives after such unimaginable cruelty was visited upon them? How did they have enough strength and faith to raise families, have careers, kindle friendships? As opposed to their great suffering I feel like an ungrateful peon.
“. . . but as you know any amount of time is an uncertain one.” ~ Dalton Day (source uncertain)
Corey is back from his walk, and he managed to tire all of the dogs thoroughly. Tink came in, jumped on the couch and was immediately asleep. I envy dogs and cats their abilities to fall asleep so quickly. I don’t think that animals ever have insomnia, or at least, they don’t toss and turn all night thinking about bills and utilities and missteps and failures. It seems their dreams are filled with running and chasing and playing, as anyone who has ever watched a dog run in its sleep can attest.
Actually, I envy anyone who sleeps easily. Corey is only troubled occasionally with insomnia. My first husband could fall asleep easily. I know that in my youth I could sleep anywhere at any time. On a school trip to New York, I fell asleep at a Knicks’ game, which still amazes me. I have fond memories of curling up on Yvonne’s wing back chair, much like a cat, and falling fast asleep.
When each of my children were babies, I used to lay on the big hammock in my in-laws’ backyard with them, and we would sleep companionably under the shade until someone would wake us. I was never so at peace as the moments I spent with my babes in my arms, asleep, inviolable. Life was so different then, seemingly, but probably not. Whenever we look back, our memories are colored by whatever we wish to wash them wish. I’m not so much a fool that I don’t know that to be true.
“Time is not a solid, like wood, but a fluid, like water or the wind. It doesn’t come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.” ~ Margaret Atwood, from The Robber Bride
There are memories that I can snatch at will, and then there are memories that I can only find the edges of, as if I know that something is there, but I can never quite uncloak it completely in order to take it out and examine it. I am reminded of Oriental puzzle boxes, with all of the false drawers and interlocking pieces; once taken apart, they are so hard to piece together properly, that is, until you find the secret. I think that memories are like that—that there is a secret to the ones stored deeply, and only when you come upon the answer are you allowed to touch them again.
I once thought that I would never forget the way that Caitlin smelled or how soft the skin was on her chubby arms, but I was wrong. I can remember neither. I can only remember the memory of what that was like, but I cannot recall the exact smell or the incredible velvet of her skin. Yet there have been times over the years in which something from some unknown place has assailed my senses, and I am once again in that hospital room, holding her close and inhaling deeply the very essence of her in order to imprint it upon my very cells, the core of my being.
The recall of such memories is both a boon and a curse. I want them more than anything, but once they come upon me, the pain is so acute that I want nothing more than to feel nothing again. And the truly sad part—in my mind—is that I find myself doing that now with memories of each of my children, no longer just Caitlin: the early spring afternoon Alexis and I lay in the hammock in my back yard, and she fell asleep in my arms even though she was six; the time that Eamonn asked me so earnestly when he could tell Corey that he loved him; the many, many times that Brett and I lay in my big bed and watched movies together when no one else was home.
It’s all a deep soul pain t hat never abates, mingled with a spark of contentment that can never be replaced.
Pure love. Irreparable loss.
The heart would have it all again, regardless.
More later. Peace.
Music by Rosie Golan, “Been a Long Day”
End of Winter
Over the still world, a bird calls
waking solitary among black boughs.
You wanted to be born; I let you be born.
When has my grief ever gotten
in the way of your pleasure?
into the dark and light at the same time
eager for sensation
as though you were some new thing, wanting
to express yourselves
all brilliance, all vivacity
this would cost you anything,
never imagining the sound of my voice
as anything but part of you—
you won’t hear it in the other world,
not clearly again,
not in birdcall or human cry,
not the clear sound, only
in all sound that means good-bye, good-bye—
the one continuous line
that binds us to each other.
“My life is a crystal teardrop. There are snowflakes falling in the teardrop and little figures trudging around in slow motion. If I were to look into the teardrop for the next million years, I might never find out who the people are, and what they are doing.” ~ Joan Baez, as found in Joan Didion’s “Where the Kissing Never Stops”
Friday afternoon, snow and rain, cold, 39 degrees.
During the night when I was letting the dogs out, I looked out to see snow covering the ground, which was a surprise. The weather forecast did not call for snow, only more rain. Corey and I agree that the weather here is actually quite depressing. I can only hope that as the weather gets warmer that we are finally able to dry out around here. The mud is overwhelming, as is the near constant rain.
So we lost internet Wednesday night, right as I was watching that new documentary on HBO about Michael Jackson, Finding Neverland. It’s actually quite disturbing as it features two men who were childhood victims of abuse at Jackson’s hands. Truthfully, I’m surprised that they were able to make it. I know that Jackson’s estate sues people all of the time. Nevertheless, it’s more than time that these victims were able to tell their stories.
Anyway, I can’t believe the nerve of some companies, wanting to be paid for their services as opposed to offering them for free. I remember reading something sometime ago about how Tesla wanted electricity to be free, and someone who wanted the internet to be free. Such radical ideas: actually giving the public something that they can use as opposed to making a profit.
Hmm……..Things that make you go hmm……
“I hear two sibilants—here silk, the snowstorm outside. Beating soul and breathing blood. We both got what we wanted” ~ Marina Tsvetaeva, from “Playacting” (Trans. Christopher Whyte)
I decided to be proactive for a change, and rather than wait for the internet to become available again, I decided to go ahead and write some posts on Microsoft Word until we can get it restored on Monday. Then I’ll just post and backdate, which I know is cheating, but hey, when you’re me, and you never know what day it is, does it really matter?
So no podcasts for me for a bit, so I’ve been listening to some of my old music playlists. I made the mistake of putting on an old country playlist while I was taking a bath, and boy, some of those songs are just heartbreaking. For example, there was Blaine Larsen’s, “How Do You Get so Lonely,” which is about a boy who commits suicide, and then there was “Alyssa Lies,” which is about child abuse.
Boy, I know how to put together a playlist that makes you want to cut your wrists with a rusty razor blade—that was a Kathleen saying, or maybe it was a Gail saying. Can’t remember. But those two women were big friends of mine once upon a time.
“I’m tired of my life, my clothes, the things I say. I’m hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does..” ~ James Salter, from a letter to Robert Phelps (July 6, 1969-70)
Yesterday, I wrote a letter to another long-time friend of mine, the woman who taught me piano for almost eight years. I always looked up to her, and when she got melanoma years ago, I was so afraid that she would succumb to it, but fortunately, she didn’t, and she went on to have a son by a man who later betrayed her big time.
She was such a classy, talented woman, and oddly enough, she’s the one who made me love Bach, who I had always eschewed before she started teaching me. I was intimidated by Bach—too many notes on the page, as it were, but I learned to master his Two-Part Inventions, and went on to the Three-Part Inventions before I stopped.
I really miss playing, but my piano is in terrible shape. I hope that one day I can find a decent used piano to purchase. Corey’s parents had a beautiful piano in their basement that I always coveted, but then his brother threw out the keys that had come loose, and they got rid of the piano. I miss learning new pieces. I mean, I could teach myself, but there is something special about learning from someone who really knows music. God I loved to play the piano, and I was relatively good at it. I wasn’t one of those naturals who can sit down at a keyboard and just play what they hear in their brains, nor could I ever master changing keys on my own.
I went to school with a couple of people like that, incredibly talented both of them. The one who played the cello died of AIDS during the height of the epidemic, and the other, who played any instrument she touched, ended up having a major tragedy in her life that she never recovered from.
“My wound existed before me; I was born to embody it.” ~ Joë Bousquet, from “Traduit du silence”
Which just proves that no one is immune from life’s travails, regardless of talent, and here I am still, even when I never imagined being this old, never thought that I would make it this far, and I still feel mediocre every single day of my life. I’ve been doing a lot of soul searching for months now, trying to figure out why I can’t be happy. Honestly, I still don’t have an answer, and my inability to find one just makes me madder and madder at myself.
Granted, the last few years have been majorly stressful, and that I even made it out in sort of one piece still amazes me. I remember years ago, after I lost Caitlin, and I went to that first psychiatrist (who I loathed), and he told me that losing a child is ranked as the second or third biggest stressor in life, with being in a concentration camp ranking as first. How did people even survive that when they were finally liberated? How did they not hate everyone and everything?
Anyway, I had a point, which was that other life stressors include moving, starting a new job, and getting married. I got married (the first time), moved to Blacksburg, and started graduate school and teaching composition all within two weeks of each other.
I supposed I’ve never been one to do things half way. It’s all or nothing. Or maybe, it’s everything or nothing. Who knows.
“All I can hear now is the sound of my own heart, opening and closing, opening and closing, opening.” ~ Margaret Atwood, from The Handmaid’s Tale
But getting back to the idea of being happy: I know that only I can control my happiness. I’m not naïve enough to think that someone else can make me happy. No matter how much Corey loves and cares for me, he cannot control what is inside of me, nor does he try to.
There is such a feeling of deep regret within me, regret, and guilt, and a sense of being incredibly ungrateful.
Let me explain: I have wanted to live in the mountains, on my own property, for as long as I can remember, ever since the first time I drove into Blacksburg to visit Paul. I knew in that instant that my soul belonged in the mountains. So here I am, surrounded by everything I ever wanted, land, an incredible vista, animals, yet somehow, it’s not enough.
No. Let me back that up. It’s not that it’s not enough; it’s that there is such a large hole in my heart that I’m having a hard time allowing myself to be filled with the splendor with which I am surrounded. Aside from the mud, this place is everything. But I don’t have my kids, and I no longer have a home in Norfolk. I wasn’t able to keep my parents’ home in the family, and I know that many people are not able to do this, but I feel like such a failure because of that, and because I wanted my kids to have the opportunity to have it someday. And more than that, I want my kids.
It’s coloring everything, and I hate it more than I can say, so maybe I should stop trying to say anything more at the moment.
More later. Peace.
Music by Ruelle, “Slip Away”
You work with what you are given,
the red clay of grief,
the black clay of stubbornness going on after.
Clay that tastes of care or carelessness,
clay that smells of the bottoms of rivers or dust.
Each thought is a life you have lived or failed to live,
each word is a dish you have eaten or left on the table.
There are honeys so bitter
no one would willingly choose to take them.
The clay takes them: honey of weariness, honey of vanity,
honey of cruelty, fear.
This rebus—slip and stubbornness,
bottom of river, my own consumed life—
when will I learn to read it
plainly, slowly, uncolored by hope or desire?
Not to understand it, only to see.
As water given sugar sweetens, given salt grows salty,
we become our choices.
Each yes, each no continues,
this one a ladder, that one an anvil or cup.
The ladder leans into its darkness.
The anvil leans into its silence.
The cup sits empty.
“Let the light and the winds colour and cleanse my blood.” ~ Gabriela Mistral, from “Quietness”
Wednesday afternoon, overcast, 48 degrees.
Hello out there in the ether. Hope today finds you well. Yesterday I completely forgot that it was Tuesday, which meant that I had a Two for Tuesday post all ready to go. That’s how much my mind is in disarray: I have to look at my phone to see what day it is. Does anyone else have that problem?
I usually begin my day here with a little organizing, trying to figure out what I have to say, thinking about accompanying images and songs, and then I usually watch a few YouTube videos that I subscribe to—Tati (beauty guru), Alexandria (unboxings and try ons), and then maybe someone else. It’s a distraction, and when I’m finished, I feel as if I’ve cleaned my palette, and I’m ready to go with the words.
For a short minute I thought about starting a YouTube channel, but man, people on there are vicious in their commentaries. One wrong word, and your channel explodes. I just don’t have either the patience or the thick skin for that, so I won’t be putting myself out there for that anytime soon.
“I never get tired of watching this, As the mists seem to move, then not move. They don’t, of course, but merely disappear. ……………………………………………………….Perhaps that’s why I like it.” ~ Charles Wright, from Littlefoot: “25”
A few mornings ago (maybe even yesterday?), the fog rolled in very quickly and lay within the trees at the back of the house like one of those old cotton Christmas tree skirts everyone used to use once upon a time. It was so fast, and by the time I thought about taking some pictures, it was gone; hence the Flickr Creative Commons pix of fog. I thought I’d try to get a variety of locations.
Fog has always fascinated me, ever since I was a young child in England. I’m certain that I’ve written about this before, but I still have vivid memories of being caught out in the fog in London and not being able to see anything. It was a different kind of fog—very, very thick and impenetrable. I remember a man walking in front of the buses with a lantern on a ladder to guide the driver.
I have no idea if they still get fog like that. I mean it was a long time ago, and even if they do, I’m sure that no longer use lanterns on ladders. But the first time that mom and I were out in that, it was pretty scary. I, obviously, had never seen anything like it, but then to realize that my mother was as scared as I was—something like that can really unnerve a child.
We were still living in the old house outside of London at the time, the house with the haunted bedroom. Man, if only I could remember where that was. I have absolutely no idea, and I’ve never found anything of mom’s that had that address on it.
“I really love fog. It hides you from the world and the world from you. You feel that everything has changed, and nothing is what it seemed to be. No one can find or touch you anymore.” ~ Eugene O’Neill, from Long Day’s Journey Into Night
I’ve driven through some really terrible fog more than a few times, but it doesn’t bother me. I find fog oddly comforting and beautiful. Living near the Chesapeake Bay, we could get some thick fog rolling in across the bay; of course, I wasn’t on the water at the time. I would imagine that people who work on the water as Corey used to do not find fog at all comforting.
It’s just that in heavy fog, sound changes. It can become completely muffled, and then light seems to disappear. I’ve always imagined having a scene in a book in which someone who is lost in a thick fog comes face to face with the killer. Yes, my mind does go to places like that, frequently, actually. I’m always mulling over plots for mysteries. The problem is that the mulling never moves beyond that.
It makes me wonder if I’m just a dilettante: someone who likes to know a little bit about a lot of things without ever specializing in any of them, and perhaps in a way, I am. I’m a curmudgeonly dilettante who loves words. What to make of that? Hmm . . .
Things that make you go hmm…………
“The light is flat and hard and almost nonexistent, The way our lives appear to us, ……………………………………………..then don’t, as our inlook shifts.” ~ Charles Wright, from Littlefoot: “25”
I suppose that’s enough about the fog, but it’s such a wonderful image, and metaphor, and memory, actually. It’s taken me several years since my mother’s death to begin to remember more. Our relationship was so fractured that I think I tried very hard not to think about her in the immediate months following her death. But now, with some distance, I can begin to sort through the memories better.
One of the sad things, though, is that I know without a doubt that my mom was happiest in England. It seems like everything after that was just a disappointment for her, her marriage, her location, her family, everything. And I only realized too late that it would have been such a simple thing for me to offer to go back to London with her for a visit, but I never did. It never even occurred to me to do that, and now I cannot.
And so the memories of the two of us exploring every inch of London and the surrounding environs are more immediate, as it were.
It’s hard for me to think of my relationship with my mother as a whole. I’ll give you a classic example of how it was with us: My cousin once told me that my mother talked about me all of the time, and he could tell that she was proud of me. This caught me completely off guard. I never would have believed it if he hadn’t said it as I can remember exactly one time as a teenager or adult that my mother told me that she was proud of me.
Perhaps she said it as a matter of course when I was a child, because I was very much as Alexis was as a child: everything you could want in a daughter—smart, polite, attentive, hard-working, focused. Perhaps when I hit puberty, I became a foreigner to my mother, much as Alexis did to me when she entered high school.
Perhaps. Who knows? Certainly not I.
“Gloom is literally atmospheric, climate as much as impression . . . Gloom is more climatological than psychological, the stuff of dim, hazy, overcast skies, of ruins and overgrown tombs, of a misty, lethargic fog.” ~ Eugene Thacker, Cosmic Pessimism
As these things are want to do, I have said much more than I had planned to say. The genesis was the fog, and then the floodgates opened. And truthfully, I’m not in the best place emotionally or mentally for open floodgates. I’ve spent the last two days in my pajamas, and when I looked in the mirror last night, I had to admit to myself that I just plain looked rough.
It’s been a rough kind of week. Tink isn’t out of the woods yet, and it’s hard for either of us to concentrate on much else, but I decided today to make an effort, you know, bath, put on clean clothes, maybe some lipstick, try to write, do more than just stare blankly at the screen. And so this is that effort.
Anyway, because it’s on my mind as well, I am reminded of a line from Charles Wright’s Littlefoot: “I live here accompanied by clouds.” There are so many clouds here, and I don’t yet know if that’s a year-round thing, or just fall and winter. My father would have hated that part. I’m fairly certain that he had Seasonal Affected Disorder; as the months became colder and light began to fade, his depression would worsen.
I can relate. I know that my own temperament is greatly affected by the weather. Take today, for instance: no sunlight anywhere, nothing dappling on the leaves on the trees. Just grey clouds, and clouds aren’t the same as fog. Grey clouds—unlike fluffy white clouds shaped like animals—are just, well, there, making everything look cold and grey and yes, gloomy.
So enough of that.
More later. Peace.
Music by Paloma Faith (loving her these days), “Only Love Can Hurt Like This”
Missing the Dead
I miss the old scrawl on the viaduct,
the crazily dancing letters: BIRD LIVES.
It’s gone now, the wall as clean as forgetting.
I go home and put on a record: Charlie Parker Live at the Blue Note.
Each time I play it, months or years apart,
the music emerges more luminous;
I never listened so well before.
I wish my parents had been musicians
and left me themselves transformed into sound,
or that I could believe in the stars
as the radiant bodies of the dead.
Then I could stand in the dark, pointing out
my mother and father to all
who did not know them, how they shimmer,
how they keep getting brighter
as we keep moving toward each other.
“Then I sit down at my desk and can’t remember how it’s done. Only now and then the lines attack like birds of prey, any time, any place. And demand to be written.” ~ Anna Kamieńska, from A Nest of Quiet: A Notebook
Hello out there. The sun is blazingly bright today, and not a day too soon. Earlier, when I was outside with the animals, I realized that I could actually hear the horses walking in the pasture, and that just blew me away. I mean, it was quiet enough that I could hear horses walking on the grass . . . no cars, no sirens, no loud obnoxious mopeds roaring through the neighborhood . . . nothing. Just the sky, the sun, the birds, and the animals. It was lovely.
So enough about me—how was your Christmas? Peaceful? Uneventful? Rowdy? Good food and good friends? However you like it, I hope that you had it just that way.
As for us, well, it was a bit eventful. Corey came home with two puppies that someone had left on our driveway. They could only be about four weeks old. Yes, they are adorable as all get out, and I know that I had said that I planned to rescue dogs once we moved here, but, well, it’s a bit soon, especially as I just stole a puppy from Dallas a few weeks ago. Did I mention that our house is small?
“To be a poet is to surface plainly
from the wound of sleep. To observe how thickly feathered the heart, how small & bright the planet of human thought.” ~ Kiki Petrosino, from “Cygnus Cygnus”
Nevertheless, Corey couldn’t exactly leave them where he found them, and so now they have a home. We’ll deal with it just as we deal with everything else: as it comes.
Truthfully, him coming home with the puppies is probably the only thing that saved me yesterday. I was doing poorly with the prospect of making it through the whole day. I heard from neither son, and only from my daughter in the evening. And Corey and I had decided to wait a few days before exchanging presents, for various reasons. About the only thing that I had to look forward to yesterday was the ham that I had in the oven.
That sounds absolutely pathetic, doesn’t it?
I realize that I’m a bit of a broken record lately, going on and on about my kids. I just never envisioned myself in this place—living each day without hearing a word from any of them. Marking holidays, birthdays without a call, or text, or email. As they were growing up, I took such great joy in watching every aspect of their lives; I believed that my relationship with each of them was inviolable. Until it wasn’t.
I would not wish this kind of pain for anyone, and I’ve wished pain for people before, so that’s quite a statement.
“Everything was a broken line for me in those days. I was slipped into the empty spaces between words.” ~ Betsy Cornwell, from Mechanica
You know how you do something in your youth, and your mother hits you for the first time with the words, “I hope you have a daughter/son/child just like you one day. You’ll see”? (Note on the punctuation: A question mark goes outside the quotation mark when the question is about the entire sentence; just thought that I should point that out, you know, to stay in practice.) And you look at her as if she has taken leave of her senses because you are so certain in your own heart of hearts that you will never make the same missteps that she has made with you, that you will be so much closer with your own children . . .
Mothers. Always. Know.
I know that I gave my mother fits when I was around 14 or 15. And 16 and 17 weren’t terribly better. But then I got into college and decided to become a productive adult, and from that point on, I was a model daughter . . . No. Wait. I wasn’t, was I? I wish that I could say that it was true, that I straightened up and never gave my mother another day of heartburn or heartache, but I gave her plenty of both.
I tried so many times to get it right, and now looking back, I see that I probably erred more than I soared. But I never stopped talking to my mom, at least not for months and months at a time. She gave me the silent treatment for weeks at a time because that’s how my mother was: she was vindictive. Where do you think that I learned it? But still, I really tried, honestly tried not to hurt her.
So this is payback, then?
“But you remain with me as a winter sky shot through with swans of iron, swans of steel.
Let no harm come to the dark you have made.” ~ Kiki Petrosino, from “Cygnus Cygnus”
I would like to say that I never hurt my mother or broke her heart, but I’m trying to be honest here. I know that I did both. More than once.
I know that I could be surly, and nasty, and darned unpleasant when I was a teen. And later, as a married adult, I was never good with money, and when I lost Caitlin, I spent my way into oblivion rather than drank like my first husband. But they were both escapes, and neither much better than the other once they became an addiction. And unfortunately, my mother had to bail me out more than once.
I wonder if that’s part of how I did my kids wrong, that I bailed them out too many times and made them weak . . . We can love too much, make the landings too soft sometimes, when an abrupt encounter with the cold, hard earth might be better. But that wasn’t how I was raised—for better or worse. I was raised, and in turn I raised with love and a soft cushion, most of the time. Oh, don’t think for a moment that I wasn’t punished (I have vivid memories of a flyswatter on my bare legs), or that I did not punish when called for, but it was never a matter of whether or not there was love. There was always love, and when I used to see Alexis with her own daughter, I saw how tender she could be.
So much love there.
“Motherhood means doing penance not only for your own sins, but for your children’s too . . . Niobe. Niobe—that’s me. That’s every abandoned mother.” ~ Anna Kamieńska, from A Nest of Quiet: A Notebook
I think that this is the loss that I feel most acutely: They are not near me so that I can give them love. Do they still know how much I love them, regardless? Can they possibly believe that I do not care? How do they not realize what their absence costs me every single minute of every single day? How is it possible that they move through their days without me?
So many freaking questions. Absolutely no answers.
It’s now many hours since I first began this post, and the sun is long gone. I apologize, dear reader. I was supposed to be asking after your own holiday, not gazing morosely into the empty glass upon my table. But then, you must have known that I couldn’t go for very many sentences without falling back into old patterns. You see, it’s what I do, and I do it very well: I have supreme confidence in my ability to, or rather, my inability to let go. I just cannot do it, even when I should, even when I have been given every single reason to let go and move on—I simply cannot.
Apparently, I am immune to betrayals of the heart, of any kind. My loyalty tends to be complete, blind, and perhaps dumb. I just never realized from whence such betrayals could come. And perhaps betrayal is not the best word choice, but at the moment, it is the one that seems most apt. Then again, perhaps that is what my sons think about me.
Tomorrow may be different. Who knows? Certainly not I.
More later. Peace.
Music by Billie Marten, “Winter Song”
The Abundant Little
We have seen the population of Heaven
in frescoes. Dominions and unsmiling saints
crowded together as though the rooms were small.
We think of the grand forests of Pennsylvania,
oaks and maples, when we see the miniatures
of blue Krishna with farm girls awkwardly
beside a pond in a glade of scrub trees.
The Japanese scrolls show mostly Hell.
When we read about the Christian paradise,
it is made of gold and pearls, built on
a foundation of emeralds. Nothing soft
and rarely trees, except in the canvases
of Italians where they slip in bits of Tuscany
and Perugino’s Umbria. All things
are taken away. Indeed, indeed.
But we secretly think of our bodies
in the heart’s storm and just after.
And the sound of careless happiness.
We touch finally only a little.
Like the shy tongue that comes fleetingly
in the dark. The acute little that is there.