I once participated in a “Messiah” singalong at the Virginia Beach Convention Center with my other mother. It was a wonderful evening. I would love to be part of a flash mob performance such as this one.
“July. Silence. Complete silence.
The whole world floated.” ~ Lola Ridge, from “Silence”
Wednesday morning, sunny and mild, 75 degrees.
From La Collectionneuse (1967):
Music by Frédéric Chopin, Etude in A Flat Major, Op. 25 No. 1, “Aeolian Harp”
Sunday afternoon, sunny, 82 degrees.
Road trip today to Roanoke to pick up two more goats, female Nubians, so no time for a post. I’ve been wanting to use the following selection from The Upanishads, so I thought today would be a good day. One day I’ll read more of these texts (for more information on these ancient Indian philosophies, go here).
More later. Peace.
From “Eternal Stories” from The Upanishads (Tr. Thomas Egenes):
“Look Balaki,” the king said. “Do you see that spider?”
“Yes,” said Balaki, “I see the spider moving along its web.”
“We are like the spider,” said the king. “We weave our life, and then move along in it. We are like the dreamer who dreams and then lives in the dream.
“This is true for the entire universe. That is why it is said, ‘Having created the creation, the Creator entered into it.’
“This is true for us. We create our world, and then enter into that world. We live in the world that we have created. When our hearts are pure, then we create the beautiful, enlightened life we have wished for.”
(Didn’t get home until almost 11 p.m. Very long day. Much hotter in Roanoke, in the 90s. Forgot to post before we left.)
Music by Aisha Badru, “Bridges”
Music by Brooklyn Duo, “Zombie” (a lovely cello and piano cover)
“there were times when I could believe
we were the children of stars
and our words were made of the same
dust that flames in space,
times when I could feel in the lightness of breath
the weight of a whole day
come to rest.” ~ Mark Strand, from “For Jessica, My Daughter”
Saturday afternoon, sunny and warm, 69 degrees.
Too nice to concentrate on my words today, so I’m offering some new pictures of the animals.
Everyone was outside in the bright sunshine as Corey did more work on the pasture fence. We’re trying to let Max and Ruby wander around like the dogs, and so far, they stay close; although, they are just as mischievous as the puppies: Ruby jumped inside Corey’s truck, but I couldn’t get a good picture of that particular moment; then both goats figured out how to get inside the front door because, yep, that’s what goats do.
Ruby made a beeline for the horses’ apple treats, which I had to snatch before she inhaled them. Max has a hard time with the treats because they are too big, and he has a jaw problem.
Man, how do I always end up with animals with too much personality, animals who don’t know they’re animals? I wouldn’t have it any other way.
More later. Peace.
Music by John Denver, “Today” (I cannot begin to tell you what this song means to me)
The red sun rises
and shines the same on all of us.
We play like children under the sun.
One day, our ashes will scatter—
…………………………………….it doesn’t matter when.
Now the sun finds our innermost hearts,
…………………………………….fills us with oblivion
intense as the forest, winter and sea.
~ Edith Södergran (Trans. Brooklyn Copeland)
William Stanley Merwin (1927-2019)
“This is how I live
Up here and simply” ~ from “I Live Up Here”
I am quite late in acknowledging the passing of a wonderful American poet, so I decided to post this today instead of my usual Friday leftovers.
Poet W. S. Merwin died on the anniversary of my mother’s birthday, March 15, 2019. He was 91. U. S. Poet Laureate from 2010 to 2011, Merwin won numerous awards, including two Pulitzer Prizes and a National Book Award in 2005. Merwin was an incredibly prolific writer who published almost three dozen volumes of poetry, essays, short fiction, and memoirs. He was also known for his translations of Dante and Pablo Neruda, as well as other poets. Merwin’s poems, which often dealt thematically with moments in time and passing time, were devoid of punctuation and predominantly spare, though still poignant and powerful. I remember that one of my favorite poems was about the grey whale, “For a Coming Extinction.”
A passionate student and admirer of the natural world, Merwin devoted many years to personal conservation efforts on his former pineapple plantation in Hawaii, on which he planted thousands of palms, as well as numerous other natural species of flora.
But perhaps my favorite bit of trivia about the poet is that he refused to answer the telephone. God, I love that and can completely relate. In case you haven’t heard it from me enough, I hate the telephone, and only use it (when it works) to make and cancel appointments. Otherwise, I ignore it.
For a lovely remembrance of Merwin, see poetry editor Kevin Young’s essay in The New Yorker. Also, you may want to visit The Merwin Conservancy here. Below I am including his 2005 poem about fellow poet John Berryman, under whom he studied at Princeton.
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don’t lose your arrogance yet he said
you can do that when you’re older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England
as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry
he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention
I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can’t
you can’t you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don’t write
(Found on Poetry Foundation)
Music by Fleurie, “Gloria Regali”