“Do you ever feel words have gone dry and dull in your mind? Your mind like a sponge in the dust? You squeeze it and nothing comes?” ~Virginia Woolf, from a letter to Vita Sackville-West, The letters of Virginia Woolf, Vol. 3

Frank Dicksee, “The Funeral of a Viking” (1893)

“Those words had gone deep into her eyes, deep into her nerves, deep into her brain, far into the blackness of her brain behind that white face. They had made a gash back there, a match streak of memory, a flare she would carry to the grave, an impression.” ~ John Fante, from The Road to Los Angeles

Thursday afternoon. Overcast again and rainy, 46 degrees.

I haven’t been walking on the property in weeks. It’s a mosh pit out there in the driveway. And each day that I wake up and look out the window and see nothing but clouds, my heart becomes heavy. It does rain a lot here, definitely more than in Norfolk. But it’s the clouds. They just seem to cover the ridge and cloak all of the beauty.

Anne Burgess, “The Burning Galley” (Wikimedia Commons)

Between that and trying to house train the puppy—unsuccessfully at the moment, I might add—I’m feeling a bit lost in the fog. Yes, I finally took my puppy from Dallas because it was the only way that I could get her as he is so attached to his dogs, but he had promised me one, and I had taken a shine to the runt. Her name is Maddie, for Madeleine L’Engle, and she’s black with hound ears. She won’t be nearly as big as Tillie or Bailey, both of whom act as if she’s an alien, and the cats are definitely not taken with her.

Don’t ask me why a puppy now, other than it seemed like a good idea at the time, and she’s adorable. It doesn’t take any kind of Freudian to tell me that I substitute the animals for my kids, so whatever . . .

“We walk
and walk towards meaning
and don’t arrive” ~  Mahmoud Darwish, from “How far is far?”
Dave Brockie AKA Oderus Urungus gets a viking funeral from his GWAR bandmates, by D. Randall Blythe

So it’s December 20, five days until Christmas. Corey and I are having a very small Christmas this year, which is fine. It’s not about the presents for me, ever. It’s about the pageantry: the tree, the wrappings, the centerpieces, the dishes—just the way that I can make the house look. One year Corey’s mom finally got to see our house decorated, and she commented that everywhere she looked, she saw something. That’s what I strive for when I decorate—creating an experience.

So I’m going to suck it up today and put up the tree. I know that it will be a lot of work to make it look the way that I want it to look, and no, I can’t just put on a few ornaments, so there’s no point in suggesting that approach, but thank you anyway. I know that once it’s up, I’ll feel better. So maybe I won’t have the snowmen and the Santas, and all of the rest, but at least there will be a tree.

I need that, and the only way that  I’m going to get that is if I do it. So, ‘nuf said.

“That’s all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they can best say what they are meant to say.” ~ Raymond Carver, from Call If You Need Me: The Uncollected Fiction and Other Prose

The other major thing that I need to accomplish is to write some people and send cards. I still cannot find my Christmas card box with addresses and all of the rest, but I’m hoping that Corey can find it for me. If nothing else, I’ll just send the letters. It’s important, and I really want to communicate with my sister-in-law in Germany. She has gone out of her way to write to both of us, and as usual, I have been lax in replying, so that’s a must do, maybe later today or tomorrow.

Bálför Viking Funeral Card

It’s the words, you see. I just don’t have the words to say how life is, how we’re doing. I need to lie, to say that things are good, that I’m fine, that we’re both doing well. Making pleasant conversation used to not be so hard for me. I suppose I’m making too much out of it, that it will be fine once I start, which is how things usually are, or at least I hope so.

Being a self-imposed recluse can become problematic when moving beyond the safety of my environs enters into the equation. The irony, of course, is that writing this blog is taking me out of my safety zone, but now that I’m back into it, it seems to be working, at least most of the time. Granted, some days are harder than others, but my goal is to try to write at least a little each day, to get back into the practice of using words, so that I can try to get myself going and maybe, just maybe, begin to polish my manuscript.

Who knows? Certainly not I.

“It’s a losing battle:
my words have no chance against time.
Sometimes,
unable to catch up with imagination,
I leave the battle,
candle in hand,
in complete darkness.” ~ Jalal Barzanji, from “Trying Again to Stop Time”

I had a very disturbing dream last night, featuring someone from my past, a gay man with whom I used to be very close. I had met him at the museum, and we developed a very fast friendship, for lack of a better word. We used to do all kinds of things together. I know that he filled the gap that I had in my first marriage as far as doing things with my spouse.

Viking Funeral, Created by yoguy108

By the time this person came on the scene, my spouse and I had developed a separate set of friends and weren’t doing much of anything together. I don’t blame him. That’s just what happens when neither of you work on your marriage. Of course, there were many other factors at play that I just would rather not go into. It’s still a tender wound all of these years later, although, not quite as tender.

Anyway, in this dream, this person had photographs of me at a lake that I just couldn’t remember visiting. I was very bothered that he had proof that I’d been somewhere that I could not recall. It was disconcerting. The dream happened at my parent’s house, and in the end, both of my parents made an appearance; overall, one of those dreams that leaves you gasping when you awaken because they are so disturbing. Well, at least, that’s how I awaken from them.

“I go to meet my words and feel I bring them back to the surface, unaware that I lead them to their death.
But this is an illusion.” ~ Edmond Jabès, from The Book of Questions Vol. 1 (Trans. Rosmarie Waldrop)

So, I have plans for today, and perhaps putting them out there isn’t the best thing, especially if I have to come back tomorrow and say, “never mind.” But it’s raining, and I’m really trying to accomplish a goal that I’ve set for myself. It might seem silly, that my goal is to put up a tree and to write letters. Maybe normal people can do all of that in the span of a few hours in the morning with their first cup of coffee. And once, I would have done all of that and more by December 5.

My friend Kathleen used to give me a hard time for being so type A over Christmas. I used to vow to have my shopping done and my cards in the mail by the beginning of December. My tree was up and the house decorated by December 15 at the latest. That was another time. Another life. One in which I had boundless energy and a very different outlook on life. I would be lying if I said that I didn’t miss that version of me. Well, at least the more positive aspects of that person. Some aspects I’d just as soon convey to the ash heap of time

Viking Boat Funeral, via the Good Funeral Guide

That ash heap is very, very tall, and I am reminded of it whenever that stupid commercial comes on that shows a woman climbing a mountain of cigarettes. I understand the symbology, but it’s disgusting, nevertheless (this, of course, from someone who used to smoke occasionally). My ash heap is composed of old letters, bad poems, broken hearts, scents I can no longer recall, and many, many, many regrets.

In some ways, it reminds me of the funeral pyres in India, except that once the body burns, onlookers are left with a sense of freedom and peace that the departed has gone on to a new life. My ash heap has a slow burn, and absolutely nothing is resolved, so maybe not so much like the cleansing cremation fires of the Hindus. Maybe more like the supposed Viking funerals that happen in movies: a slow-moving vessel floating out to sea, the flaming arrows shot and hitting home, and no one really knows if the person makes it to Valhalla or just disappears into the flowing waters.

Sorry. Morbid? Then you’ll love the Lorca poem below . . .

More later. Peace. 


Music by Fever Ray, “If I Had a Heart” (still miss Ragnar)


Gacela of Dark Death

I want to sleep the sleep of apples,
far from the tumult of cemeteries.
I want to sleep the sleep of that child
who longed to cut out his heart at sea.

I don’t wish to hear that the dead lose no blood;
that the shattered mouth still begs for water.
don’t wish to know of torments granted by grass,
nor of the moon with the serpent’s mouth
that goes to work before dawn.

I want to sleep for a while,
a while, a minute, a century;
as long as all know I am not dead;
that in my lips is a golden manger;
that I’m the slight friend of the West Wind;
that I’m the immense shadow of tears.

Cover me, at dawn, with a veil
since she’ll hurl at me fistfuls of ants;
and wet my shoes with harsh water,
so her scorpion’s sting will slide by.

For I want to sleep the sleep of apples
learn a lament that will cleanse me of earth;
for I want to live with that hidden child
who longed to cut out his heart at sea.

~ Federico García Lorca

Monday Maquillage

Coiffure (Oshidori-mage) by Uemura Shoen,1916
“Coiffur (Oshidori-mage),” by Uemura Shoen, (1916, Wikiart)
“A self that goes on changing is a self that goes on living.” ~ Virginia Woolf, from “The Death of the Moth and Other Essays”

Monday afternoon. Sunny and cooler, 46 degrees.

“After the Bath,” by Ito Shinsui (1929, WIkiart)

Today’s post debuts my new category: Monday Maquillage, which will focus on my most recent forays into all things beauty related, like makeup, skincare products, tools, etc. As I had mentioned, I’ve spent roughly the last three years obsessed with all things makeup related, rather than spending time on here writing simply because it was an easier distraction. And if you find it ironic that a self-professed hermit bothers with makeup, you wouldn’t be wrong. I mean, do I wear it for the dogs? No. My spouse? No. Who then, you might wonder . . .

Well, me. I buy makeup and skincare items for me—because I like to, because I enjoy it, and do I really need a reason to have an obsession with makeup brushes and Korean skincare? Not really.

Anyway, I thought that since I’ve been doing so much research in these areas, that I would share some of my finds with you on a semi regular basis, depending on the weather, my whims, and your responses (if there are any). So without further adieu . . .

“Our wounds are often the openings into the best and most beautiful part of us.” ~ David Richo, from The Power of Coincidence

One of my best finds over the last few years is rosehip oil. I know, sounds weird, right? But hear me out. Prior to discovering facial oils, I eschewed anything oil related because my skin has always been oily. To combat that, I used a lot of alcohol based things like toners and cleansers, and I tended to go for anything oil-free, but in spite of this, I always felt like I had an oil slick on my forehead by noon. When I was still working full time, I used to retouch my makeup at lunchtime because most of it had melted by then.

Molivera Rosehip OilThen I read a post by someone that literally changed my entire approach to oil. In this post (sorry, author long forgotten), the woman said that the more we try to combat facial oil with the kinds of products that I had been using for a very long time, the more oil our skin will produce because we’ve stripped all of the natural oils from our skin. To compensate, our skin produces more oil. Makes sense, right?

So if you use oil as a moisturizer or as a cleanser, your skin becomes more balanced. I can testify to this because I no longer have an oil slick on my forehead by noon. The oil that I’ve been using is by Molivera Organics, and it can be found on Amazon, for around $12 for 4 ounces, such a good buy.

“What is my worth, if I cannot be attractive? What is my worth, if I cannot attract attention?  . . . The language of feminism was meant to answer those question by reminding women, and men who live outside the self-prescribed boxes of gender, that your worth is inherent, it arrived when you were born, it stays with you long after you die.” ~ Chinwe Ohanele, from “Afromentality-Shame”
“In the Bath,” by Torii Kotondo (1929, Wikiart)

In a related vein, another product that has become a staple in my skincare regimen is a toner, specifically Thayers Alcohol-Free Toner, in Rose Petal with Aloe Vera; a 12 ounce bottle on Amazon costs around $7.60. I say around when quoting Amazon prices because prices go up and down, and I pay less for some things that I have on my subscription with them.

This toner contains witch hazel, to which some people may be sensitive, but I find that it does wonderful things for my skin. I use this immediately after washing my face in the morning and before using my essence.

The essence is part of my Korean skincare routine, which I’ll save for a later post as it’s pretty involved. But let me just say that my skin looks better now than it did when I was 20 or even 30. Yes, I know that part of that is because of my good genes, but another large part of it is that I now know more about my skin than I did in my youth. Trust me, you are never too old to incorporate a good skincare regimen into your days and nights.

“There is no exquisite beauty without some strangeness in the proportion.” ~ Edgar Allan Poe, from “Ligeia”

Let me just pause here to say that I never thought that I’d be writing about makeup and skincare on this blog, never thought that I’d have a post category called “Monday Maquillage” (French word for makeup). In fact, once I stopped working and went out on disability, I went several years without wearing any makeup at all, and my skincare routine consisted of using facial wipes and washing my face in the shower with a pretty strong exfoliator.

“Before the Mirror,” by Ito Shinsuie (1916, Wikiart)

So what changed? Well, I changed, not fundamentally in my beliefs or my politics, but in my approach to myself. I decided to spend a little more time on self-care, like primping. That, and I discovered subscription boxes, both the bane and boon of my everyday existence.

Man, I really wish that I had thought of selling people monthly subscriptions to makeup, skincare, food, snacks, cigars, wines, socks, whatever . . . It’s such a simple idea that has blossomed into a major business, in part as a response to the public’s desire to do more shopping online as opposed to brick and mortar stores.

Anyway, I began simply, as most people do, with a single, $10 monthly subscription to Ipsy, one of the more popular monthly subs, but then, as with most things in which I find an interest, things spread from there. My love affair with subs is also a post for another time. I just wanted to mention how I got on this whole beauty kick in the first place. In fact, I once tried to convince Corey that if he opened an online store selling nothing but Korean skincare and makeup that he’d rake it in. He didn’t listen to me, and now that market has exploded. Oh well . . .

So that’s about all for today, just two mentions of two very affordable products, and as with most things about which I opine, there will be more later.

Peace.


Music by Sara Bareilles, “She Used to be Mine”


Roses Only

You do not seem to realise that beauty is a liability rather than
   an asset—that in view of the fact that spirit creates form we are justified in supposing
     that you must have brains. For you, a symbol of the unit, stiff and sharp,
   conscious of surpassing by dint of native superiority and liking for everything
self-dependent, anything an

ambitious civilisation might produce: for you, unaided to attempt through sheer
   reserve, to confute presumptions resulting from observation, is idle. You cannot make us
     think you a delightful happen-so. But rose, if you are brilliant, it
   is not because your petals are the without-which-nothing of pre-eminence. You would look, minus
thorns—like a what-is-this, a mere

peculiarity. They are not proof against a worm, the elements, or mildew
   but what about the predatory hand? What is brilliance without co-ordination? Guarding the
infinitesimal pieces of your mind, compelling audience to
   the remark that it is better to be forgotten than to be remembered too violently,
your thorns are the best part of you.

~ Marianne Moore

“The past is always carried into the present by small things.” ~ Michael Ondaatje, from Divisadero

“The Fire” (1943, oil on canvas) by René Magritte (reminded me of the California wildfires)

“The tiger springs in the new year. Us he devours.” ~ T. S. Eliot, from “Gerontion”

Thursday evening, cloudy and cold, 41 degrees, warming temperatures.

Well, where do I begin this post? So far, I’ve kept it light, telling you a bit about our move, the mountains, the animals, but I haven’t touched on how we ended up here, which is a long and convoluted story, one that cannot be shared in its entirety because other people deserve their privacy, even if I put everything about myself down here. So let me go back, back to 2017.

Last year began one of the absolute worst times of my life, I mean, ranking right up there with the loss of Caitlin, the loss of my father, the loss of my mother. Emotionally, we began 2017 on what can only be described as a roller coaster in hell, and it only got  much worse. I don’t mean to be cryptic, but I’m not going into specifics; I just wanted to set the mood a bit.

“The False Mirror” (1928, oil on canvas)
by René Magritte

Suffice it to say that by the middle of the year, I had, not by my choice, officially—emotionally and somewhat physically—lost any contact with either of my sons, and contact with my daughter was fraught at best. Perhaps I should backup even more. If I’m going to tell some of this, I need to go back more, back to that time in which, for various reasons, younger son chose not to have much to do with  me, and older son followed suit, more by accident than deliberation, I think.

Eldest son has always been independent, and he has been closer to his dad than to me since about the age of 13 or 14. His dad exited our lives when the boys were only 7 and 6 respectively, but he did his visitation regularly, always paid his support, so I’m not slamming him here, just stating facts. Anyway, eldest son has much in common with his father, some good and some bad, as we all tend to be, so I was not entirely surprised that once eldest moved out for good, I didn’t see or hear from him regularly, not that it didn’t wound me or that I didn’t miss him tremendously, just saying it wasn’t a surprise.

But separation from youngest son? That wounded me to my very core, and it is still a very fresh wound. I really don’t know if it will ever get easier or better.

“Birds make great sky-circles of their freedom.
How do they learn it?
They fall, and falling they’re given wings.” ~ Jalāl ad-Dīn Muhammad Rūmī

Youngest son is also my youngest child, so he was the one who was with me alone after the other two moved out. We did pretty much everything together, watched movies, exchanged books, went to poetry readings and thrift stores, and I always loved how close we were, but life happens, everyone grows up, and nothing stays the same. If that were all that it were, I could accept it. But that’s not it. For various reasons unrelated to me, he began to withdraw, which is not to say that there aren’t reasons related to me because there are. The problem is that I don’t understand a lot of those reasons. I can, however, pare it down to one particular devastating accusation though: He told me that I was abusive, emotionally abusive.

“Memory” (1948, oil on canvas)
by René Magritte

Okay. Well, then . . .

No. Not okay then. Not okay at all. Yes, there are all kinds of ways to be abusive, and god knows that there is an entire generation approaching life through trigger warnings and needing safe spaces, and no, I don’t really understand that either, but whatever. Look, he’s had social anxiety issues for most of his life, and who am I to criticize, hermit and agoraphobic that I am. But I tried many times to help and to get him help, not wanting him to end up like me; nevertheless, he began to deal with other more serious things as he got older, but I always approached him honestly and with all of the understanding that I had, and I always told him that I would love him no matter what, and I have. But apparently, I must have loved him abusively . . . is that even a thing?

I know that helicopter parenting can create a slew of problems, but I never saw myself as a helicopter parent. I tried hard to help when asked, comfort when needed, and to butt out when it warranted. I never said anything to anyone about having the wrong friends or the wrong boyfriends or girlfriends or significant others. I didn’t snoop, even when I really, really wanted to. And I promised myself that I would never break a promise and that I would always try to be truthful. The brutal truth for parents is that ultimately they must step back and watch their sons and daughters make mistakes, watch them fall, and although it is a painful thing to do, it must be done, but that doing is never easy. So what is it that I did, exactly?

I believed to my soul that I owed my kids all of that—truth, love, understanding, and yes, protection. But I never thought that I coddled them. My kids didn’t have everything that they wanted or asked for; they didn’t wear designer clothes; we had some lean Christmases, and we even lived without cable for years (shudder). But they had a solid roof over their head albeit a smaller one with old furniture, and they never went to bed hungry. They weren’t deprived, but neither were they spoiled rotten.

“Memoory” (1948, oil on canvas)
by René Magritte

I’m not claiming to be blameless. Of course I’ve done things. All parents do, even when they don’t really mean to. I’m certain if you asked any of my offspring if I ever screwed up, that they could come at you with a list, and each of those lists would probably not contain that same things. What? I’m only human, after all. But this, this accusation, this statement, whatever it is? I just don’t understand it, and I really, really really want to understand it because the gulf just keeps widening, and as it does, my heart just keeps breaking.

Years ago, when I used to talk about moving to the mountains, I told youngest that he could come and build his own place wherever we went, and when I would daydream about that move, he was always a part of it. But now? He’s hundred of miles away, and the chances that he will ever move here and build his own place are completely non existent.

“Don’t you get tired of wanting
to live forever?
Don’t you get tired of saying Onward?” ~ Margaret Atwood, from “Circe/Mud Poems”

I know that I began this post talking about 2017 and how we actually ended up here in the mountains on 100+ acres, trying to live the dream, but it looks like I’m going to have to come back to that later because this has morphed into a post about parents and children, and loss and heartache and . . . yep, all of that and so much more.

“Secret Life IV” (1928, oil on canvas)
by René Magritte

Suffice it to say that the entire family on all sides went through emotional hell, and there are some wounds that may never heal. Corey and I have only very recently begun to allow ourselves to attempt to move on and get along with our lives, but all of that crap about resolution? Resolution is a gift, and some receive it, and others do not, and a great deal depends upon the individual, so you can rightly assume that I do not feel that resolution has been bestowed upon me.

But as for youngest son, I no longer contact him, and that is as he wishes, not as I wish. Does that mean that I don’t want to every hour of every single fricking day? Need I bother to answer? But again, it’s that thing of trying to respect your child’s wishes because that child is no longer a child, is no longer the unexpected miracle of your life, no longer the boon companion of years previous.

“And if you are not a bird, then beware of coming to rest above an abyss.” ~ Friedrich Nietzsche, from unpublished fragments dating to June-July 1883

Look, it’s November, for me the time of bad anniversaries, and the holidays are upon us, and as usual, it’s the beginning of my annual dive into the depths of my personal abyss, so here I am. And even as I type these word, I wonder to myself will I actually post this? Will I really put this out there? And the answer is . . . I have no idea.

I came back to this forum recently for several different reasons:

The political climate and the state of our democracy made me want to rant, really, really rant.

The new location seemed to afford me a new beginning, so I wanted to talk about that and all that it encompasses.

“Clairvoyance (Self Portrait)(1936, oil on canvas)
by Rene Magritte

But mostly, I missed it. Admittedly, I missed the small group of regular who always had something to say to me. But more than that, I missed me. I missed the me that sat down and just let the words flow like water from an open faucet. I missed the me that not only felt things deeply but who also shared those feelings. And mostly, I suppose, I missed the me that took great care in creating this personal space that was mine alone, mine to do with whatever I deemed worthy or appropros, regardless of who I offended or who I enraged, regardless of who I might alienate.

Honestly, I don’t want to alienate or offend anyone, but I refuse to self censor. Ever. What I will do, from this point on, is be more respectful of other’s privacy. That I will do, but that is my only concession. What is the point of having a personal blog that isn’t personal? Everything else just seems like time wasting, like gathering wool, as it were.

And so in beginning again, in returning to this forum, I feel, no, I need to talk about my own truths. I need to work through what I can with my words. If that is callous or heartless, then I apologize for that, but I won’t change the words, any more than I could change my inner core of being. The truth is that most people who create are patently self-absorbed. I am no different. So to the question of whether I will post this . . .

Hmm . . . things that make you go hmm . . .

More later. Peace.

Music by Ben Abraham, “This is On Me,” featuring Sara Bareilles


Black Maps

Not the attendance of stones,
nor the applauding wind,
shall let you know
you have arrived,

nor the sea that celebrates
only departures,
nor the mountains,
nor the dying cities.

Nothing will tell you
where you are.
Each moment is a place
you’ve never been.

You can walk
believing you cast
a light around you.
But how will you know?

The present is always dark.
Its maps are black,
rising from nothing,
describing,

in their slow ascent
into themselves,
their own voyage,
its emptiness,
the bleak temperate
necessity of its completion.
As they rise into being
they are like breath.

And if they are studied at all
it is only to find,
too late, what you thought
were concerns of yours

do not exist.
Your house is not marked
on any of them,
nor are your friends,

waiting for you to appear,
nor are your enemies,
listing your faults.
Only you are there,

saying hello
to what you will be,
and the black grass
is holding up the black stars.

~ Mark Strand

 

“Get used to the bear behind you.” ~ Werner Herzog, from 24 pieces of life advice

Ferdinand Hodler Portrait of Giulia Leonardi 1910
“Portrait of Guilia Leonardi” (1910)
by Ferdinand Hodler*

“I fear I will be ripped open and found unsightly.” ~ Anne Sexton, from A Self Portrait In Letters

Sunday afternoon. Sunny and chilly, 51 degrees.

Well, long time, no write, hmm?

Let’s see. Where were we? When last I posted, I was in the midst of a never ending migraine, one that wouldn’t abate with shots, meds, what have you. Finally, I went on an aggressive two-week regimen with upped doses of my pain meds, and it seemed to break, at least for a while. Good news on that front, yes, but don’t worry. Things continued to be interesting.

Ferdinand Hodler Portrait of Berthe Jacques 1894 oil on canvas
“Portrait of Berthe Jacques” (1894, oil on canvas)

It seems I’ve developed akathisia from my seroquel, one of the meds I was on for sleep and anxiety. What is akathisia, you might ask? Well, it’s this wonderful condition in which you cannot stop your body from moving: tapping feet, rocking from side to side, and all kinds of variations. Mine appeared as an ability to keep my feet from moving while lying in bed at night, but I didn’t really think anything of it. I have no idea when it started, exactly, but it’s been going on for a while.

So at my last check-in with my prescribing psychiatrist, she noticed that I was fidgety. She asked me how long I had been that way. Who knows, I said. I’m quite anxious at the moment with everything that’s going on in my life. Could be that, I said. She gave me a look, suggested we switch up meds, try an extended release seroquel. Great.

Well that particular medicine landed me in bed, unable to wake up for more than a few hours. Not so good. I mentioned the fidgeting to my neurologist at that checkup. He gave me that look. Said, look I don’t want to worry you, but I want you to look up extra-pyramidal syndrome and akathisia.

So I did.

Crap.

“As for myself, I am splintered by great waves. I am coloured glass from a church window long since shattered. I find pieces of myself everywhere, and I cut myself handling them.” ~ Jeanette Winterson, from Lighthousekeeping

So ny prescribing psych and I agreed to stop the seroquel completely. Only problem is that at night, I cannot get comfortable. My feet won’t stop, and my legs feel terrible, and everything sucks. Yes, yes. RLS, or restless leg syndrome, which I supposedly do have, but which can be mistaken for akathisia, or vice versa. Add to that that our mattress is worn and it makes my back hurt, and on and on and on . . . ad infinitum. So it’s back to the doctor(s) to try to tweak the meds.

Ferdinand Hodler Portrait study to Look into the Infinity 1916 oil on canvas
“Portrait study to ‘Look into the Infinity'” (1916, oil on canvas)

Look. Enough already. I am so fricking tired of not feeling good that I’m ready to bang my head against a wall, except for that whole headache thing. I need some energy. I need to feel like myself. And I especially need to be able to sit down at this computer and do stuff instead of looking at it across the bedroom as if it were some time bomb getting ready to go off.

I literally have not sat in this chair and plied these keys in weeks. I’ve even taken to glancing at my e-mail on my phone, of all things. Oh the joys of having a smart phone. I look up medical terms like akathisia. I look up the weather. I look up whatever, anything to avoid coming back here.

Don’t ask me why being here, on this computer, on this forum is paralyzing me, but it is. I suppose its my unspoken pact with myself that I will continue to keep this blog going, that I will make it a place in which people who love quotes and art and minutiae will enjoy visiting, and because I have not done that for months now, I feel like such a failure—once again

“It’s never the changes we want that change everything.” ~ Junot Diaz, from The Brief Wondrous Life of Oscar Wao

Ferdinand Hodler Empfindung 1901 tempera on canvas
“Empfindung” (1901, tempera on canvas)

Things are precarious at the moment. One son is completely heartbroken over a relationship that he ended and has decided that former girlfriend is now the love of his life. Ah to be 23 . . . not. Another son has been off his meds and is trying to cope, but I don’t think it’s working. And my daughter? Geez, I can’t begin to figure out what is going on in her mind, what possesses her to continue to do the stupid things that she does. I just want to grab her and shake her and say, “What the hell are you doing with your life?”

Then the whole oil/shipping thing has us over a barrel (no pun intended). We never thought we’d be facing down a repeat of those black years of 2008-2010, but it appears we are. Is it horrible that I want gas prices to go back up? Ah yes, it’s wonderful to be able to fill the tank for under $40, but given a choice, I’d rather spend more at the tank and have jobs come back in the industry.

And out of respect for Corey’s wishes I haven’t written about the situation before, but his family knows now, and the kids know, so what does it matter that I’m throwing it all out there again?

“I would like. I would like anything at all, but fast. I would like to get out of here. I would like to be rid of all this. I would like to start all over again. I would like to leave all this. Not to leave through an exit. I would like a multiple leaving, a whole spread of them. An endless leaving, an ideal leaving so that once I’ve left I begin leaving again right away.” ~ Henri Michaux, from “With Mescaline,” trans. David Ball

So is it any wonder that I have retreated from everything?

I haven’t been on my tumblr in a month. My inbox is completely overflowing. Mail lies unopened on the table by the front door. Furniture goes unpolished. Dust has gathered in corners, forming tumbleweeds. And I walk through the house seeing, but unable to act.

Ferdinand Hodler The Truth 1903
“The Truth” (1903)

When Olivia is here, it is a brief respite, a welcome distraction, but it also exhausts me. I leave the house to go to doctors’ appointments and for little else. Corey and I pass one another silently. He keeps to the dining room, looking out the back door, and I stay in here, a self-imposed prisoner to my bed. We don’t seem to be able to help one another.

What kind of life is this?

The only good thing is that I have been devouring books, that is up until this past week, when I suddenly found it impossible to concentrate on the words before me. Before that, I went through almost a dozen books, but books can only sustain for so long before the brain begins to shut down. And beneath all of this runs the undercurrent of my mother.

“The present is already too much for me. I can’t cope with the future as well.” ~ Salman Rushdie, from Shalimar the Clown

You see, I still haven’t made it to the cemetery to put on the silk flowers I bought ages ago. I still haven’t paid to have the dates put on her gravestone, and now I don’t have the money to do so. And so I have failed her once again.

Ferdinand Hodler The Dream 1897 watercolor on cardboard
“The Dream” (1897, watercolor on cardboard)

Will I ever arrive at a day on which I do not think of my mother and close my eyes in shame and regret for all of the ways in which I failed to make a difference in her life? Do you know the number of times in my life that I can remember my mother telling me she was proud of me? One. The number of times in my life I can remember her telling me she loved me? A handful.

How could this woman who so many found helpful and friendly have had such a completely different demeanor when it came to her only daughter, her only child? I will never have the answer to that question. Not ever, and so I continue to be haunted in the backdrop of each day by what a complete and utter failure our relationship was, how we failed one another, how I never quite measured up.

And you know what? That really and truly sucks.

More later (I truly hope to keep this promise). Peace.

*All images are by Swiss artist Ferdinand Hodler (1853-1817), one of the leading symbolist painters of the late 19th century. I love his paintings of women.

Music by Beth Orton, “Mystery”

                    

The Sensual World

I call to you across a monstrous river or chasm
to caution you, to prepare you.

Earth will seduce you, slowly, imperceptibly,
subtly, not to say with connivance.

I was not prepared: I stood in my grandmother’s kitchen,
holding out my glass. Stewed plums, stewed apricots–

the juice poured off into the glass of ice.
And the water added, patiently, in small increments,

the various cousins discriminating, tasting
with each addition–

aroma of summer fruit, intensity of concentration:
the colored liquid turning gradually lighter, more radiant,

more light passing through it.
Delight, then solace. My grandmother waiting,

to see if more was wanted. Solace, then deep immersion.
I loved nothing more: deep privacy of the sensual life,

the self disappearing into it or inseparable from it,
somehow suspended, floating, its needs

fully exposed, awakened, fully alive–
Deep immersion, and with it

mysterious safety. Far away, the fruit glowing it its glass bowls.
Outside the kitchen, the sun setting.

I was not prepared: sunset, end of summer. Demonstrations
of time as a continuum, as something coming to an end,

not a suspension: the senses wouldn’t protect me.
I caution you as I was never cautioned:

you will never let go, you will never be satiated.
You will be damaged and scarred, you will continue to hunger.

Your body will age, you will continue to need.
You will want the earth, then more of the earth–

Sublime, indifferent, it is present, it will not respond.
It is encompassing, it will not minister.

Meaning, it will feed you, it will ravish you,
it will not keep you alive.

~

Two for Tuesday: Personal Histories

Gertrude Hermes The Cuckoo 1958 woodblock and linocut
“The Cuckoo” (1958, woodblock and linocut)
by Gertrude Hermes


“I have woven a parachute out of everything broken.” ~ William Stafford, as found on Writer’s Almanac

Tuesday evening. Clear and cold, 24 degrees.

Yes, I’m still here. Let’s just call February a wash, shall we? It was a horrible month for so many reasons, and yet this surprises me not at all because my Februaries are almost always horrible; this one just happened to be a record for physical and mental pain. My rebound migraine finally seems to be breaking—after four weeks. It’s a good thing Corey and I didn’t try to fit in a trip to Ohio in the past few weeks, as I would have been miserable company.

The headache is still here, just not nearly as acute as before. The snow is supposed to melt tomorrow as the temperatures are supposed to hit the 60s. Of course on Thursday, we’re supposed to have freezing rain again. I have left the house twice in the past two weeks, once for the doctor, and once to make a trip to campus with Brett.

Cabin fever anyone?

                   

“Pine Branch” (1951)
by Eyvind Earle

The Phone Call

She calls Chicago, but no one
is home. The operator asks
for another number but still
no one answers. Together
they try twenty-one numbers,
and at each no one is ever home.
“Can I call Baltimore?” she asks.
She can, but she knows no one
in Baltimore, no one in
St Louis, Boston, Washington.
She imagines herself standing
before the glass wall high
over Lake Shore Drive, the cars
below fanning into the city.
East she can see all the way
to Gary and the great gray clouds
of exhaustion rolling over
the lake where her vision ends.
This is where her brother lives.
At such height there’s nothing,
no birds, no growing, no noise.
She leans her sweating forehead
against the cold glass, shudders,
and puts down the receiver.

~ William Stafford

                   

Igor Grabar Winter Rooks Nest 1904
“Winter Rook’s Nest” (1904)
by Igor Grabar

Solstice

Remember how the city looked from the harbor
in early evening: its brutal gaze
averted, its poised and certain countenance
wavering with lights?

Remember how we sat in swaybacked chairs
and marvelled at the brush fires
of dusk clear in the distance, the flames
scrawled across the skyline

like a signature while currents shifted
inside us? Ecstasy of fire—
works rising in midsummer, of fulvous sails
flashing in the heat

And orange life buoys bobbing on the water;
ecstasy of flares and secrets
and two bodies held aloft by desire…
judge us as you will,

but remember that we, too, lived once
in the fullness of a moment
before the darkness took its turn with us
and the night clamped shut.

~ Edward Hirsch

                   

Music by Dustin Kensrue, “This Good Night Is Still Everywhere”

“This has become my picture of my future self: wandering the house in the darkness, in my white nightdress, howling for what I can’t quite remember I’ve lost.” ~ Margaret Atwood, from “The Bad News”

Zinaïda Serebriakova Poultry Yard 1910
“Poultry Yard” (1910)
by Zinaïda Serebriakova

“I want to be lifted up
By some great white bird unknown […]
And soar for a thousand miles and be carefully hidden
Modest and golden as one last corn grain,
Stored with the secrets of the wheat” ~ James Wright, from “The Minneapolis Poem”

Thursday afternoon. Partly cloudy and cold, 39 degrees.

Edvard Munch Winter in Kragerø 1916 oil on canvas
“Winter in Kragerø” (1916, oil on canvas)
by Edvard Munch

Another bad night. I forgot to apply a new pain patch before bed, and as a result, the ache in my legs awoke me every few hours, which only fueled the dogs to keep pestering me to go out, even when I knew that they really didn’t need to.

I had a very weird dream in which Corey’s sister was balancing our checkbook, and we lived in a different big house that had a sunken tub, and all I wanted to do was escape and soak in the tub, but people kept asking me to do things, and then someone wanted to know why I was having the drapes in my mother’s house altered, and how it only cost $40, and I just didn’t have answers.

And last night as I was watching something, can’t remember what, I realized that my head hurt, and I wonder when I passed over from being acutely aware of my headaches to the point at which their omnipresence has become status quo, so much so that I don’t quite feel them? How does that happen? I mean, I know that the body adjusts its threshold for pain, but this? To actually have to tell myself, “hey, your head really hurts . . . perhaps you should take some medicine for that”?

It just blows my mind.

“There is something maddeningly attractive about the untranslatable, about a word that goes silent in transit.” ~ Anne Carson, from “Variations on the Right to Remain Silent”

At some point during one of my awake periods, I had a fragment of a poem appear, and I rolled over thinking that surely I would remember it, but then I realized that I would never remember it, so I jotted it down in pencil on the first thing I could find, which was the wrapper for my pain patch, and now I have to find it. I have another fragment somewhere, but for the life of me I can’t remember if I stuck it in the middle of one of my countless drafts here, or if I actually opened Word and put it there.

Boris Anisfield Stony Point, New York 1925 oil on canvas
“Stony Point, New York” (1925, oil on canvas)
by Boris Anisfield

So obviously, forcing myself to write down what I told myself I would remember was a good thing . . .

I had Olivia on Monday and Tuesday of this week, which is always a treat, but since Corey left Monday afternoon, I did not sleep much at all that night. That’s how it always is on the first night after he leaves again. I have to try to remember (that word, again) not to schedule anything for the day after he leaves because I am physically and emotionally useless.

After all of this time of him shipping out, you would think that I would be used to it, but not so much. I mean, I have adjusted much better to the period when he is gone and being her by myself with just the dogs, and only once in a while does it cause me to fall into a tailspin, but the actual physical separation as represented so starkly in our half empty bed? That gets to me every single time.

“I was the shadow of the waxwing slain
By the false azure in the windowpane
I was the smudge of ashen fluff—and I
Lived on, flew on, in the reflected sky.” ~ Vladimir Nabokov, from “Pale Fire”

Yesterday I took care of some Christmas returns and exchanges. Brett and Em went with me, so it made it a bit easier. We actually got a tremendous amount done, and we were all done in afterwards.

Vincent van Gogh The Old Station at Eindhoven 1885
“The Old Station at Eindhoven” (1885, oil on canvas)
by Vincent van Gogh

I had bought myself some dinner at Costco, but only ended up eating a slice of bread. Before you think me too spartan, I have to confess that every time I get up in the middle of the night into the morning, I eat something, whether it’s a piece of chocolate or an Oreo. It’s an abominable habit, one that I would really like to break. The only time I haven’t done this in recent memory was when I had bronchitis, and everything tasted foul.

Anyway, another leftover from the bronchitis is my unabating hankering for Typhoo tea with lemon and honey. I go through phases with my tea, and most of the time I take it like workman’s tea—strong with cream and sweetener, but the honey/lemon combination helps so much with chest congestion. That, or it’s completely in my mind, which has been known to happen.

“My heart always timidly hides itself behind my mind. I set out to bring down stars from the sky, then, for fear of ridicule, I stop and pick little flowers of eloquence.” ~ Edmond Rostand, from Cyrano de Bergerac

Let’s see . . . what else is going on in my fun-filled adventurous life?

I’m gradually getting the house back in order after Christmas. Right before Corey left he finally set up the single bed for Olivia, and we began to sift through the boxes and piles that have accumulated in that corner bedroom. There is just so much. It’s never a good idea to let one room in your house become a junk room because it just gets away from you too easily. I can vouch for that.

“Winter Sketch” (1912, oil on paperboard)
by J. E. H. McDonald

He was also able to set up but not finesse the house backup system I bought us for Christmas. This thing has 4 terabytes of memory. Remember when 2G was a big deal? Hell, I remember being happy with megabytes. My how far we’ve come in such a short time.

I have at least two tubs worth of books that I need to sort through and pack, and my reason for not doing so before is silly: I want to record them on Goodreads. It’s not the number of books that I’ve read, but the fact that Goodreads gives me a free repository of the titles in my personal library. Years ago, before PCs, I had a handwritten list of my books, in particular, my poetry books, and it came in very handy after the one place I worked caught on fire. So there’s that.

But there is also a mess of strange cords, loose tools, two bags of shredding to be done . . .

“But in those days what did I know of the pleasures of loss,
Of the edge of the abyss coming close with its hisses
And storms, a great watery animal breaking itself on the rocks,

Sending up stars of salt, loud clouds of spume.” ~ Mark Strand, from “Dark Harbor”

Well, the end of January is creeping up on me, and I have to admit that I am terribly afraid. My mom has been on my mind so much lately, and she haunts my dreams almost every night. And as much as I wish it would snow, I think that having a snowstorm at the end of January would just about do me in because one of my acutest memories of last year was walking to the hospital in the snow.

Pekka Halonen Lumisia Mannyntaimia Snowy Pine Seedlings 1899
“Lumisia Mannytaimia (Snowy Pine Seedlings)” (1899, tempera on canvas)
by Pekka Halonen

Anyway, I’m trying to keep my mind occupied, but who knows . . .

I still haven’t done anything with the now dead poinsettias that I had bought for the cemeteries, and they serve as a constant reminder of what a failure I am at honoring my mother and father. I know. You probably think that I’m exaggerating, trying to get sympathy. But truly, no.

I have never hidden my long-standing love/hate relationship with guilt, but this is something more. I well and truly feel as if I have dishonored and failed my parents by not going to the cemetery at Christmas, by not even visiting Caitlin at Christmas. And yes, I had bronchitis, but still, the feeling looms large, and it pierces my heart, and I just don’t know what else to say, so perhaps I should stop now.

More winter pictures. More later. Peace.

Music by David Beats Goliath, “Maisie & Neville

                   

Death and the Moon

(for Catherine Marcangeli)

The moon is nearer than where death took you
at the end of the old year. Cold as cash
in the sky’s dark pocket, its hard old face
is gold as a mask tonight. I break the ice
over the fish in my frozen pond, look up
as the ghosts of my wordless breath reach
for the stars. If I stood on the tip of my toes
and stretched, I could touch the edge of the moon.

I stooped at the lip of your open grave
to gather a fistful of earth, hard rain,
tough confetti, and tossed it down. It stuttered
like morse on the wood over your eyes, your tongue,
your soundless ears. Then as I slept my living sleep
the ground gulped you, swallowed you whole,
and though I was there when you died,
in the red cave of your widow’s unbearable cry.

and measured the space between last words
and silence, I cannot say where you are. Unreachable
by prayer, even if poems are prayers. Unseeable
in the air, even if souls are stars. I turn
to the house, its windows tender with light, the moon,
surely, only as far again as the roof. The goldfish
are tongues in the water’s mouth. The black night
is huge, mute, and you are further forever than that.

~ Carol Ann Duffy

“Some things | you know all your life. They are so simple and true | they must be said without elegance, meter and rhyme, | they must be laid on the table beside the salt shaker, | the glass of water” ~ Philip Levine, from “The Simple Truth”

Edvard Munch Winter Landscape from Kragerø 1910 oil on canvas
“Winter Landscape from Kragerø” (1910, oil on canvas)
by Edvard Munch  

Two for Tuesday: Philip Levine

Tuesday night, late. Some remaining drizzle and cold, 33 degrees.

Ah yes. The schedule and publish function of this blog. So seemingly easy, and yet . . .

You cannot possibly be surprised that I did not manage to post this on Tuesday, Tuesday for which it was compiled, Tuesday, the day after Monday and before Wednesday, Tuesday, the day for which songs have been written, Tuesday . . .

Yet here it was, in my list of drafts . . .

Ah, me.

                   

Edvard Munch Winter Forest 1900-01 oil on cardboard
“Winter Forest” (1900-01, oil on cardboard)
by Edvard Munch

 

After Dinner

She’s eaten dinner talking
back to the television, she’s
had coffee and brandy, done
the dishes and drifted into
and out of sleep over a book
she found beside the couch. It’s
time for bed, but she goes
instead to the front door, unlocks
it, and steps onto the porch.
Behind her she can hear only
the silence of the house. The lights
throw her shadow down the stairs
and onto the lawn, and she walks
carefully to meet it. Now she’s
standing in the huge, whispering
arena of night, hearing her
own breath tearing out of her
like the cries of an animal.
She could keep going into
whatever the darkness brings,
she could find a presence there
her shaking hands could hold
instead of each other.

                   

Edvard Munch Winter Night 1923 oil on canvas
“Winter Night” (1923, oil on canvas)
by Edvard Munch

 

Everything

Lately the wind burns
the last leaves and evening
comes too late to be
of use, lately I learned
that the year has turned
its face to winter
and nothing I say or do
can change anything.
So I sleep late and waken
long after the sun has risen
in an empty house and walk
the dusty halls or sit
and listen to the wind
creak in the eaves and struts
of this old house. I say
tomorrow will be different
but I know it won’t.
I know the days are shortening
and when the sun pools
at my feet I can reach
into that magic circle
and not be burned. So
I take the few things
that matter, my book,
my glasses, my father’s ring,
my brush, and put them aside
in a brown sack and wait —
someone is coming for me.
A voice I’ve never heard
will speak my name
or a face press to the window
as mine once pressed
when the world held me out.
I had to see what it was
it loved so much. Nothing
had time to show me
how a leaf spun itself
from water or water cried
itself to sleep for
every human thirst. Now
I must wait and be still
and say nothing I don’t know,
nothing I haven’t lived
over and over,
and that’s everything.

                    

Music by The Moody Blues, “Nights in White Satin” (bet you thought it’d be “Tuesday Afternoon”)