“For doing exactly what you think you like all the time makes you feel in the end that nothing at all is worth doing.” ~ John Piper

 Album Cover Art for Brandenburg Concertos, by John Piper

                   

“To me, dreams are not as romantic as bits of real experience.” ~ John Piper

"Death of Venice 1," by John Piper (1973)

Welcome back. I’m sitting here in the pseudo Internet cafe of ODU’s student center waiting for Brett to finish his club meeting. He’s joined an anime club that meets every Thursday evening from 6 to 10 p.m. I’m so happy that he’s actually meeting new people on his own that I have agreed to drive him back and forth to the meetings (in addition to the commute to classes).

Tonight, since Corey’s shift doesn’t end until midnight, I decided to stay here and go ahead and catch up on my Internet work, the primary goal being to make a final decision on which theme I’m going to use for a while and secondly, to put up some kind of post.

As you can see from the header above, I have chosen the theme Vigilance, which puts the title of the blog on the header image. I haven’t done this before, but I think that the title looks pretty cool atop my new image, which is a detail from a work by British artist John Egerton Christmas Piper (1902-1992). The image title is included in a widget on the sidebar.

I thought that a new header image was in order for two reasons: Fall is upon us, and a new theme needs a new look.

“Good paintings in the long run tell their own story—though not in words—for those who have intent eyes, an open mind, and much patience.” ~ John Piper

"Forthinghay, Northamptonshire," by John Piper (1941; image was seen on the living room wall of Dial M for Murder)

So this evening’s post obviously has a Piper theme: quotes and images. I was unfamiliar with this particular artist until I saw the header image on a tumblr post and was immediately taken with it.  

Just a bit of background on Piper: He was born in Epsom Surrey and knew that he wanted to be an artist; unfortunately, he was subjected to that time-honored but often loathed tradition of working for his father as a clerk in the patriarch’s law firm. Eventually, Piper went to art school, ultimately attending the Royal Academy.

Piper’s oeuvre is amazingly far-reaching: sketches, paintings, lithography, prints, scenery design, costumes for opera, ballet, and theater, murals, stained glass, tapestries, and fabric. Piper was keenly interested in landscapes and architecture—other people’s architecture, preferably aged. He once commented that he would “rather paint a ruined abbey half-covered with ivy and standing in long grass.”

“The spread of moss on a wall, a pattern of vineyards or a perspective of hop-fields may be the peg, but it is not hop-poles or vineyards or church towers that these pictures are meant to be about, but the emotion generated by them at one moment in one special plane.” ~ John Piper

"The Glyders Fabric," by John Piper (1960)

One of the more irksome aspects of working on a computer in a public setting is the complete lack of privacy (obviously), but also the inability to tweak the settings on the computer. This particular screen is about half the size of my screen at home, so everything looks smaller to me.

One of the reasons that I changed themes again was that the other theme seemed to be very large (visually) as far as the body typeface, and since I’m not paying for an upgrade to tweak the coding, I’m stuck with the presets. On another note, I’ve noticed that as I’ve moved between themes, the heading sizes are completely inconsistent, so something labeled header 4 in one theme is just right for my internal headers, but then turns into something ginormous when I switch themes.

The perfectionist in me wants to go back to all previous posts and fix the headers and formatting so that everything is consistent, but that would take forever. It just bothers me because someone new to my blog who goes back into the archives might wonder if I was doing some serious drugs when I formatted some of the older posts as things go from very large to very small.

It’s hard to explain exactly, but I know that the differences exist, so that’s enough to drive me batty even though no one else really notices.

“The value of abstract painting to me, and the value of surrealist painting are to me, are (paradoxically, if you like) that they are classical exercises, not romantic expressions. They are disciplines—even dreams can be disciplinarian—which open a road to ones own heart—but they are not the heart itself.” ~ John Piper

"Spring, Youth, Earth" by John Piper (a study for an Ipswich School window)

Today was my hearing with the Judge who will decide my fate as regards Social Security. The lawyer representing me for the insurance company did a great job in preparing me for the hearing. We had already spent an hour on the phone last week, during which time she asked me a barrage of questions, things that I don’t really think about or things that I take for granted. For example, she asked me how long I stand in one place.

I don’t know . . . 15 minutes? Whatever. Have you ever thought about how long you can stand in one place? Didn’t think so. Apparently, it’s a very important measure of something.

So the hearing was supposed to take 30 minutes. We started about 10 minutes late and finished almost an hour later . . . There was some woman in the hearing (don’t really know who she was) who, I am presuming, functioned as some kind of official on jobs. By that I mean after I answered all of the judge’s questions, and after Christine asked me a bunch more questions to clarify certain issues, the judge turns to this woman and asks her what kinds of jobs I would qualify for.

I don’t know where the Department of Labor gets its statistics and descriptions, but boy are they wrong. For example, this woman stated that my position as a sales manager was sedentary. If I had been drinking something at the time, I’m pretty sure that it would have come out of my nose.

Sedentary? Jeez. I worked 60 hours a week on that job, and sitting down was something we did when we made the schedules. Other than that, there was a whole lot of running around, and lots and lots of lifting.

The phrase usual and customary kept running through my head, and I just bit my tongue.

“That, in whatever direction you look, is a subject worthy of contemporary painting. Pure abstraction is undernourished. It should at least be allowed to feed bare on a beach with tins and broken bottles.” ~ John Piper

"Leckhampstead, Berkshire" by John Piper (1964)

Christine (my legal representative) gave me one of those cautionary glances, as in “don’t lose it,” and I kept my mouth shut. Then Christine redirected and asked the women if any of the positions that she had listed would allow for two hours stretches in which I would have to be idle in order to rest as a result of pain (either from my back or from a migraine).

Obviously, the answer is no. Nevertheless, I won’t know anything for 30 to 90 days.

What’s up with that? It takes that long to make a decision. Why? Again with the waiting. I am so damned tired of the waiting. At least I don’t have to do any more forms . . . that is, I think that I don’t have to do any more forms.

I probably should not have put that down in print since the way in which my luck runs, I will probably receive a sheaf of forms in a large manila envelope any day.

The bottom line is that I felt, and Christine concurred, that the hearing went fairly well. I answered questions and elaborated as needed, and I reined in my tendency to get snotty when I’m tired of answering questions. So that hurdle has been crossed. Now, more waiting.

Do I even need to mention for the record that I had a migraine when it was all over?

That’s about all for now. This tiny screen is making me squint and I’ve started to cuss under my breath (always a sign that I should stop).

I appreciate all of the support from those of you out there who have kept a good thought for me. Thanks for hanging in with me. I didn’t disappear (completely). Hope to be posting more regularly now.

More later. Peace.

Music by Soulsavers, “Some Misunderstanding”

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