“We do not know the true value of our moments until they have undergone the test of memory. Like the images the photographer plunges into a golden bath, our sentiments take on color; and only then, after that recoil and that transfiguration, do we understand their real meaning and enjoy them in all their tranquil splendor.” ~ Georges Duhamel, from The Heart’s Domain

“La petite fille aux feuilles mortes” (Paris, 1947)
by Édouard Boubat
“Poetry does not exist: it must be made, endlessly searched for.”
~ Édouard Boubat, from The Monograph

Two for Tuesday: Celebrating National Poetry Day: October 2 (a bit late)

Tuesday afternoon. Partly cloudy and muggy, 76 degrees.

It shouldn’t be muggy, but then again, I should not be surprised that it is so. Tomorrow is supposed to be in the 80’s. Is it any wonder that my body just doesn’t know what to do with itself?

Perhaps one day I shall live somewhere where the ushering in of autumn means actual consecutive days of cooler temperatures, a prelude to the cold weather of winter. Perhaps.

Anyway, I missed National Poetry Day, which is actually acknowledged in Britain, but hey. Poetry, right? This year’s theme is remember, or remembrance, or memory, or what have you. The Forward Arts Foundation site has more information on the day and the celebrations.

Here are a few of the remember poems listed on the site:

I remember, I remember by Thomas Hood
Do you remember an inn, Miranda? by Hilaire Belloc
Remember me when I am gone away by Christina Rossetti

I’ve chosen two of my favorites below. And to highlight the poetic theme, I thought that I’d use images by a photographer/photojournalist whose work was always described as being poetic: Édouard Boubat. I’ve always loved how his Lella images (taken when they were in their 20s) seemed to reflect her as being in the midst of deep contemplation.

                    

Lella,_Edouard_Boubat,_Bretagne,_1947
“Lella” (1947)
by Édouard Boubat

 What the Heart Cannot Forget

Everything remembers something. The rock, its fiery bed,
cooling and fissuring into cracked pieces, the rub
of watery fingers along its edge.

The cloud remembers being elephant, camel, giraffe,
remembers being a veil over the face of the sun,
gathering itself together for the fall.

The turtle remembers the sea, sliding over and under
its belly, remembers legs like wings, escaping down
the sand under the beaks of savage birds.

The tree remembers the story of each ring, the years
of drought, the floods, the way things came
walking slowly towards it long ago.

And the skin remembers its scars, and the bone aches
where it was broken. The feet remember the dance,
and the arms remember lifting up the child.

The heart remembers everything it loved and gave away,
everything it lost and found again, and everyone
it loved, the heart cannot forget.

~ Joyce Sutphen

                   

Édouard Boubat Untitled 1948 Paris
Untitled (1948, Paris)
by Édouard Boubat

The Word

Down near the bottom
of the crossed-out list
of things you have to do today,

between “green thread”
and “broccoli,” you find
that you have penciled “sunlight.”

Resting on the page, the word
is beautiful. It touches you
as if you had a friend

and sunlight were a present
he had sent from someplace distant
as this morning—to cheer you up,

and to remind you that,
among your duties, pleasure
is a thing

that also needs accomplishing.
Do you remember?
that time and light are kinds

of love, and love
is no less practical
than a coffee grinder

or a safe spare tire?
Tomorrow you may be utterly
without a clue,

but today you get a telegram
from the heart in exile,
proclaiming that the kingdom

still exists,
the king and queen alive,
still speaking to their children,

—to any one among them
who can find the time
to sit out in the sun and listen.

~ Tony Hoagland

All images are by French photographer Edouard Boubat (1923-1999).

                   

Music by Radical Face, “The Guilded Hand”

Two for Tuesday: Longing and Need

Paris 1964 by Edouard Boubat
Paris, 1964
by Edouard Boubat

“Though you have never possessed me
I have belonged to you since the beginning of time” ~ Mina Loy, from “Three Moments in Paris”

                   

Today’s post arose from the Boubat photograph above . . .

I Wish I Wrote The Way I Thought

I wish I wrote the way I thought
Obsessively
Incessantly
With maddening hunger
I’d write to the point of suffocation
I’d write myself into nervous breakdowns
Manuscripts spiralling out like tentacles into abysmal nothing
And I’d write about you
A lot more
Than I should

~ Benedict Smith

                     

Rime Riche

You need me like ice needs the mountain
On which it breeds. Like print needs the page.
You move in me like the tongue in a mouth,
Like wind in the leaves of summer trees,
Gust-fists, hollow except for movement and desire
Which is movement. You taste me the way the claws
Of a pigeon taste that window-ledge on which it sits,
The way water tastes rust in the pipes it shuttles through
Beneath a city, unfolding and luminous with industry.
Before you were born, the table of elements
Was lacking, and I as a noble gas floated
Free of attachment. Before you were born,
The sun and the moon were paper-thin plates
Some machinist at his desk merely clicked into place.

~ Monica Ferrell

                   

Music by Nikki Reed and Paul McDonald, “All I’ve Ever Needed”

“Thicker than rain-drops on November thorn.” ~ Samuel Taylor Coleridge, “Fragment 8”

Quai Voltaire
Paris, France, 1981
by Edouard Boubat

                  

Two for Tuesday: November Rain

Old Houses

Year after year after year
I have come to love slowly
how old houses hold themselves—
before November’s drizzled rain
or the refreshing light of June—
as if they have all come to agree
that, in time, the days are no longer
a matter of suffering or rejoicing.
I have come to love
how they take on the color of rain or sun
as they go on keeping their vigil
without need of a sign, awaiting nothing
more than the birds that sing from the eaves,
the seizing cold that sounds the rafters.

~ Robert Cording

                   

November for Beginners

Snow would be the easy
way out—that softening
sky like a sigh of relief
at finally being allowed
to yield. No dice.
We stack twigs for burning
in glistening patches
but the rain won’t give.
So we wait, breeding
mood, making music
of decline. We sit down
in the smell of the past
and rise in a light
that is already leaving.
We ache in secret,
memorizing
a gloomy line
or two of German.
When spring comes
we promise to act
the fool. Pour,
rain! Sail, wind,
with your cargo of zithers!

~ Rita Dove