“My soul, embalmed in ink . . .” ~ Elton Glaser, from “Dirge in the Chalumeau Register”

Jan Sluyters Moon Night
“Moon Night” (before 1911?)
by Jan Sluyters

“One can sometimes
touch, in the distance between two people,
a moment of another person’s endless dream.” ~Yves Bonnefoy, from In the Shadow’s Light

Wednesday afternoon. Sunny and hot, 90 degrees. Too hot to think clearly.

Jan Sluyters Sunrise oil on canvas 1910
“Sunrise” (1910, oil on canvas)
by Jan Sluyters

Too many thoughts to be cohesive:

  • We wish for something so deeply only to have the reality of it be so disparate from our imaginings.
  • We write songs in our heads about all of the things we lack, but the words never quite fit the melodies.
  • My brain is replete with complex yearnings, yet I am unable to find a way in which to fill these chasms.
  • What we are is so very different from who we are.
  • Need is identified by the individual, leaving little room for insincere attempts to placate and pacify.

“We look up at the same stars, and see such different things.” ~ George R. R. Martin, from A Storm of Swords

Jan Sluyters Morning Glory 1909 oil on canvas
“Morning Glory” (1909, oil on canvas)
by Jan Sluyters

I continually find scraps of paper with snatches of words and phrases, but no context, so I don’t know what they mean, much like life.

  • So many weeks of being alone and lonely and having no idea as to how to ameliorate the sadness only to have the sadness become a permanent attendant.
  • Loneliness is ephemeral, yet incongruously, it can seep into the edges of moments in which we are not alone.
  • We traverse the deserts of our lives, travel these landscapes looking for the familiar, the taste of water on our dry lips.
  • The heart is a self-fulfilling prophet of despair.
  • When talking becomes too tangled, the only victor is silence.

“I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.” ~ Edward Thomas, from “Lights Out”

Jan Sluyters Full Moon on the Water 1912 oil on canvas
“Full Moon on the Water” (1912, oil on canvas)
by Jan Sluyters

I grow weary of the open-ended nature of life, would that it could be seen in advance.

  • How can two people stand side-by-side beneath the same night sky and be unable to share the same brief snatches of beauty?
  • Horizons become limited by our myopic views of life, death, and love.
  • Love is a word heavy with deceit, laden with misinterpretation.
  • I had believed that my viewpoint had merit in your eyes, mistakenly so, it seems.
  • The veins beneath the skin, the heart’s steady beat, a map to what we are—yet so many of the blue lines are false horizons.
  • I do not understand this reality—its labyrinthine truth is too twisted to discern.

“Between one being and another, there is a gulf, a discontinuity.” ~ Georges Bataille, from Erotism: Death and Sensuality

Jan Sluyters Landscape by Moonlight II 1911 oil on canvas
“Landscape by Moonlight II” (1911, oil on canvas)
by Jan Sluyters

I am so tired, weary to the bone, and I do not harbor enough energy to bridge this gulf.

  • The joy of life lies hidden too deeply to be found most days.
  • There is no corner large enough to hide me, even when I am this small.
  • Oh how I long for earnest conversation, the honest camaraderie that once was.
  • We all hide our selves from the light, no matter how much we may deny it, because darkness is so much easier to enfold.
  • True north is impossible to pinpoint when two people come to it from such different points on the compass.

“I do not know whether to be joy-white with my spirit
Or rent-gray with the blown remnants of my mind.” ~ Maxwell Bodenheim, from A Man to a Dead Woman”

Jan Sluyters Forest Trail 1910 oil on canvas
“Forest Trail” (1910, oil on canvas)
by Jan Sluyters

I failed to notice that I and my opinions had become irrelevant, much to my own chagrin.

  • Longing is the most pregnant of two-syllable words, followed only by heartache, so intricate are their definitions.
  • Betrayal is a complicated word, one most people are unable to identify as betrayal is like smoke—dense at first, transparent later.
  • The weight of words drags us down to the silty bottom, yet it is only through words that we will be able to float above the water line once more.
  • The translucent nature of my need offers you a map easy enough to follow to my heart, yet you spit upon my fire.
  • Silence of the heart comes from suffering of the soul, and neither are easily repaired.
  • Apology is a word heavy with incomprehensible implications.

All images are by Dutch artist, Jan Sluyters (1881-1957).

Music by Night Beds, “Even if We Try”


                   

Bioluminescence

  1. Candela

The eggs burn softly
in the earth, and when glow worms
hatch out, ravenous, each one comes with a tiny
bright square of light like the view-hole to a
furnace notched in its belly.
Can you feel their heat? Their hunger for the tender
moonstruck flesh of slugs and snails?

  1. Lambert

Sometimes at night, fire
flies are startled by lightning,
the tympani-drum flutter of thunder rumbling the storm
home, and they all flash at once in surprise—a quick
blinking open of sleepy
green nocturnal eyes, a phosphorescent murmur:
Go back to sleep. It’s just rain

  1. Lumen

How vulnerable
we would all be if longing
shone through our bodies, if our skins were translucent
lanterns flushed with yellow flame leaping in the strange
and unpredictable winds
of our desire, like the neon Morse code fireflies
use to brazenly flick the night.

  1. Luciferin

You are a dusky
angel drawn to the gleaming
beam of my porch light, a brief embered orange blaze
from your cigarette, sizzle of sparks splattering
the asphalt of my sidewalk.
Your touch like sooty moth wings, and I glow, suffused
with your heat, your scent, your light.

~ Lee Ann Roripaugh

“More and more I found myself at a loss for words and didn’t want to hear other people talking either. Their conversations seemed false and empty. I preferred to look at the sea, which said nothing and never made you feel alone.” ~ Paula McLain, The Paris Wife

The Needles, Cannon Beach, Oregon
by Steven Pavlov (Wikimedia Commons)

                   

“I am obsessed at nights with the idea of my own worthlessness, and if it were only to turn a light on to save my life I think I would not do it. These are the last footprints of a headache I suppose. Do you ever feel that? — like an old weed in a stream. What do you feel, lying in bed? I daresay you are visited by sublime thoughts. Dearest, do write to me; for I long for your words. Do tell me you wish to see me.” ~ Virginia Woolf, from a letter to Vita Sackville-West dated 18 August 1929

Friday afternoon. Cloudy, drizzle, low 70’s.

Seaside Beach Oregon Sunset
by The Knowles Gallery (FCC)

It’s been a hellacious few days. My dog Shakes is not doing well. That I am alone in this, or rather, without Corey, is exacerbating the pain. I spent last night intermittently listening to him wheeze, a strange reassurance that he was still breathing. Sleep, when it came, was uneven and troubled.

We humans are a funny lot, what with our emotions, our needs, our desires. But I do not believe that we are the only sentient beings in existence. Each day, science reveals yet another way in which members of non-human species possess the ability to reason, the ability to care, the ability to protect. Sentience, though, is truly a double-edged sword: it makes us aware, even when remaining ignorant would be so much easier, even when an ability to emote sometimes results in feelings akin to being slammed against a cement wall, the wind knocked from our lungs.

Sentience is the price we pay for free will, I suppose, and sometimes, it is an exorbitant price.

I think that I finally understand that line from Eliot’s poem “The Love Song of J. Alfred Prufrock”—”I should have been a pair of ragged claws scuttling across the floors of silent seas.” After all, if that were my only lot in life, I would not care about everything happening around me, would not be aware that the world is so much more—bad and good.

What you can’t get over,

You must get past. Through a haze of smoke and rum,
What’s left of me squints at the odds and ends.” ~ Elton Glaser, from “Downloading the Meltdown”

Of course, because I’m already vulnerable, I came across a Springsteen song that I had completely forgotten about—”If I Should Fall Behind.” Man, what a song. And because I have a very morose personality, such songs pierce my heart quite acutely, make me think about what ifs, whens. hows.

Sunset at Haystack Rock
by Wes Rogers (FCC)

The other day I was trying to tell Brett about the Big Man, Clarence Clemons, what a force he was, how he played the saxophone  like he had a direct pipeline to the gods. How Springsteen and Clemons were an incomparable duo. Man, I miss Clemons.

Music has always been one of my primary ways of reflecting my mood, but of course, this is a trait many humans share. Music has been a part of life far longer than most people realize. In 1995, a Slovenian archaeologist discovered a bone carving with evenly spaced holes. This carving, believed to be about 43,000 years old, was named the Divje Babe flute. Other flutes made of bird bone and mammoth ivory have been carbon-dated as being approximately the same age.

I find it fascinating that early humans integrated musical sounds into their societies for whatever reasons. It is entirely possible that we have sought sounds to soothe for millennia. And we are not alone. Consider whale songs—those intricate, long underwater melodies.

“What uniform can I wear to hide my heavy heart?
It is too heavy. It will always show.” ~ Jean Cocteau, from The Holy Terrors

Don’t really know how I got off on that particular tangent. My mind is not exactly cohesive of late. More often than not, I realize that I am sitting in front of this computer screen, and nothing is happening—no music, no words, just my wallpaper and icons.

An example of the state of my mind? Yesterday I went to pick up prescriptions. I got home with only one, even though I had paid for four, and didn’t realize it until hours later. I haven’t been back to get the others as that would take so much effort. Just writing about it makes me tired all over.

Haystack Rock Sunset, Oregon
by Gary Halvorson (Wikimedia Commons)

Actually, this post is making me tired all over. I don’t know that I’m getting anywhere, that I’m saying anything. If feels more like an exercise in futility. I’ll leave you with a few things that I’m pondering:

  • When will I be able to read again? I hate it when this happens, when I cannot still my mind enough to become absorbed in someone else’s words.
  • Which plot idea will I actually begin to work on when I start this project?
  • How long before I give up this project, convince myself yet again that I have nothing to say?
  • How will I ever make it through the upcoming holidays? The thought of getting the house ready, preparing the meals—it all makes me so very, very tired.
  • How can October be two-thirds over?
  • How will I ever find the energy to  make Brett’s costume for him?
  • How much of my life has been spent in dwelling on the imponderables?

“I would like a simple life
yet all night I am laying
poems away in a long box.” ~ Anne Sexton, from “The Ambition Bird

Just a few more . . .

  • I have no idea as to what kind of images I can pair with these words. Nothing fits.

    Oregon Coastal Sunset
    by Malcolm Carlaw (FCC)
  • My words feel hollow. I wonder if they read that way . . .
  • I’m already regretting signing up for NaNoWriMo.
  • At this very second, I have a spot almost in the middle of my scalp that feels like someone is picking at it with a sharp object.
  • I did not realize until now that I am squinting.
  • The last two items mean that a headache is coming.
  • Can I please just hide in my bedroom until the year is over?

(Decided that sunset on the Oregon coast seemed to fit somehow.)

Music from the Boss, “If I Should Fall Behind” (couldn’t pick my favorite version, so I posted both)

                   

The Forgotten Dialect Of The Heart

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

~ Jack Gilbert