“There is earth | that never leaves your hands, | rain that never leaves | your bones. Words so old they are broken | from us, because they can only be | broken.” Anne Michaels, from “Into Arrival”

“Silent Eiffel Tower”
by overcome (treakearth.com)

                   

Two for Tuesday: Anne Michaels

Phantom Limbs

“The face of the city changes more quickly, alas! than the mortal heart.” ~ Charles Baudelaire

So much of the city
is our bodies. Places in us
old light still slants through to.
Places that no longer exist but are full of feeling,
like phantom limbs.

Even the city carries ruins in its heart.
Longs to be touched in places
only it remembers.

Through the yellow hooves
of the ginkgo, parchment light;
in that apartment where I first
touched your shoulders under your sweater,
that October afternoon you left keys
in the fridge, milk on the table.
The yard — our moonlight motel —
where we slept summer’s hottest nights,
on grass so cold it felt wet.
Behind us, freight trains crossed the city,
a steel banner, a noisy wall.
Now the hollow diad
floats behind glass
in office towers also haunted
by our voices.

Few buildings, few lives
are built so well
even their ruins are beautiful.
But we loved the abandoned distillery:
stone floors cracking under empty vats,
wooden floors half rotted into dirt;
stairs leading nowhere; high rooms
run through with swords of dusty light.
A place the rain still loved, its silver paint
on rusted things that had stopped moving it seemed, for us.
Closed rooms open only to weather,
pungent with soot and molasses,
scent-stung. A place
where everything too big to take apart
had been left behind.

                   

Red Moon over France
by ced (FCC)

11. What the Light Teaches

Language is the house with lamplight in its windows,
visible across fields. Approaching, you can hear
music; closer, smell
soup, bay leaves, bread — a meal for anyone
who has only his tongue left.
It’s a country; home, family; abandoned, burned down; whole lines dead, unmarried.
For those who can’t read their way in the streets,
or in the gestures and faces of strangers,
language is the house to run to;
in wild nights, chased by dogs and other sounds,
when you’ve been lost a long time,
when you have no other place.

There are nights in the forest of words
when I panic, every step into thicker darkness,
the only way out to write myself into a clearing,
which is silence.
Nights in the forest of words
when I’m afraid we won’t hear each other
over clattering branches, over
both our voices calling.

In winter, in the hour
when the sun runs liquid then freezes,
caught in the mantilla of empty trees;
when my heart listens
through the cold stethoscope of fear,
your voice in my head reminds me
what the light teaches.
Slowly you translate fear into love, the way the moon’s blood is the sea.