“Everything that is, becomes.” ~ Gregory Orr, from “Yearning for permanence, and who wouldn’t”

Family birthday party today, and it’s hotter than Hades. So here’s a poem and some word art . . .

write

                   

Berryman

I will tell you what he told me
in the years just after the war
as we then called
the second world war

don’t lose your arrogance yet he said
you can do that when you’re older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can’t

you can’t you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don’t write

~ W. S. Merwin

Music by Kacey Musgraves, “It Is What It Is”

“There are many things in your heart you can never tell to another person. They are you, your private joys and sorrows, and you can never tell them. You cheapen yourself, the inside of yourself, when you tell them.” ~ Greta Garbo

Moon Rise over Cultus Mountain, Skagit County, WA
by Scott Terrell (AP)

                   

“Will I ever write properly, with passion & exactness,
of the damned strange demeanours of my flagrant heart?” ~ John Berryman, from “Monkhood”

Saturday, late afternoon. Sunny, humid, mid 80’s.

It’s been a rough week. I started a regular post last Saturday and wiped it. Started another one on Sunday. Wiped that too.

Perigree Moon behind Angels of St. Isaaks Cathedral, St. Petersburg, Russia
by Dmitry Lovetsky (AP)

Did manage to go to some great poetry readings, though. This year, I finally convinced Brett to attend a few of the events at ODU’s annual Literary Festival. In its 35th year, it’s one of the longest-running literary festivals in the country. He was only disappointed by one presenter and loved the other three. I went to two, wanted to make it to one on Thursday, but just couldn’t. As a result, though, I have discovered two new poets, both of whom I will be writing more about at another time.

I’ve been mulling over a myriad of things, beginning to think that I’ve reached conclusions, solutions, only to end up more confused and scattered. These are the things occupying my thoughts lately:

  • Will Alexis ever learn how to accept her role as a mother?
  • Will Brett go to New Zealand, and if so, will her ever come back? Will such a journey help him to find that which he seeks?
  • Will we all make it through the next few months?
  • Will I leave the house in the morning only to return to it hours later to find Shakes dead?
  • Will Tillie continue to have unexplained seizures?
  • Will I ever come out of this funk?
  • Will I ever have just one day in which I am not torn up by guilt, fear, and regret?

This, and so much more . . . A person could go well and truly mad from too much pondering.

“Sometimes
melancholy leaves me breathless.” ~ Mary Oliver, from “Sometimes”

My melancholy always deepens in the fall, which is conflicting at best as autumn is my favorite season, but it is also the season of my deep regret and my keenest losses. So many decisions were made in autumn that changed my life forever. You know Frost’s two roads? Well, is it possible to have stood at the fork in the road a hundred times? A thousand? Sometimes, it seems so.

So what characterizes my melancholy? I mean, if I had to describe it, which I have done in the past, just how would I do that? I wonder . . .

Perigree Moon beside San Francisco’s Coit Tower
by Frederic Lawson (AP)

Like Søren Kierkegaard, my melancholy is almost like a living part of me: “I have one more intimate confidant-my melancholy. In the midst of my joy, in the midst of my work, she waves to me, calls me to one side, even though physically I stay put. My melancholy is the most faithful mistress I have known, what wonder, then, that I love her in return.”

My melancholy is like . . .

  • The deepest blues in Van Gogh’s “Starry Night”
  • A slow Alison Krauss song, full of longing
  • The smell that fills your nostrils when you turn over a pile of wet leaves—earthy and rich
  • The dregs of a cup of Darjeeling
  • The way it feels when the credits roll at the end of The English Patient
  • The haunting sound of the fiddle in the soundtrack to Legends of the Fall
  • The way sand feels beneath your feet as it is borne back to the sea by the tide
  • The mother in the Dorothea Lange photograph
  • The echo of a foghorn across the bay in the still of the night
  • The sliver of the waning moon in the nigh sky

“and in the end
when the shadow from the ground
enters the body and remains,
in the end, you might say,
This is myself
still unknown, still a mystery.” ~ Linda Hogan, from “Inside

You might say that none of those things is particularly sad, and you would be right. My melancholy isn’t sadness. It isn’t depression. It isn’t the bleak dullness of a February morning without snow. Rather, it is an ache, a longing, a yearning, but for what exactly, I still cannot say.

Moon Rises above an Egret Nesting, Wichita, Kansas
by Bo Rader (AP)

The things on my list individually can be beautiful and haunting. Together, they can be overwhelming. Perhaps that’s why I listed them as opposed to piling them all together in a paragraph. Separated by that forced line break, there can be a pause, a moment in which to collect oneself before venturing on.

Am I blathering? Perhaps. Sorry.

At least I’m supposedly in good company. Famous people known for their melancholy? Van Gogh, Abraham Lincoln, John Keats, Ernest Hemingway, Søren Kierkegaard. Notice that list is all male? I think that when famous women were (are?) melancholic, they were categorized as depressed, which is actually not the same thing. Depression can be completely debilitating; whereas melancholy is more reflective. The melancholic can be depressed, but the depressed individual is not necessarily melancholic.

I perused a few interwebs articles on melancholy (academic as opposed to cultural), and most assign a few clear characteristics to the melancholic. On the plus side, they are talented, creative, idealistic, and loyal. They like lists (no kidding) and charts, and they pay attention to detail. On the other side, though, they can be perfectionists; they procrastinate, often spending more time planning than doing. They tend to remember the negatives and have a low self-image, and they have a deep need for approval.

Really? No, really? Hmm . . .

“I have in me like a haze
Which holds and which is nothing
A nostalgia for nothing at all,
The desire for something vague.” ~ Fernando Pessoa, from “[I have in me like a haze]” (trans. Richard Zenith)

Did you know that melancholy literally means black bile (Greek, melas (black) + khole (bile) = melancholia)? This definition comes from the ancient characterizations of personalities according to the four humours (The four humors of Hippocratic medicine are black bile (Gk. melan chole), yellow bile (Gk. chole), phlegm (Gk. phlegma), and blood (Gk. haima), and each corresponds to one of the traditional four temperaments. A humor is also referred to as a cambium(from Wikipedia and lots of other sources)). Just a bit of history.

Full Moon behind a Mosque in Amman
by Ali Jarekj (Reuters)

Of course, we don’t go around any more telling people they have too much black bile or too much blood in their constitution, but maybe we should. I mean, the corresponding personality traits (sanguine, choleric, phlegmatic, and melancholic) are pretty much spot on. The sanguine individual is an impulsive dreamer, the choleric an aggressive leader, the phlegmatic quiet and relaxed, and the melancholic introverted and creative.

All I know is that my black bile makes me not people-oriented and less outgoing. It also makes me withdrawn and vengeful. And I’m still fairly certain that I would have been persecuted as a witch.

“I am light honed
To a still point in the incandescent
Onrush, a fine ash in the beast’s sudden
Dessication when the sun explodes.” ~ Wole Soyinka, from “Around Us, Dawning”

So, this is where I am now: My melancholy defines me in so many ways:

  • I have so many things that I want to do, but I never seem to do them, just plan them.
  • I spend an inordinate number of hours contemplating things, the whys and wherefores.

    Moon Shines behind the Minaret of Mohamed Ali Mosque in Cairo
    by Asmaa Waguih (Reuters)
  • Essentially, I don’t like people. I love humanity and its wonderful diversity, but most people irritate me.
  • But those I like, I like with a fervor. Those I love, I love with all of my being.
  • One of the articles said that melancholics can be bad parents because they have such high expectations, and I do, have high expectations, that is. But not for my children to have fame or fortune, rather, that they have happiness and contentment, two things that have eluded me most of my years
  • I don’t like to be wrong, and it took me years, nay, decades, to learn how to admit when I was wrong, and I am ashamed to say that it took me far too long to learn how to apologize and truly mean it.
  • Because I live so much inside myself, I am not self-deluded, but I am self-critical and self-deprecating.
  • I live in a state of guilt. I’m not sure if this is necessarily my melancholic humor, or just my life.

As one particular site pointed out, “One feature that makes melancholy an aesthetic emotion—like that of sublimity—is its dual nature. There are negative and positive aspects in it which alternate, creating contrasts and rhythms of pleasure.” I suppose this duality is what compels me to try to define that which truly cannot be defined.

However, the site that I liked the best had a nice list of positives and negatives about the four kinds of people, and one thing that it listed really kind of made me take notice: the melancholic can be “moved to tears with compassion.” I never knew that was a trait of melancholy. I always thought that because I cried at commercials, wept at others’ misfortune, ached at injustice, that it was just my soft heart betraying me once again.

Oh, and one more: The melancholic seeks the ideal mate. Fortunately for me, I believe that I have found him.

More later. Peace.

In the mood for the moon, the big, beautiful moon.

Music by Grizzly Bear, “Deep Blue Sea” (From Dark Was the Night CD*)

*Dark Was the Night is the twentieth compilation release benefiting the Red Hot Organization, an international charity dedicated to raising funds and awareness for HIV and AIDS. Featuring exclusive recordings by a number of independent artists and production by Aaron and Bryce Dessner of The National, the compilation was released on 16 February 2009 (UK) and 17 February (US) as a double CD, three vinyl LPs, or as a digital download.[6] John Carlin, the founder of the Red Hot Organization, was the executive producer for the album. The title is derived from the Blind Willie Johnson song “Dark Was the Night, Cold Was the Ground”, which is covered on this collection by the Kronos Quartet (from Wikipedia entry on CD).

                     

Wavelength

They were sitting on the thin mattress
He’d once rolled & carried up the four floors
To his room only to find it covered nearly all
Of the bare wood
Leaving just a small path alongside the wall
& between them was the sack
Of oranges & pears she’d brought its neck
Turned back to expose the colors of the fruit
& as she opened a bottle of wine
He reached over to a tall stack of books
& pulled out The Tao & with a silly flourish
Handed it across the bed to her   she looked up
& simply poured the two squat water glasses
Half-full with wine & then she
Took the book   reading silently   not aloud
As he’d assumed & suddenly he felt clearly
She knew the way
Two people must come upon such an understanding
Together of course but separately

As the moon & the wave remain individually one

~ David St. John

 

“We must travel in the direction of our fear.” ~ John Berryman

berryman.jpg (24711 bytes)
Poet John Berryman (1914-1972)

                   

I haven’t posted anything from The Paris Review’s Art of Poetry series in a while, so here is something from an interview with John Berryman:

“So if I were talking to a young writer, I would recommend the cultivation of extreme indifference to both praise and blame because praise will lead you to vanity, and blame will lead you to self-pity, and both are bad for writers.” ~ John Berryman

John Berryman, The Art of Poetry No. 16

Interviewed by Peter A. Stitt

INTERVIEWER

Can one generalize on that? So many of the poets of your generation have encountered at least personal tragedy—flirting with suicide, and so on.

BERRYMAN

I don’t know. The record is very bad. Vachel Lindsay killed himself. Hart Crane killed himself, more important. Sara Teasdale—quite a good poet at the end, killed herself. Then Miss Plath recently. Randall—it’s not admitted, but apparently he did kill himself—and Roethke and Delmore might just as well have died of alcoholism. They died of heart attacks, but that’s one of the main ways to die from alcoholism. And Dylan died in an alcoholic coma. Well, the actual cause of death was bronchitis. But he went into shock in the Chelsea, where I was staying also, and they got him to the hospital in an ambulance, where he was wrongly treated. They gave him morphine, which is contraindicated in cases of alcoholic shock. He wouldn’t have lived, anyway, but they killed him. He lay in a coma for five days.

INTERVIEWER

You were there, weren’t you?

BERRYMAN

I was in the corridor, ten feet away.

INTERVIEWER

What was it like to take high tea with William Butler Yeats?

BERRYMAN

All I can say is that my mouth was dry and my heart was in my mouth. Thomas had very nearly succeeded in getting me drunk earlier in the day. He was full of scorn for Yeats, as he was for Eliot, Pound, Auden. He thought my admiration for Yeats was the funniest thing in that part of London. It wasn’t until about three o’clock that I realized that he and I were drinking more than usual. I didn’t drink much at that time; Thomas drank much more than I did. I had the sense to leave. I went back to my chambers, Cartwright Gardens, took a cold bath, and just made it for the appointment. I remember the taxi ride over. The taxi was left over from the First World War, and when we arrived in Pall Mall—we could see the Atheneum—the driver said he didn’t feel he could get in. Finally I decided to abandon ship and take off on my own. So I went in and asked for Mr. Yeats. Very much like asking, “Is Mr. Ben Jonson here?” And he came down. He was much taller than I expected, and haggard. Big, though, big head, rather wonderful looking in a sort of a blunt, patrician kind of way, but there was something shrunken also. He told me he was just recovering from an illness. He was very courteous, and we went in to tea. At a certain point, I had a cigarette, and I asked him if he would like one. To my great surprise he said yes. So I gave him a Craven “A” and then lit it for him, and I thought, Immortality is mine! From now on it’s just a question of reaping the fruits of my effort. He did most of the talking. I asked him a few questions. He did not ask me any questions about myself, although he was extremely courteous and very kind. At one point he said, “I have reached the age when my daughter can beat me at croquet,” and I thought, Hurrah, he’s human! I made notes on the interview afterward, which I have probably lost. One comment in particular I remember. He said, “I never revise now”—you know how much he revised his stuff—“but in the interests of a more passionate syntax.” Now that struck me as a very good remark. I have no idea what it meant and still don’t know, but the longer I think about it, the better I like it. He recommended various books to me by his friend, the liar, Gogarty, and I forget who else. The main thing was just the presence and existence of my hero.

                    

Dream Song 265

I don’t know one damned butterfly from another
my ignorance of the stars is formidable,
also of dogs & ferns
except that around my house one destroys the other
When I reckon up my real ignorance, pal,
I mumble “many returns”—

next time it will be nature & Thoreau
this time is Baudelaire if one had the skill
and even those problems O
At the mysterious urging of the body or Poe
reeled I with chance, insubordinate & a killer
O formal & elaborate I choose you

but I love too the spare, the hit-or-miss,
the mad, I sometimes can’t always tell them apart
As we fall apart, will you let me hear?
That would be good, that would be halfway to bliss
You said will you answer back? I cross my heart
& hope to die but not this year.

~ John Berryman

                   

Music by John Allyn Smith Sails, “Okkervil River” (about John Berryman’s suicide)

“People fall so in love with their pain, they can’t leave it behind. The same as the stories they tell. We trap ourselves.” ~ Chuck Palahniuk, Haunted

Medieval City of Albarracín, Spain, by Jose Luis Mieza (Wikimedia Commons)

                   

“Nouns, verbs do not exist for what I feel.” ~ John Berryman, from “Epilogue”

Sunday afternoon. Blue skies, moderate temperatures, mid 70’s.

Medieval City of Albarracín, Spain, by Jose Luis Mieza (WC)

Corey is coming off three shifts, each with less than eight hours in between, which means that he’s exhausted. But he can’t complain. At least he might actually get 40 hours this week, a rarity lately.

I’m still on the residual effects of this last headache. I’ve tried not to take anything for the last day and a half as sometimes a migraine can actually be caused by pain medicine. Go figure. Logical, huh?

But because I haven’t taken anything, I’m sitting here, with these beautiful blue skies outside, squinting my eyes at the daylight. Perhaps I was a vampire bat in another life. I won’t even go into the throbbing in my temples. What’s the point?

Since I was home alone last night, I spent hours catching up on my “Law & Order Criminal Intent” backlog on the DVR. I’ve seen all of these episodes before, but they’re the good ones with either Goren or Logan, two of my favorite detectives, Lenny Briscoe being the all-time best, of course. Corey and I need to catch up on our backlog of “Luther,” which I’ve been taping off BBC America, another really great show. Perhaps we’ll be able to watch tonight.

I know, sad commentary on my life that the thing that I’m currently looking forward to is watching more crime dramas . . .

“We live in a system that espouses merit, equality, and a level playing field, but exalts those with wealth, power, and celebrity, however gained.” ~ Derrick Bell

Medieval City of Albarracín, Spain, by Jose Luis Mieza (WC)

So, my last post was a bit of a downer, eh? Sorry about that, but that’s just how I roll . . . as in not too well or too lightly.

I’ve started to follow a blog on tumblr called “We are the 99 percent” (I’ve added the link to my blogroll on the right if you’re interested). Talk about depressing. The stories on there are so heart-wrenching, and completely relatable—people who were laid off in 2008 who still haven’t found jobs, people who have lost their homes, people who were living on their savings that has long since run out, and on and on.

It actually makes me ashamed to complain. As I’ve said, I know that while we are definitely within that 99 percent, we are still lucky. We haven’t lost our house, and we manage to keep food in the house and the utilities on. And while I’m on disability, at least it’s more than a few hundred dollars a month.

So many of these stories involve people who have worked hard all of their lives only to now find themselves without anything, and then there are the young adults who pursued the so-called American Dream: went to college only now to find that there are no jobs or that jobs in their fields pay the bare minimum and don’t offer any benefits.

What kills me are the people who comment about how the Wall Street protestors and others are whiners. I mean, come on. This country bailed out Wall Street when it could ill afford to do so, and how much of that money has been paid back? How many on Wall Street still receive multimillion dollar bonuses? How many of those large corporations are paying taxes at unbelievably low rates while so many of us pay at 25 percent or more? If this is whining, then hell yes, I’m whining.

“I lie in the dark
wondering if this quiet in me now
is a beginning or an end.” ~ Jack Gilbert

Medieval City of Albarracín, Spain, by Jose Luis Mieza (WC)

What kind of brings me up short is the realization that even if I had applied for that job, the chances of my getting hired, even with my experience and background, were slim at best.

Hmm . . . things that make you go hmm . . .

Almost every job I’ve ever had I kind of fell into, wasn’t necessarily looking, or only submitted an application on an off-chance. I guess that kind of thing doesn’t happen any more. I mean, my first real job after graduate school I had applied for an admin job, but the guy who interviewed me said, hey, we’re going to be needing an editor soon. Wouldn’t you rather have that? Bingo.

I went to work at the museum part time, and within three months it had turned into a full-time writing position. I took the retail job as a fill-in to get me back on my feet, and within three months I had been promoted to manager. After my dad died, I was so depressed and out of work. I applied for the marketing director’s job with the realtor never even thinking I’d get an interview, and I got hired. I applied to GW on day because I happened to be cruising the want ads on a slow day at work. Bingo again.

That’s not to say that it’s always been that easy, as I’ve lost a few jobs, for reasons I never really understood, within that probationary period, two back-to-back. Losing a job sucks, big time. The crushing blow to the self-esteem, the complete loss of faith in your own abilities, and then the running commentary from my mother about how this will go on my permanent record . . .

“Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully . . . Whereas we creatures of reason, we don’t live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void . . . You sleep at your mother’s breast; I wake in the desert. For me the sun shines; for you the moon and the stars.” ~ Hermann Hesse

Medieval City of Albarracín, Spain, by Jose Luis Mieza (WC)

Anyway, moving along . . .

Van Morrison is singing “Into the Mystic,” one of my favorite songs. Such a wonderful singer and songwriter, and his voice has only gotten better with age.

So an acquaintance, if that even, referred to me as “that fat woman.” Whoa. Talk about being brought up short. I mean, I know that I’m carrying extra pounds, and I would certainly not describe myself as svelte, but fat?

This from a man with a terrible short-man’s complex. I know. Consider the source . . . but how many of us can really do that, put something into perspective to see it for what it really means or reflects?

Not me. I’ll admit it. It’s easy enough to say, consider the source, but sheesh. So I dreamed that I was getting liposuction on my belly, which is pillowy. And in my dream, the doctor told me that I would only lost 15 pounds with the procedure. So I had to think about that. Was it worth it to undergo this surgery only to lose 15 pounds?

The reality is no. But would I like to get rid of my pillowy belly? You bet. Do sit-ups, right? Negits. Can’t do them any more. Used to do 100 crunches every morning of my life. That was when I had a waist. That ice pick that I have stuck in the base of my spine kind of prevents crunches. But I have do to something because I know that I can’t just take that remark in passing and not do anything about it no matter what I think of the source, so I’m going to try to give up my daily can of caffeine-free Pepsi.

We don’t really keep cookies or ice cream in the house, and there is my emergency stash of chocolate, of which I have not even finished the first bar. But it’s not enough.

That fat woman. Wow. No matter how much I try to negate it, the first time someone actually refers to you as being fat is painful.

“Even as you lean over this page,
late and alone, it shines: even now
in the moment before it disappears.” ~ Mark Strand, from “The Garden

So here I am, bemoaning my fate once again. Sometimes I really get so sick of myself. Sometimes I feel as if this page, these words are not doing me any favors. I mean, what am I doing here really?

Medieval City of Albarracín, Spain, by Jose Luis Mieza (WC)

Bitch, bitch, bitch.

Poor pitiful me.

I need to get over myself . . . if I only knew how. Solitude is both wonderful and awful. It allows time for reflection, introspection, deep thought, but does it not also engender a sense of belly-button gazing? Yet I love my solitude, my self-imposed isolation, love it until I don’t.

People who knew me in that time period after my ex and I split would not recognize the person I have become. Not because of physical changes, but more because of my complete lack of involvement in most things. I mean, how does a person go from working 12 to 16 hours a day, exercising every day, to doing nothing physical, nothing more physical than laundry?

Okay, if I were going to cut myself a break, which I am loathe to do, those 16 hour days? That constant movement that involved using my entire body to haul and move things (while in heels)? That’s probably what finally killed my back. I know that, deep inside. And yet again, I need to consider the source, the source of where I am now as opposed to where I was then.

As a single mother of three, I had to be on the go all of the time. That was my life. Humans are incredibly adaptable, whether it’s to activity or inactivity. I just know that no one ever referred to that fat woman.

Whatever.

More later. Peace.

Music by Van Morrison, “Sometimes We Cry”

                   

Letter from a Mental Hospital

From the heart of an old box of letters
I lift a small water-stained envelope.
Inside, a note card as thin and brittle as a frozen leaf
bears a message written fifty years ago
by a woman who shares my name.

She delivers no greeting, no sorry to have been away so long.
She leaves no record of visitors, rationed cigarettes,
group art, or the barren iceberg of treatment.

I imagine her listening to the ping of the radiator
on a snowy morning, seated in her nightgown and socks
by an open window. A bell rings in the hallway
but she doesn’t move toward her robe or her slippers or her brush.

I see myself sitting beside her, reaching
toward her dull pencil to place my fingers over hers,
hand on hand, gliding over the words, moving
like two skaters on a lake tracing the solitary line—
Please come get me.

~ Kim Lozano