“You might be looking for reasons but there are no reasons.” ~ Nina LaCour, from Hold Still

Emil Nolde, Landschaft, Nordfriesland, 1920 (I have always found that the art of Nolde completely encompasses what I’m feeling, regardless of the emotion)

“There was a long hard time when I kept far from me the remembrance of what I had thrown away when I was quite ignorant of its worth.” ~ Charles Dickens, from Great Expectations

Thursday, late afternoon, cloudy and humid, thunderstorms on the horizon, 85 degrees.

So . . . Thursday thoughts . . .

I’ve been pondering regret, all kinds of regret, and I decided that instead of just mulling over all of this in my head that I would try to get some of these thoughts down here. I have no idea as to just how successful I’ll be in doing this, as lately, each time I begin to type, all of the myriad of ideas racing through my head suddenly disappear, and I am left with nothing, no words, no well-constructed lines of thought and logic.

Simply nothing.

So perhaps rather than trying to write well-constructed sentences, I’ll just type the thoughts as they come, much like my dream post of a few days ago. So here goes, in no particular order or priority:

  • I regret that I was not more patient with my mother, that I was not more forthcoming with her, but it always seemed so hard, seemed as if she just wouldn’t understand, and honestly, I don’t know if she would have wanted to hear what I had to say. My mother was not one for warm and fuzzy, not one for hugs, not one for saying “I love you,” and I never really found out why. I had my theories, but no real confirmation.
  • I regret that I do not have regular contact with my dad’s last living sibling, my Uncle Ely in Florida. He’s old and sick, and I doubt that I’ll see him again while he still lives. It’s the last tie on that side.
  • I regret not going back to the hospital in the wee hours of Thanksgiving morning to be with my dad; instead, I fell asleep, and he died alone.
“The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.” ~ Fernando Pessoa, from The Book of Disquiet

More:

  • I really wish that we had painted this whole house before we moved in, but we had no electricity, and we were dealing with closing up things in Norfolk while simultaneously trying to set up things here. But I wonder if we’ll ever have this house straightened out.
  • I wish that I had been more proactive in taking care of the house on Benjamin. I hated that house for several reasons, but still, it was my home, and my children were raised there.
  • I really, really regret not applying to a low-residence MFA program when it would have made more sense. An MFA is considered a terminal degree, which means that having one allows you to apply to tenure track positions at colleges and universities. I’ve found one that I’d still love to attend, but that costs money. There is no money
  • I regret that I was never better with finances. I’ve reached an age that I was totally unprepared for, and my financial situation is no better than it was 20 years ago. How does that happen?
“I had buried too much too deeply inside me. And here I am, instead of there.” ~ Jonathan Safran Foer, from Extremely Loud and Incredibly Close

Then there are these:

  • I regret the break up of my first marriage, not because of the relationship, but because of what it did to my kids. I don’t know if Eamonn will ever forgive me for it, even though his father fell in love with another person less than two months after leaving.
  • I really regret letting certain friendships fall by the wayside when spouse #1 and I split, especially my very long friendship with Pat and the one I had with Becky from the museum. They were two incredible women. For a weird reason, there was a rift between spouse #1 and I, and our relationship with our closest friends, Pat and Winn, a rift I’ll never fully understand, and now I’ll never be able to see or talk to Pat again; I did not even know that she had died until almost a year later.
  • I regret feeling too tired to drive out to see Alan after work that afternoon. His sister said that he waited for me.  He died soon after.
  • I regret that I did not see Dallas one more time before he died. I don’t know that it would have been a good visit, but once someone dies, you always think of things that you wish you had said. It’s still weird for me, his death. There has been no service, no closure, just texts, messages, and rumors. I don’t know how to handle that.

“Droll thing life is—that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself—that comes too late—a crop of inextinguishable regrets.” ~ Joseph Conrad, from Heart of Darkness

  • I wish that I was in touch with more of my mom’s family. That everything with her family in Great Bridge ended so abruptly still pains me deeply. That I don’t know the status of her sister in Winston Salem shames me.
  • I am so embarrassed that I have not paid to have the dates put on my mom’s grave marker. It was something that I was going to get around to doing, but then never did. I just don’t understand how things like that happen, or rather, how I let things like that happen.
  • Sometimes I still regret not moving to New York and actually trying to make it in the theater. I know that I probably don’t have the guts to do such a thing, yet I also know that I do. Does that make sense?
  • I regret trying to teach Heart of Darkness to a bunch of freshmen at Tech.

“I am grateful for all those dark years, even though in retrospect they seem like a long, bitter prayer that was answered finally.” ~ Marilynne Robinson, from Gilead

And finally, a few more:

  • I regret accruing student debt for Brett that still looms out there, haunting me and him. College should not break people financially.
  • I regret everything bad that happened with Mari, still.
  • I regret the how the last two years played out.
  • I regret never having another child.

Ultimately, I regret far too many things to list here, far too many thing to try to enumerate in any kind of cogent way. People I have wronged. Relationships better left unpursued. Arguments. Words spoken and unspoken. Decisions made and those put off and then forgotten. Stupid things like something I left undone at Dillard’s, or a night that would have been better never happening, the wrong outfit at a wedding . . .

Who can live with such things and not go crazy? Is it any wonder that I never feel adequate or whole?  Any wonder that my entire sense of self is controlled by guilt? Such self-loathing. Such would-have, should-have recriminations. Such bullshit obsessing. I cannot emphasize enough how much I hate being like this.

Enough already.


Music by Angus Powell, “Monsters”


Wind in a Box

—after Lorca

I want to always sleep beneath a bright red blanket
of leaves. I want to never wear a coat of ice.
I want to learn to walk without blinking.

I want to outlive the turtle and the turtle’s father,
the stone. I want a mouth full of permissions

and a pink glistening bud. If the wildflower and ant hill
can return after sleeping each season, I want to walk
out of this house wearing nothing but wind.

I want to greet you, I want to wait for the bus with you
weighing less than a chill. I want to fight off the bolts

of gray lighting the alcoves and winding paths
of your hair. I want to fight off the damp nudgings
of snow. I want to fight off the wind.

I want to be the wind and I want to fight off the wind
with its sagging banner of isolation, its swinging

screen doors, its gilded boxes, and neatly folded pamphlets
of noise. I want to fight off the dull straight lines
of two by fours and endings, your disapprovals,

your doubts and regulations, your carbon copies.
If the locust can abandon its suit,

I want a brand new name. I want the pepper’s fury
and the salt’s tenderness. I want the virtue
of the evening rain, but not its gossip.

I want the moon’s intuition, but not its questions.
I want the malice of nothing on earth. I want to enter

every room in a strange electrified city
and find you there. I want your lips around the bell of flesh

at the bottom of my ear. I want to be the mirror,
but not the nightstand. I do not want to be the light switch.
I do not want to be the yellow photograph

or book of poems. When I leave this body, Woman,
I want to be pure flame. I want to be your song.

~ Terrance Hayes (found on Poetry Foundation)

“August has passed, and yet summer continues by force to grow days. They sprout secretly between the chapters of the year, covertly included between its pages.” ~ Jonathan Safran Foer, from Tree of Codes

Wilhelmina Barns-Graham Waves White on Blue Series No II paren August 1988 acrylic on card
“Waves White on Blue Series No. II (August 1988)” (acrylic on card)
By Wilhelmina Barns-Graham

                   

Two for Tuesday: August Reflections

(c) Emerson Mayes; Supplied by The Public Catalogue Foundation
“River Wharf, August 1995” (oil on canvas)
by Emerson Mayes

                     

AUGUST MEDITATIONS
I

If a man in his forties
is still drawing seas and dovecotes
if in his thought is reflected
a sun more transparent,
more lucid than the sun of reality,
if the word ‘Amorgos’ is not just
the mask of a fleeting, adolescent memory,
then between the poem of desire
and the poem of necessity
real loss is panting.

II

Prologues have been consumed.
They cannot always substitute the topic.
He must decide whether he can
hold on to this absolute idea
even if he has ceased to believe in its power.
It is a question of faith from now on.

III

Successive metamorphoses of paradise.
The eye tries to interpret the enigma of beauty
while Delos is slowly emerging on the horizon.
Summer feels like an eternity.
The poem begins to invent itself
at the moment when the man turns his face to the light.

(The moment when imagination
freed from the specific sensation of blazing light
vertically rises in the sky.)

IV

Not one sail on the horizon
tearing the canvas apart.
The image of a tree
with its wind-swept boughs scavenging the ground
is not a part of the scenery today.
Yet, the old lady creeping uphill on her knees
tightly holding Her icon is.

V

The man is walking on the beach alone.
He is still touched by the melodious whisper of the waves,
the way the water is persistently lulling the rock to sleep.
Nature around him
(cedars, rotten fishing boats, shingles)
has a melancholic, unaffected brightness.
If he were to die at this moment
he would want to be here
in this place where he has been.
Even for a while.
For now.

~ Haris Vlavianós

                   

David Burliuk Roses with Blue Background, 1960
“Roses with Blue Background” (1960)
by David Burliuk

A Lecture on Aphids

She plucks my sleeve.
“Young man,” she says, “you need to spray.
You have aphids on your roses.”

In a dark serge coat and a pill box hat
by god it’s my third grade Sunday school teacher,
shrunken but still stern, the town’s
most successful corporate attorney’s mother.
She doesn’t remember me. I holster
my secateurs, smile publicly,
and reply, “Ma’am,

did you know a female aphid is born
carrying fertile eggs? Come look.
There may be five or six generations
cheek by jowl on this “Peace” bud.
Don’t they remind you
of refugees
crowding the deck of a tramp steamer?
Look through my hand lens—
they’re translucent. You can see their dark innards
like kidneys in aspic.

Yes, ma’am, they are full-time inebriates,
and unashamed of their nakedness.
But isn’t there something wild and uplifting
about their complete indifference to the human prospect?”

And then I do something wicked. “Ma’am,” I say,
“I love aphids!” And I squeeze
a few dozen from the nearest bud
and eat them.

After the old woman scuttles away
I feel ill
and sit down to consider
what comes next. You see,
aphids
aren’t sweet
as I had always imagined.
Even though rose wine is their only food,
aphids
are bitter.

~ Charles Goodrich

                    

Music by Fleet Foxes, a new discovery, “Helplessness Blues”

“One ought to sink to the bottom of the sea, probably, and live alone with one’s words.” ~ Virginia Woolf

Am I being too persnickety because that backwards apostrophe is bugging the crap out of me?