Two for Tuesday: Waning Autumn

Pierre Bonnard Autumn Morning 1922
“Autumn Morning (aka The Grand View of Vernon)” (1922, oil on canvas)
by Pierre Bonnard

“I am tired of the litany
of months, September . . . October . . .
I am tired of the way the seasons
keep changing, mimicking
the seasons of the flesh
which are real and finite.” ~ Linda Pastan, from “In a Northern Country”

Tuesday late. Very windy and stormy, 51 degrees.

We’ve had Olivia since yesterday morning, so I haven’t really had any time to sit here until now, which is, unfortunately, because I cannot sleep. And I cannot sleep because Thanksgiving is in two days, and the house is a wreck, and Thanksgiving just generally becomes one long litany of stress and pain and a terrible ache because my dad died on Thanksgiving morning, and this is the first one without my mother, and can I just please, please, stay in bed for two or three days?

                   

Pierre Bonnard The Grand-Lemps, Autumn 1894
“The Grand Lemps, Autumn” (1894, oil on canvas)
by Pierre Bonnard

Autumn

The leaves are falling, falling as if from far up,
as if orchards were dying high in space.
Each leaf falls as if it were motioning “no.”

And tonight the heavy earth is falling
away from all other stars in the loneliness.

We’re all falling. This hand here is falling.
And look at the other one. It’s in them all.

And yet there is Someone, whose hands
infinitely calm, holding up all this falling.

~ Rainer Maria Rilke

                   

Pierre Bonnard Le Cannet, La Route Rose 1913
“Le Cannet, La Route Rose” (1913)
by Pierre Bonnard

I Love Autumn and the Shade of Meanings

I love autumn and the shade of meanings.
Delighted in autumn by a light obscurity,
transparency of handkerchiefs, like poetry just after
birth, dazzled in night-blaze or darkness.
It crawls, and finds no names for anything.

Shy rain, which moistens only distant things,
delights me.
(In such autumns, marriage procession
and funeral intersect: the living
celebrate with the dead, and the dead
celebrate with the living.)

I delight to see a monarch stoop,
to recover the pearl of the crown from a fish in the lake.

In autumn I delight to see the commonness of colors,
no throne holds the humble gold in the leaves of humble trees
who are equal in the thirst for love.

I delight in the truce between armies,
awaiting the contest between two poets,
who love the season of autumn, yet differ
over the direction of its metaphors.
In autumn I delight in the complicity between
vision and expression.

~ Mahmoud Darwish

                   

Music by Cass McCombs, “Harmonia”

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“Sometimes, I feel the past and the future pressing so hard on either side that there’s no room for the present at all.” ~ Evelyn Waugh, from Brideshead Revisited

“Autumn, Rowan Tree and Birches” (1906, oil on canvas)
by Igor Grabar

                   

“Remembered landscapes are left in me
The way a bee leaves its sting,
hopelessly, passion-placed,
Untranslatable language.” ~ Charles Wright, from “All Landscape Is Abstract, and Tends to Repeat Itself”

Sunday night. Rainy and cool, blessedly cool.

Outside my door, the low October sky looms. I would like to say looms largely, but it seems to contrived, somehow. But it’s true. It’s low. It’s looming, and it’s large.

“Autumn Landscape” (1903, oil on canvas)
by Henri Edmond Cross

Heavy. Gravid.

It is gravid in its heaviness.

I’m not trying to be coy. That’s just how it is, how it seems: low, looming, large, heavy, gravid—as if expectant.

Expectant for what, I do not know. But if I peer into the clouds long enough, I can feel the air gathering around my face, the descent of minute particles of moisture collecting in my brows. And I must say, it is heavenly. A respite from the thick humidity, more like August than October. And so I delight in this evening, despite the unending wall of clouds the color of pale rust.

You see. I have not forgotten how to live in the moment upon occasion. I can still summon that still, small voice that says to the universe in its infinite wonder, thank you.

“Ah, it is here now, the here.” ~ Jorie Graham, from “The Covenant

“Poplars, Row in Autumn” (1891)
by Claude Monet

You might find it strange that I can delight in such dismal weather, but I have spent too much of recent days wiping sweat from my face, feeling as if my skin is covered in a thin coat of oil, the kind that sprays from a can, as if I have been misted, not with mineral water, but soul-clogging oleo.

So even though it is raining, even though the cover for the grill is completely soaked and lying on the ground instead of protecting the gas grill we bought for Corey, even though the dogs will not venture outside, I am delighted, delighted that it is almost 30 degrees cooler than yesterday, that the air conditioners are off, and the ceiling fans are still. Fall is finally here. Autumn has arrived.

I can feel it. But more importantly, I can smell it, smell the beginnings of loam from the fallen leaves that have collected in piles across the grass. There is no other smell quite like it unless it is the smell of freshly fallen snow on a plot of land far away from the city.

Fall. The season of poets and painters. The time for words and golden washes.

Too much? Perhaps, but I think not.

“The low song a lost boy sings remembering his mother’s call
Not a cruel song, no, no, not cruel at all. This song
Is sweet. It is sweet. The heart dies of this sweetness.” ~ Brigit Pegeen Kelly, from “Song”

“October Morning” (nd)
by Guy Rose

My best October?

To tell you would be to reveal too much, but I can say that it was the year I began graduate school in the mountains of Virginia, a place where Autumn is a rite of passage, where people stop and pay attention to leaves changing color. It was a season filled with change, exciting discussions about literature, Brunswick stew cooked over a fire in an iron pot, a gathering of graduate students drunk on cheap wine and heady conversation.

My worst October?

Oh. The autumn of great loss. Caitlin. Felt hats and rain coats. New friends and old. Heartbreak before the intense pain and anguish.

My most memorable October?

The year Corey and I sailed around the Caribbean, played tourist in far-away places, saw waters so blue I wanted to weep.

“overtaken
by color, crowned
with the hammered gold
of leaves.” ~ Linda Pastan, from “The Months

What is it exactly that I love about autumn (aside from the incipient melancholy)? Nostalgia? Oh yes, the melancholic gets very nostalgic indeed.

But what specifically? Another list?

  • It’s finally cold enough for Christmas socks and sweaters
  • The color burgundy isn’t too dark to wear.

    “October Gold” (1922)
    by Franklin Carmichael
  • Velvet. I don’t know why, but I associate the softness of velvet with autumn
  • Dark nail polish. Do you know how many shades of dark red there are?
  • Classical music. My taste in music is seasonal, and cool weather heralds Beethoven, Bach, and Mozart.
  • Books. There is nothing that I like to do more than read on a cold, rainy afternoon.
  • Poetry. I write more poetry in the fall.
  • Black yoga pants and white cotton sweaters. I am nothing if not a creature of habit.
  • Beef stew, homemade vegetable soup and Brunswick stew in the crock pot simmering all afternoon. And corn bread.
  • The piano. I am drawn to play again, even though doing so locks up my back and wrists for days.

I know that everything isn’t golden in the way it is depicted in art, but somehow, it seems that way. Even if I don’t make it to Skyline Drive, something I haven’t done in too many years, the golds and deep reds of the changing leaves are firmly imprinted in memory.

As I draw to a close, the sky is no longer visible. The air is cool and damp, and everything smells a little bit like bread and wet dog, and it’s a strangely comforting combination.

More later. Peace.

Music by Darius Rucker, “It Won’t Be Like This Forever”

                   

Du siehst, ich will viel (You see, I want a lot)

You see, I want a lot.
Perhaps I want everything:
the darkness that comes with every infinite fall
and the shivering blaze of every step up.

So many live on and want nothing,
and are raised to the rank of prince
by the slippery ease of their light judgments.

But what you love to see are faces
that do work and feel thirst.

You love most of all those who need you
as they need a crowbar or a hoe.

You have not grown old, and it is not too late
to dive into your increasing depths
where life calmly gives out its own secret.

~ Rainer Maria Rilke (trans. Robert Bly)