Years ago I created an image that I called “My Migraine Brain.” Of course, that image is on a hard drive somewhere in the house, so I had to resort to google and a little bit of adjustment. Anyway, this is what’s going on with me today. Fiercely. And not in that good way.
Will Graham: I feel like I’ve dragged you into my world.
Hannibal Lecter: I got here on my own. But I appreciate the company. ~ “Hannibal” (“Fromage” episode, written by Jennifer Schuur and Bryan Fuller)
Tuesday afternoon, sunny and cold 28 degrees.
Yes, it’s a Two for Tuesday post, but for some reason, I woke up thinking about the television show “Hannibal,” which was so wonderfully written and acted. I really miss it, and not just because of Mads Mikkelsen, thus, the quotes from the show.
I not only woke up with Hannibal running through my mind, but this was accompanied by a massive migraine, which is only slightly receding at the moment. Waking up with a migraine is a horrible way to begin the day; it colors everything else I do for the duration.
The useless neurologist that I saw last week is supposed to be looking into getting me Aimovig, that new medication that’s supposed to help prevent migraines. If I can get that affordably, that time spent in her office won’t be entirely wasted. I’m still waiting to hear from her office, but as the phone is currently not working for some reason, I have no news yet.
Anyway, that’s how the day is going, so not a whole lot of anything else. Today’s post features two section from a much longer poem by Margaret Atwood, “Five Poems for Grandmothers.” The complete poem can be found in Atwood’s 1978 book, Two Headed Poems, or in her Selected Poems II: Poems Selected and New 1976-1986.
I hope you like this as much as I do.
More later. Peace.
Five Poems for Grandmothers
In the house on the cliff
by the ocean, there is still a shell
bigger and lighter than your head, though now
you can hardly lift it.
It was once filled with whispers;
it was once a horn
you could blow like a shaman
conjuring the year,
and your children would come running.
You’ve forgotten you did that,
you’ve forgotten the names of the children
who in any case no longer run,
and the ocean has retreated,
leaving a difficult beach of gray stones
you are afraid to walk on.
The shell is now a cave
which opens for you alone.
It is filled with whispers
which escape into the room,
even though you turn it mouth down.
This is your house, this is the picture
of your misty husband, these are your children, webbed
and doubled. This is the shell,
which is hard, which is still there,
solid under the hand, which mourns, which offers
itself, a narrow journey
along its hallways of cold pearl
down the cliff into the sea.
It is not the things themselves
that are lost, but their use and handling.
The ladder first, the beach;
the storm windows, the carpets;
The dishes, washed daily
for so many years the pattern
has faded; the floor, the stairs, your own
arms and feet whose work
you thought defined you;
The hairbrush, the oil stove
with its many failures,
the apple tree and the barrels
in the cellar for the apples,
the flesh of apples; the judging
of the flesh, the recipes
in tiny brownish writing
with the names of those who passed them
from hand to hand: Gladys,
Lorna, Winnie, Jean.
If you could only have them back
or remember who they were.
“Here I am with all my flaws seeking form and shelter.” ~ Sally van Doren, from “The Kindness of Strangers”
Wednesday evening, cold, 15 degrees.
We are just below the huge polar vortex that is causing record-breaking cold temperatures across the north. It’s expected to drop to 9 degrees tonight; we’re lucky, though, because the weather service is predicting double-digit negative wind chills in several states, but thankfully, not here.
Okay . . . so I’ve covered the weather . . . now what?
I do apologize if you’ve only recently begun to follow me; it’s not always like this. There has been a dearth of posts of late, and I honestly don’t have much of an explanation other than this brick wall that is placed firmly somewhere firmly within that part of the brain responsible for generating creative thought. (Scientists are still a bit vague and unable to agree on exactly which part that is, exactly).
Anyway, I always have such big plans for writing, usually early in the morning when I’m letting the dogs out for the second or third time of the night, but then I wake up completely, roll through my tumblr as I drink my coffee, become distracted by the dirt and detritus that is ever-present on my floor lately, and then any creative impulses that I may have harbored earlier, dissipate. I told Corey today that if I don’t stop gathering quotes and images for drafts, I’ll soon have 200 rough drafts and no real posts.
I blame tumblr. I mean, I have to blame someone or something, so why not mud and tumblr?
“The amount of quiet I need does not exist in the world, from which it follows that no one ought to need so much quiet.” ~ Franz Kafka, from Letters to Ottla and the Family
I have found several new poets in the past few weeks, as well as a new Flickr creative commons site and a few new artists to explore. These things are all good, and generally do a lot to stimulate my muse, just not so much in recent weeks.
The truly miserable aspect is that February is almost upon us (I have no idea as to how that happened), and it’s always a wreck of a month for me, not quite a November of a wreck, but a wreck, nevertheless. It was always a bad month for my Dad, too. If he wasn’t at sea during the winter months, he would always begin to get really stir crazy in February, as if he needed to rush it away to move head long into spring.
I miss my dad, and my mom, and my other mother . . . I miss my kids . . . I even miss Norfolk . . . kind of . . . maybe just the fast food convenience and access to doctors. Whatever. Ignore me.
I think that I’m done for today. Let me leave you with two quotes, this first about writing:
We write what we know and what we do not know. But what do we write it on? On any available surface: on a computer screen, on legal pads, on the walls of prisons, on our lovers’ skin, on our own DNA. The available surface accommodates us, and our context; it becomes us, and our context .
The available surface is our instrument, and also our soul.
~ T. R. Hummer, from Available Surfaces: Essays on Poesis (from “Introduction and Apologia”)
I write on everything, post-it notes, envelopes, calendars, my phone, my laptop, even my hand, so I really appreciate Hummer’s passage.
And then this quote from Sherod Santos on art:
“Symbol, metaphor, allegory: to bring together and disclose. In the material world, we have things which appear to us, but we also have another kind of thing, a thing-in-itself, a thing which doesn’t appear to us but is, all the same, not nothing: air, death, God, love, as in ‘I gave you my love, and you took it.’ Those things we perceive only when they’re unconcealed by something else: when the air is unconcealed by the rustle of leaves, death by the corpse in the casket, God in religious fervor, love in human longing and attachment. And all those realities may be unconcealed by a work of art.
~ from “Seven Seconds in the Life of the Honeyed Muse or, What is Art?”
More later. Peace.
Music by Haevn, “Fortitude”
Mi Musa Triste (My Sad Muse)
Murmuring preludes. On this resplendent night
Her pearled voice quiets a fountain.
The breezes hang their celestial fifes
In the foliage. The gray heads
Of the owls keep watch.
Flowers open themselves, as if surprised.
Ivory swans extend their necks
In the pallid lakes.
Selene watches from the blue. Fronds
Tremble…and everything! Even the silence, quiets.
She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.
Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.
She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops…
The strings of lyres
Are the souls’ fibers.–
The blood of bitter vineyards, noble vineyards,
In goblets of regal beauty, rises
To her marble hands, to lips carved
Like the blazon of a great lineage.
Strange Princes of Fantasy! They
Have seen her languid head, once erect,
And heard her laugh, for her eyes
Tremble with the flower of aristocracies!
And her soul clean as fire, like a star,
Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,
Perhaps the echo of a profane voice,
This white and pristine soul shrinks
Like a luminous flower, folding herself up!