Wanted to share this lovely story with you. I would suggest clicking through to see larger images.
Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography.
She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey.
‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
Abstract: Branching Dream in Blues, by russell.tomlin
“Where do colors go at night, before they are returned to us at dawn?” ~ Lorenzo
Sunday evening. Clear and chilly.
Last night I dreamed that I was fighting a dragon, a huge, purple dragon that swooped down over the meadow I happened to be in, and somehow, I escaped, only to fight a wolf with my bare hands. Weird, huh?
I love my husband; he shares everything me. For instance, his winter cold—clogged ears, cough, aches, and all. His symptoms began about four or five days ago. Mine hit their high point yesterday, so another day in bed for me. How does one repay such generosity of spirit? I’ll find a way. Trust me.
I didn’t come near the computer yesterday, which should give you an idea as to how low I felt. Instead, I read another book, this one by James Rollins. Please don’t ask me the title as I haven’t the foggiest idea. I just breezed through it in between napping. It possessed my little grey cells only for as long as I was actively reading. Sometimes those are the best kinds of books: formulaic plots that don’t tax the mind too much but manage to pass the time suitably, i.e., smart, independent woman, strong man, mad scientist/curator/military leader, possible end of the world scenario.
In other news, I think that I have finally, finally gotten my health insurance fiasco fixed. My last e-mail exchange with the HR rep at GW seems to confirm this, which makes it less fantasy and more possible reality. I know. Stupid isn’t it when wishing that you had health insurance that you are paying for actually worked? So if everything goes as hoped, I can make appointments with all of the specialists that I need to see: the neurologist, the gastro guy, the gyn, the eye doctor, and the mood doctor. Oh, and the breast smashing-people.
I have so much to look forward to.
“. . . Man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life.”~ John F. Kennedy
On to other things . . . Corey has an aunt and uncle in Egypt. I’m not exactly sure as to their location, but I do know that they live in an American compound. Still, it’s a situation fraught with dangers. I will admit that I am not as up on the background that led to the current uprisings. My ongoing headache has greatly affected my usual perusal of news sites. But I did come across the following on my tumblr dash:
“The current popular unrest in the Arab world has a lot of lessons for Washington. Undoubtedly one of the most jarring is this: The leak of a simple series of cables from a U.S. ambassador in an obscure country — officially condemned by Washington — may have done more to inspire democracy in the Arab world than did a bloody, decade long, trillion-dollar war effort orchestrated by the United States.”
Michael Hirsch of The National Journal was referencing Tunisia in the above passage, which many feel has a direct link to what is happening now in Egypt. According to The Daily Mail, “A 2008 diplomatic cable leaked by the WikiLeaks site outlines how the U.S. State Department supported a pro-democracy activist and lobbied for the release of dissidents from custody.” The article goes on to state that “the protests were triggered by the overthrow of Tunisian President Zine al-Abidine Ben Al Ben Ali. Street protests in Tunis focused on similar issues, including poverty and political repression.”
I must take the time to research the situation more thoroughly. If anyone has any good links, I’d appreciate the info.
“The trouble is, you think you have time.” ~ Guatama Buddha
In less world-shattering news, I have decided to enter an informal poetry contest that one of my fellow tmblrs is holding (A Poet Reflects).
Now, I should probably explain a few things here for those of you who think that entering such a contest is old hat for me. First, and probably most importantly, to enter the contest, I must submit my work. This means that someone other than my computer and occasionally a few family members will see my poetic attempts. The idea of such a thing scares the ever-loving bejeezus out of me.
Second, I don’t practice my poetry often; dabbling might be stretching the reality a bit. I am much more comfortable in prose. But occasionally, a poem comes to me out of the blue. You would think (well, most logical people would think) that such flashes would inspire me to hasten to some writing utensil to put down the words that are bouncing around in my head so that I can work with them more. Nope. Don’t do it. Too scared.
Too convinced that my poems are hack. Too certain that there is no point. So after reading about this contest, that night in bed the opening of a poem came to me. I went over it several times, rearranging words, deleting some, inserting others. By the time I was finished with my musings, I probably had eight or ten lines. Now anyone else might get out of bed and write these lines down so that they could be revisited in the morning. Did I do that? No. I told myself, ‘self, surely you will remember all of this mental gymnastics in the morning. Go to sleep.’
And so I did.
“So many worlds, so much to do, so little done, such things to be.”~ Alfred, Lord Tennyson
Of course I did not remember. This is the third thing in the list of things you should know about my poetry, and/or writing in general: I am my own worst enemy.
The next day, after bemoaning the fact that I could remember not even one line, I took a pad of paper and pen and sat on the bed to begin again. (I prefer to draft poems with pen rather than computer—probably the only kind of writing that I do with pen any more.) I was rather pleased when I drafted eight quatrains, rapid-fire. Rather surprised, too. Then I reread them and promptly put down the pen and paper and thought to myself, “Crap. Crap. Crap.” A few hours later, a totally new opening came to me, and having learned my lesson somewhat, I wrote down the new opening. Then I left everything alone so that I could mull and stew a bit (I view poems a lot like my homemade spaghetti sauce: it needs to simmer to reach its optimum flavor).
Okay, now here is the kicker: I put the three pages of pen-written draft in my book basket next to my side of the bed. At some point during the evening, I knocked over my cup of tea. Where did most of it land?
Do I really need to tell you? On my draft. I spread the soaked sheets of paper on plain white paper (one was written on both the front and back, something I rarely do) and left them to dry. It’s been two days. Have I looked at the pages to see if they are readable?
Of course not. Will I finish this poem in time to submit by the deadline? Who knows.
Perhaps the more interesting aspect is the journey that I have taken to write the poem rather than the poem itself. Then again, that just might be more of my self-justification for not doing what I need to do. Did I mention that a book of Pessoa’s poetry is the prize? That alone should motivate me to enter the contest.
I’ll let you know what I do when I know what I’m going to do.
More later. Peace.
Music by Jenny Lewis, “Godspeed”
From “Silence,” by Edgar Lee Masters
I have known the silence of the stars and the sea,
And the silence of the city when it pauses,
And the silence of a man with a maid,
And the silence for which music alone finds the word,
And the silence of the woods before the winds of spring begin,
And the silence of the sick,
When their eyes roam about the room.
And I ask: For the depths
Of what use is language?
A beast of the field moans a few times
When death takes its young.
And we are voiceless in the presence of realities—
We cannot speak.