It’s a really hard Mother’s Day for me. Don’t want to get into why. Suffice it to say that it’s a continuation of my mental landslide . . .
What She Taught Me
She taught me linking verbs, predicate nouns,
long division, have a Kleenex ready, an apple
a day. She taught me three-quarter time, Greenwich
Mean Time. She taught me do re mi, Mexicali Rose,
Rose, Rose, my Rose of San Antone. She taught me
Peas Peas Peas Peas, Eating Goober Peas.
She taught me that a peanut is a goober pea
in certain parts of the world, that it is fine
for things to be different in different parts
of the world, no two goobers alike in their
dry red skins, their pock-marked pods,
that there are latitudes and longitudes we have
never seen, that she had seen some part,
and so would I, that I need not
forego either the swings or baseball, that spelling
is on Friday and it is OK to learn more
than one list, including the hard list; it is not
showing off—it is using what you have.
That using what you have will not please
everybody, that marrying a man of a different stripe
is not a popular thing in a small town in the fifties,
and divorcing and coming home with a child
is even worse, and that you
get up every morning anyway,
and do your work.
~ Marjorie Saiser
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I , in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
I wish that I could say that the days have gotten better, but they have not. I wish that I could say that I have finally found the answers, but I have not. I wish that I could say that forgiveness was easy, but it is not.
No one I ask knows the name of the flower
we pulled the car to the side of the road to pick
and that I point to dangling purple from my lapel.
I am passing through the needle of spring
in North Carolina, as ignorant of the flowers of the south
as the woman at the barbecue stand who laughs
and the man who gives me a look as he pumps the gas
and everyone else I ask on the way to the airport
to return to where this purple madness is not seen
blazing against the sober pines and rioting along the
On the plane, the stewardess is afraid she cannot answer
my question, now insistent with the fear that I will leave
the province of this flower without its sound in my ear.
Then, as if he were giving me the time of day, a passenger
looks up from his magazine and says wisteria.
It is on dry sunny days like this one that I find myself
thinking about the enormous body of water
that lies under this house,
cool, unseen reservoir,
silent except for the sounds of dripping
and the incalculable shifting
of all the heavy darkness that it holds.
This is the water that our well was dug to sip
and lift to where we live,
water drawn up and falling on our bare shoulders,
water filling the inlets of our mouths,
water in a pot on the stove.
The house is nothing now but a blueprint of pipes,
a network of faucets, nozzles, and spigots,
and even outdoors where light pierces the air
and clouds fly over the canopies of trees,
my thoughts flow underground
trying to imagine the cavernous scene.
Surely it is no pool with a colored ball
floating on the blue surface.
No grotto where a king would have
his guests rowed around in swan-shaped boats.
Between the dark lakes where the dark rivers flow
there is no ferry waiting on the shore of rock
and no man holding a long oar,
ready to take your last coin.
This is the real earth and the real water it contains.
But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain.
Music by Angus and Julia Stone, “Choking”
Choking on these words
You can leave now
Oh haven’t you heard
You can leave now
We stand there like statues from different cities
Both warriors of the same war
Both victors of our territories
Why do I feel so small?
Oh you’ve got it all figured out
What will be will be
Fine work from a sailor’s hand
Who’s always running away
In between all your complex ideas
Found out how love should be
When you get the time to feel anything
Anything real for me
Oh you’ve got it all figured out
What will be will be
Fine words from a sailor’s son
Who’s always running away
I don’t want your sympathy
Don’t quote me another phrase
I understand all your philosophies
But it hurts me just the same
Choking on these words
You can leave now
Oh haven’t you heard
You can leave now
“Perhaps it’s true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes. And that when they do, those few dozen hours, like the salvaged remains of a burned house—the charred clock, the singed photograph, the scorched furniture—must be resurrected from the ruins and examined. Preserved. Accounted for. Little events, ordinary things, smashed and reconstitutred. Imbued with new meaning.” ~ Arundhati Roy, from The God of Small Things
Sunday early evening. Sunny and cooler, 57 degrees.
So much going through my brain, thoughts coming at me, bombarding my senses, leaving me feeling bruised and broken.
Last night as I lay in bed, sleep elusive once again, I began to wonder when it was, exactly, that I lost my strength, my fortitude, as it were. I used to consider myself such a strong person, a person able to weather storms, a person who could take the worst that life heaped on my plate and still, somehow, survive.
But now? Now I cannot find that strength. I search and search, and I only find weakness, and weakness is to be pitied, and pity? Pity is to be scorned. Who wants pity? At least if someone hates you, that hatred encapsulates a strong emotion. Pity bears nothing. It is hollow and useless.
“My mind is blank, as indifferent as the noonday heat. But images of memories descend from afar and land in the bowl of water, neutral memories, neither painful nor joyful, such as a walk in a pine forest, or waiting for a bus in the rain, and I wash them as intently as if I had a literary crystal vase in my hands.” ~ Mahmoud Darwish, from “A coloured cloud”
My heart feels old. My soul feels rent. My mind feels spent. And I have to wonder who decided that life should always be hard, that the good days should always have a shadow cast upon them. I have to wonder how other people survive in this world, this world so full of heartbreak and sorrow. How do the strong survive? How do the weak find the strength to try once again?
It’s all such a mystery to me. I can discern no patterns. Perhaps all of the patterns I once saw were only an illusion. It’s all too much like a fogged pane of glass, a window that steam has cloaked, and then that steam devolves into rivulets that run down the pane so quickly to nothing.
We sleep. We wake. We love, and we hate. We eat, and we cry, and we make love as if it were the last time. We lie and we steal, and we move against one another. We forge alliances and then just as easily break them. We speak decisively, and we wonder what we speak. We cling and we rend, and we scream until sound fails us. We fall and fall again. We turn and turn again.
“To be left with only the trace of a memory is to gaze at an armchair that’s still molded to the form of a love who has left never to return: it is to grieve, it is to weep.” ~ Orhan Pamuk, from The Black Book
At different points in my life, I have felt as if I knew exactly what fate had in store for me. So clear was the way ahead. So determined was the heart beating in my breast. And then at other times I have felt as if the roads that I took were actually part of one large labyrinth, seeming to move in one direction, when in actuality, every path reached a dead end.
The people around me search for answers and find none. The man on the corner, holding the tattered piece of cardboard declaring his humble wishes, talks to me of kittens. The woman moving so sure-footed down the hallway stops in her forward progress to ask if I need help. The son walks past me as if he does not see me until I call his name.
And you there, on the bed you have made, how does it feel? Was it everything you ever wanted? Or was it full of briars and thorns, hidden amidst the down?
“you will never let go, you will never be satiated. You will be damaged and scarred, you will continue to hunger.” ~ Louise Glück, from “The Sensual World”
I speak in riddles because that it the only way I know through. Perhaps if I meander enough, I will once more find my way. Or perhaps if I meander too much, I will find myself completely lost.
The shore is not calm, and the moon is not high, and all of the stars in the universe are hidden from me because they contain truth. And this truth they have scattered here and there, placed a grain here in this broken shell, and another one there, in the knothole of that oak. I know this because I once found truth in the discarded hull of a walnut, and when I looked closely, I saw that its center was shaped like a heart. And I thought to myself, “At last. Here it is, at last.”
And I thought to place that small wooden heart safely under my pillow, where it would conjure restful nights of sleep and dreams, but when my fingers sought beneath my pillow, it was gone.
Truth is like that.
“There’s no understanding fate;” ~ Albert Camus, from “Caligula”
One day, I may actually find my place in this world, but more than likely not. I have no more right to peace of mind than the woman in line behind me at the grocery store, even though she seems to have found her calm place through Dr. Pepper and potato chips.
Can it be bought, this peace of mind? Can I find it amid the words I finger on the screen, as if prying them loose would free them to become realities? Is it hidden in the pages of sonnets an old lover once gifted me, or is it there, among the cornflowers growing absently in the cracked pavement of the parking lot?
Milton lost paradise, and I have yet to find it, but I came close once, so very close . . . but too soon I found that it had only been my imagination, running rampant once again. And so I stand at the shore, tempering my pulse to beat with the outgoing tide—its fierce syncopation ultimately forcing air into my lungs, even as I try to cease the sweep of time’s second hand none too well, if not at all.
More later. Peace.
Music by Angus and Julia Stone, “Draw Your Swords”
over the sand, over the roof
of the rain:
the long l s of rain fall slowly
over the pages
of my everlasting love,
this salt of every day:
rain, return to your old nest,
return with your needles to the past:
today I long for the whitest space,
winter’s whiteness for a branch
of green rosebush and golden roses:
something of infinite spring
that today was waiting, under a cloudless sky
and whiteness was waiting,
when the rain returned
to sadly drum
against the window,
then to dance with unmeasured fury
over my heart and over the roof,
asking me for a cup
to fill once more with needles,
with transparent time,
One night director, designer and animator Adam Patch recorded his drunk wife telling a joke about two corn chips. Afterwards he decided to use his skills to create a short animated video of the joke, using his wife’s recorded voice to narrate the story.
Not many of my own words today, and besides, today’s poem is by Sharon Olds, and how could I possibly compete with that?
Taken from the Knopf site; direct link below.
Sharon Olds, in her poems across the decades, has carried us through many of her life’s passages, as well as those of her growing children — their milestones are both part of her story and then not, as she sees them emerge into their own separate narratives. Today’s poem ushers us thoughtfully into graduation season, with its partings that are also new beginnings.
For seventeen years, her breath in the house
at night, puff, puff, like summer
cumulus above her bed,
and her scalp smelling of apricots
— this being who had formed within me,
squatted like a wide-eyed tree-frog in the night,
like an eohippus she had come out of history
slowly, through me, into the daylight,
I had the daily sight of her,
like food or air she was there, like a mother.
I say “college,” but I feel as if I cannot tell
the difference between her leaving for college
and our parting forever — I try to see
this apartment without her, without her pure
depth of feeling, without her creek-brown
hair, her daedal hands with their tapered
fingers, her pupils brown as the mourning cloak’s
wing, but I can’t. Seventeen years
ago, in this room, she moved inside me,
I looked at the river, I could not imagine
my life with her. I gazed across the street,
And saw, in the icy winter sun,
a column of steam rush up away from the earth.
There are creatures whose children float away
at birth, and those who throat-feed their young for
weeks and never see them again. My daughter
is free and she is in me — no, my love
of her is in me, moving in my heart,
changing chambers, like something poured
from hand to hand, to be weighed and then reweighed.
~ Sharon Olds
Music by Linda Rondstadt, “Long, Long Time” (best copy I could find)
“APRIL is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers.” ~ T. S. Eliot, from “The Waste Land: I. The Burial of the Dead”
Sunday evening, the 19th of April. Cool.
Seems I spend more time lately apologizing for not being here than actually being here. I have posts sitting in my draft box for the first week of April, never going from draft to publish. Too much involved, too much thinking necessary to finesse and push all of the right buttons.
My health? Not the best. In addition to the usual pain, I may or may not have a torn rotator cuff in my left shoulder, the pain of which has prevented much in the way of my discourse on this computer. Then there were the nights of chills and sweat, awaking freezing in soaking wet clothes. Changing my shirt four times in as many hours.
It has not been pretty.
Not that I have not thought of all of the words I could say here, all of the words backlogged and stuck in my craw, all of the words that have been unable to move past this . . . this what? This fugue state? This state of being completely at odds with the world, with everyone, with myself? What does one call being completely lost in so many ways, but just too tired to even begin to mull over the ways in which to extract the self from a general sense of malaise?
So what do I have for you today, my far away companions in the ether? Not much, other than a feeble attempt to raise my head for a few moments and let you know that I am still here.
“Here is Belladonna, the Lady of the Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water.” ~ T. S. Eliot, from “The Waste Land: I. The Burial of the Dead”
So here, as I am, I offer you this compendium, three words that at times can mean everything, nothing and something . . .
It won’t hurt
I’m so sorry
You should stop
What is happening
Don’t worry so
Calm down now
Take a breath
It wasn’t me
I didn’t know
I don’t know
I couldn’t know
I should’ve known
Please tell me
Don’t tell lies
I’m really sorry
No you’re not
I don’t remember
It doesn’t matter
It all matters
It’s all good
Nothing is good
You should go
Let go now
Is he okay
Is she okay
Are they okay
Are we okay
Nothing is okay
Speak to me
Talk to me
Don’t say anything
You’ve said enough
Believe the lie
“My nerves are bad to-night. Yes, bad. Stay with me. Speak to me. Why do you never speak? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think.” ~ T. S. Eliot, from The Wast Land: II. A Game of Chess
Yes, April is cruel indeed, but then, so are the other months and days of the year. In cruelty, I somehow always go back to Eliot, whose words seem to have been written by a ghost of me, so close to home are they.
I apologize if this post seems lost somewhere far beyond the pale, as it were. But my life, my lines, my words are in fragments alone. I cannot connect all of the varying lines and make a whole. I have neither the strength nor the wherewithal. Forgive the seeming self-pity; it is more of a muted self-examination, one conducted with exigence in the hopes of finding something “not loud nor long” to hold dear.
As old Tom said, “These fragments I have shored against my ruins.”
“Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.” ~ T. S. Eliot, from The Wast Land: II. A Game of Chess
For the complete text of “The Waste Land,” click here.