“I’m so glad I live in a world where there are Octobers.” ~ L.M. Montgomery, from Anne of Green Gables

Arthur Dove Sunrise, Northport Harbor 1924
“Sunrise, Northport Harbor” (1924)
by Arthur Dove

“The universe is under no obligation to make sense to you.” ~ Neil deGrasse Tyson

Saturday evening. Wonderfully cool, 50’s. At last.

Let’s try this again, shall we?

I’ve been down for the count for more days than I care to remember. My doctor’s appointment on Thursday left me with an egg-sized lump on my neck where my pain doctor (the one I’ve been waiting for to reemerge for 7 months) gave me an occipital block in an attempt to alleviate this never-ending migraine.

It didn’t work. And one of the new medicines that he prescribed for me (migrinal) costs over $1,000. Sooo……..

Anyway, I’m feeble. Last night (this morning?) I couldn’t sleep; the last time I looked at the clock it was 6:20. Truly, can anything else go wrong at this point?

Feeble is the only way to describe it, and I feel really bad that this has happened while Corey is home, but at the same time, I’m so glad that he’s home because just feeding myself is a chore. At least he can play with the dogs and feed them while I lie in my darkened bedroom attempting to read and staying away from anything light-reflective.

I haven’t checked my e-mail or looked at my tumblr, and as for this blog? Not so much. So I thought that instead of running on about pain and agony, I’d try to post my poem, the one from September 28 that didn’t appear on several of your sites (as you’ve let me know), try to post it as a JPEG instead of as a PDF. Here’s hoping it works this time . . .

By the way, I don’t know what possessed me, but I submitted it to some journal. Honestly cannot remember which one. I guess that’s my tactic for avoiding rejection—submit and immediately forget. I made a few changes to that one, but here’s the original version:



Music by Fort Atlantic, “No One Will Know”


“It is with words as with sunbeams—the more they are condensed, the deeper they burn.” ~ Robert Southey

I haven’t come across a prose poem in a while that really grabbed me . . .

[I believe there is a song that is stranger than wind . . .]

By Karen Volkman

I believe there is a song that is stranger than wind, that sips the scald
from the telling, toss, toss. In the room I move in, a wrecked boy listened
to each sky’s erasing, for it was shrill winter, for it was blast and blur.
For it was farther from the native birds and the gray heath heather and
the uncaressable thighs of the one who shook in violet. Those who fly
farthest must always burn the nest. But the mind in its implacable spec-
trum dims to brown. Must you die on your back like a cheap engine, rust
and wrack? In the crevicing days, there are no words for prizing, be-
tween the lidless moon and the silver hands of the fountain. But if it is
space you must fail in, teach it din.


For those of you who may not be familiar with this poetic form, the prose poem is written like prose, without the poetic line breaks, but it still contains many of the same poetic devices, such as figures of speech, alliteration, assonance, repetition, and rhyme. The length of a prose poem varies a great deal, and the subject matter is not limited in any way, with topics including love, nature, war, etc.

According to poets.org, the form “is most often traced to nineteenth-century French symbolists writers. The advent of the form in the work of Aloysius Bertrand and Charles Baudelaire marked a significant departure from the strict separation between the genres of prose and poetry at the time.”

I have written a couple of prose poems, and it’s hard to say what causes a poem to fit into this category. I can only tell you that I knew innately that what I was writing was a prose poem.

My favorite prose poem is “The story of a day in the life of a woman trying,” which I would have put here, but my copy of it is packed away in a box somewhere.

More later. Peace.

“To stand at the edge of the sea, to sense the ebb and flow of the tides, to feel the breath of a mist moving over a great salt marsh, to watch the flight of shore birds that have swept up and down the surf lines of the continents for untold thousands of year, to see the running of the old eels and the young shad to the sea, is to have knowledge of things that are as nearly eternal as any earthly life can be.” ~ Rachel Carson


The Coast of Philip Island (Wikimedia Commons)

This word reminds me of a poem that I wrote when Corey and I first got together. We were spending the afternoon on the Outer Banks with the boys, and I was standing in the shoreline looking at Corey in the distance. It was in that moment that I realized that he loved me. This is a good memory.