Here’s hoping that everyone out there has a safe, happy, and healthy 2020. Best wishes from me to you.
Just one, but it’s a classic that features the incomparable Christopher Walken (and really, do you need anything more when he’s around?):
Two versions of the SNL Classic: “I Wish It Was Christmas Today”
(Featuring Horatio Sanz, Jimmy Fallon, Chris Kattan, and Tracy Morgan)
I began this post Sunday afternoon, and then my computer decided to act up again. All of the script errors are back, and now whenever I do a search, half of the results page is blank. I’ve scanned for malware, and the scan says that everything is fine, but obviously, everything is not fine. I am so weary—these recurring computer issues always seem to rear their ugly head precisely at the moment in which I have decided to post, that exact moment in which I am finally ready to sit here and just let the words pour forth.
The fates conspire against me.
Sunday afternoon, partly cloudy, 43 degrees.
Rainer Maria Rilke wrote “Notes on the Melody of Things” in 1898, when he was only twenty-two years old, but the piece was not published in his lifetime. Many of the same ideas from “Notes” appeared in another essay, “The Value of theMonologue.” I have chosen to share just a few of my favorite passages, but you can find the full text here.
III. That occurs to me: when I observe: that we still always paint people against a gold background, like the Italian Primitives. People stand before something indefinite—sometimes gold, sometimes gray. Sometimes they stand in the light, and often with an unfathomable darkness behind them.
XVI. Whether it be the singing of a lamp or the voice of a storm, whether it be the breath of an evening or the groan of the ocean — whatever surrounds you, a broad melody always wakes behind you, woven out of a thousand voices, where there is room for your own solo only here and there. To know when you need to join in: that is the secret of your solitude: just as the art of true interactions with others is to let yourself fall away from high words into a single common melody.
XX. In other cases, when there is no difficult, heavy pain to make people equally silent, one of them hears more of the powerful melody of the background, the other hears less. Many no longer hear it at all. They are like trees that have forgotten their roots and now think that the rustling of their branches is their power and their life. Many people don’t have time to hear it. They are impatient with every hour enveloping them. These poor, homeless people have lost the meaning of existence. They strike the keyboard of their days and play the same, monotonous, lost note over and over again.
XXI. If, then, we want to be initiates of life, we must keep two things in mind:
First, the great melody, in which things and scents, feelings and pasts, twilights and desires, all play their parts; —
and second: the individual voices which augment and complete this full chorus.
Today is the birthday of novelist and playwright Frances Hodgson Burnett (November 24, 1849 – October 29, 1924), author of one of the first books that I chose to read as a child, The Secret Garden (1911). I still have a very clear memory of the local library’s children’s section, the exact location of the stacks I used to spend countless hours perusing in search of books to read.
I also read her other well-known book The Little Princess (1905), which was turned into a movie with child actor Shirley Temple, but I much preferred a lesser known book The Lost Prince (1915). Even as a child, I had a propensity for finding an author and dedicating myself to reading as much of that author’s oeuvre as I could get my hands on. When you are an only child, books can be a reliable bulwark against loneliness, as they were for me.
More later. Peace.
Music by Ben Cocks, “So Cold”
I love this one . . . . . . . . .
Wednesday afternoon, sunny, 56 degrees.
I just cannot imagine living in such crowded circumstances. I get claustrophobic just watching this, even though the video itself is very cool.
By the way, I’m supposed to say here how amazing Corey is for remembering which video I had planned to post today…………………..
Birthdays of Note:
Samuel Taylor Coleridge (October 21, 1772– July 25, 1834)
Ursula K. Le Guin (October 21, 1929–January 22, 2018)
Doris Lessing (October 22, 1919–November 17, 2013), Nobel laureate
Michael Crichton (October 23, 1942-November 4, 2008)
Music by G.E.M., “倒數 (Reciprocal)”—She’s called the Chinese Taylor Swift
“Push away the past, that vessel in which all emotions curdle to regret.” ~ Chitra Banerjee Divakaruni, from Before We Visit the Goddess
Thursday late afternoon, cloudy and cool, 51 degrees.
I’ve had this one tab open on my laptop for about two weeks, maybe more. I haven’t wanted to close it as I wanted it to be a constant reminder that it needed attention on my part. It’s one of three posts that I’ve been trying to write longer than I care to admit. This particular tab is for an article that was published in The Atlantic called “My Family’s Slave,” by the late Alex Tizon, and although I’ve wanted to write a response to it ever since I read it, I cannot seem to find the best way in, if that makes any sense.
The article deals with a Filipino tradition (for lack of a better word) of the better-off taking in someone not so well-off and offering them the opportunity to live with and work for the family. Better-off is very subjective as it means anyone with more money than you. The only catch is that working for implies receiving a salary of some sort, and these women (mostly) never receive any money. Tizon explains:
Slavery has a long history on the islands. Before the Spanish came, islanders enslaved other islanders, usually war captives, criminals, or debtors. Slaves came in different varieties, from warriors who could earn their freedom through valor to household servants who were regarded as property and could be bought and sold or traded. High-status slaves could own low-status slaves, and the low could own the lowliest. Some chose to enter servitude simply to survive: In exchange for their labor, they might be given food, shelter, and protection.
. . . Today even the poor can have utusans or katulongs (“helpers”) or kasambahays (“domestics”), as long as there are people even poorer. The pool is deep.
“If ever I lose
my memory of you, walk beside me
like a stag; like a bird heard, unseen” ~ Anne Michaels, from Correspondences
Let me offer a bit of my own background here: For three summers, starting when I was just 14, I worked for my Aunt Remy, taking care of her five kids. I arrived at 7 in the morning and left at 6 in the evening, and for this I received $50 a week, and I felt lucky to be making such good money. In addition to taking care of the kids, my cousins (a term loosely used by Filipinos to identify anyone close to the family), my daily chores included cleaning the entire house, doing laundry, and attempting to cook. I never saw this as being too much work; after all, they had an in-ground pool and I could spend a few hours every day hanging out in the crystal blue water. I viewed the entire transaction was quite equitable.
These were my “rich relatives,” as I always referred to them. I loved my aunt and uncle like a second set of parents, for good reason. My uncle lived with my parents before he got married, and he was one of my frequent babysitters. My aunt lived with my parents when she came over from the Philippines before she married my uncle. They were always a big part of my life, and their deaths wounded my heart almost as much as those of my parents.
When my summers became too full with cheer leading practices for me to continue my full-time summer job with them, my aunt found a Filipino woman to live with the family. I never knew if she was paid, only that she lived with the family full-time. I’m embarrassed to say that I cannot remember her name. But this article immediately called her to mind.
“This memory was not painful to her now. Her life was an open window and she a butterfly.” ~ Simon Van Booy, from “French Artist Killed in Sunday’s Earthquake”
Another memory: When relatives from Newark visited one summer, they brought with them their live-in woman. My aunt asked me not to mention that I was paid because she didn’t want their live-in to feel bad. I realize now that the woman probably wasn’t paid anything. That’s just how it was done.
We never had one of these women in our house, probably because it was just my mom, dad, and me, that and we weren’t well off. However, over the years we frequently had a relative of some sort living with us. Again, that’s just how it is, and it never seemed odd to me. I think that if my parents had wanted a live-in that there were certainly many relatives in the Philippines who would have jumped at the chance, life in the States being much preferred to a life of poverty in the islands.
That being said, I don’t think that my American mother would have ever been comfortable with such an arrangement, not because she was opposed to have help, but more because she was such a very jealous woman and having another woman living in our house would have stirred her monster, which was always seething just below the surface of her marriage to my dad. Truthfully, though, my father gave her good reason to be suspicious. I can admit that now without feeling that I’m betraying either of them.
“Stare at the monster: remark
How difficult it is to define just what
Amounts to monstrosity in that
Very ordinary appearance.” ~ Ted Hughes, from “Famous Poet”
What has made it so hard for me to write about all of this is that my aunt and uncle were good, generous people, and I wouldn’t want it to seem that I’m criticizing them in any way, but if I am to be honest, then I have to admit that the tradition that they carried on was very much like the slavery the article’s author discusses. It is hard, painful even, to try to think of my relatives in these terms.
Slavery is a hard word—it is filled with negative connotations, rightfully so, and when most American heard the word, they think about that shameful period in our country’s history in which the color of one’s skin dictated how the individual lived, whether or not the person was paid or could vote or even if that individual could have the barest education. Tizon’s article recounts another form of slavery, one that most white Americans know nothing about, but one that most Filipino Americans know about but rarely acknowledge.
But back to the article: Tizon narrates how Lola (an all-encompassing Tagalog word for grandmother or nana), lived with his family after his mother died, and after Lola’s death how he took her ashes back to her family in the Philippines. It’s a bittersweet story, told in retrospect through a child’s eyes and then later through the wisdom that being an adult sometimes imparts, too late more often than not.
Tizon recounts the story of how his maternal grandfather, Lieutenant Tom, a “cigar-chomping army lieutenant named Tomas Asuncion” brought an 18-year-old Filipina girl named Eudocia Tomas Pulido into the family in 1943 to take care of his mother whose own mother had died in childbirth. Pulida, or Lola—a cousin from a marginal side of the family, rice farmers—was a gift to Tizon’s mother, and Lola stayed with various members of Tizon’s family for almost 68 years, 56 or them as an utusan (people who take commands).
Lieutenant Tom had as many as three families of utusans living on his property in the Tarlac province of the Philippines. He had lots of land but little money, and he was shrewd. As Tizon explains how Lola came to be the family’s slave, “The lieutenant was shrewd—he saw that this girl was penniless, unschooled, and likely to be malleable . . . She could have food and shelter if she would commit to taking care of his daughter . . . Lola agreed, not grasping that the deal was for life.”
“Sometimes, I feel the past and the future pressing so hard on either side that there’s no room for the present at all.” ~ Evelyn Waugh, from Brideshead Revisited
Another memory: My parents and I spent several months in the Philippines after my dad retired from the Navy. The plan was for us to live there, but that didn’t work out as I became ill and found to be allergic to pretty much everything. But while we were staying at my grandmother’s house in my dad’s village of Gapan, we would visit my great aunt Tiba’s house. I recall that she had an utusan, but that’s all I remember. Later, when we moved to Quezon City, two of my cousins moved with us. They helped out, but I honestly don’t know if they were there as utusans or as family, or even if there is a difference.
We were Americanized. We weren’t rich, but as compared to many in my father’s family, we were well off. We stayed in an air-conditioned apartment in Quezon City at a time in which air conditioning was a luxury. It may still be a luxury—I have no idea. So the opportunity to live in the city with us as opposed to a small village must have seemed appealing.
My mother, born into a large family during the Great Depression, never had servants, so I don’t think that she would have been able to order people about naturally; at least, that is how I like to remember things. My father made it out of his small village by becoming a Guerilla during WWII and then later enlisting in the U.S. Navy; he was never entitled but he believed ardently in helping out family whenever he could.
If it sounds as if I’m trying to convince myself that for those few short months we did not have a family slave, I am, but I’m also trying to be realistic, reconciling the parents I knew with the parents I couldn’t have possibly known well as a child. What we know of our parents is what we choose to know, and few of us choose to know or to remember that side in which our parents were human beings, with their own likes and dislikes, wants and desires, shortfalls and foibles.
That’s just not how it works. Is it?
Utusan. Helper. Servitude. Long hours. No pay. No personal life beyond the family’s environs. Bottom line: slave. It’s ugly no matter how memory shapes it. If you get a chance, I do recommend reading the article that jump started this post. It is a lovely narrative, one to which few white Americans can actually relate but deserves a wide audience nevertheless.
More later. Peace.
Music by Billie Marten, “Bird”