“You’re told that you’re in your head too much, a phrase that’s often deployed against the quiet and cerebral. Or maybe there’s another word for such people: thinkers.” ~ Susan Cain, from Quiet: The Power of Introverts in a World That Can’t Stop Talking

If it’s Friday, it must mean leftovers . . .

Friday afternoon, mostly cloudy and cold, 44 degrees.

I’m still not feeling together enough to string together a real blog. Yesterday, I sat at the keyboard for hours without a single original word hitting the screen. It’s very frustrating as I had told myself that once I returned to this blog, that I would post regularly. But the truth is that I can only post as regularly as the muse allows, and at the moment, the must is being suppressed by overwhelming body pain, the source of which I am uncertain.

It’s not just the morning migraines; now, it’s also my back, a source of such localized pain the likes of which I haven’t had to contend with for quite a while. Anyway, that’s what’s going on. I hope to have a real post up tomorrow, but in the  meantime, I have quite a good collection of leftovers for today (in my humble opinion.

Enjoy!


So Gillette came out with a commercial for the MeToo movement:

Never before seen error code:

Error 503 Backend is unhealthy

I have always loved Andre Braugher, most especially in “Homicide,” one of the best shows to ever be on television.

From gaymilesedgeworth (a deactivated tumblr account): One of my favorite things in Brooklyn Nine Nine is when you can tell the writers were like “You know, Andre Braugher is an extremely talented Shakespearean actor who graduated top of his class at Juilliard…..what if we took advantage of that for our sitcom”

This is a good depiction of either of my older dogs, Tillie and Bailey, every time a puppy comes near:

The San Francisco Examiner, California, April 10, 1927

A murmuration in Otmoor, London, UK (1-4-19), something I’ve always wanted to see:

In 2015, a drought in the southern Mexican state of Chiapas revealed the ruins of a 400-year-old church, Temple Santiago:

Temple Santiago Image by David von Blohn (AP)

From Ultrafacts:

Here’s a video:

I didn’t know this:

And finally:

More later. Peace.

 

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From “After the Theatre”

“What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?” ~ Ellen Bass, from “If You Knew”

Monday afternoon, partly cloudy, 56 degrees.

Well, Maddy is better, but I’m not certain that she’s out of the woods. She had a good day yesterday, but last night she was really sick again. Today, she’s acting better, and she managed to eat some breakfast. All we can do at this point is continue to watch her closely and hope.

Illustration to Chekhov’s A Dreary Story, by Tatyana Shishmaryova (1953)

Tink seems fine these days, playing and running around with her tail up, so at least there’s that. All of the other animals seem to be okay. The big surprise is that last night Corey came home with chickens. Apparently, Dallas bought a bunch of chickens from someone who he knows, and he decided that we should have some.

We do have a chicken coop, and we had plans for chickens in the spring, but the coop is still kind of torn up so Corey needs to work on that right away. For whatever reason, we just keep having animals dropped on us. I’m not sure how I feel about it all, partially good, partially bad. It just seems like a lot all at once, but as with everything else, we’ll find a way to deal.

At least we’ve had some sun the last few days, and the weather is milder. I had hoped that I had more to say, but I’ve been sitting here for over two hours and I just cannot find the words; I’ll leave you with an apt selection from Anton Chekhov’s novella, A Boring Story: From the Notebook of an Old Man (also translated as A Dreary Story):

I write poorly. That bit of my brain which presides over the faculty of authorship refuses to work. My memory has grown weak; there is a lack of sequence in my ideas, and when I put them on paper it always seems to me that I have lost the instinct for their organic connection; my construction is monotonous; my language is poor and timid. Often I write what I do not mean; I have forgotten the beginning when I am writing the end. Often I forget ordinary words, and I always have to waste a great deal of energy in avoiding superfluous phrases and unnecessary parentheses in my letters, both unmistakable proofs of a decline in mental activity. And it is noteworthy that the simpler the letter the more painful the effort to write it .

. . . As regards my present manner of life, I must give a foremost place to the insomnia from which I have suffered of late. If I were asked what constituted the chief and fundamental feature of my existence now, I should answer, Insomnia.

More later. Peace.

“Watching the sunlight on distant smoke today–how far away and remote it seemed” ~ Charles Burchfield, Journal entry January 2, 1931

Low Lying Fog in California, by Ken Xu, FCC

“Let the light and the winds colour and cleanse my blood.” ~ Gabriela Mistral, from “Quietness”

Wednesday  afternoon, overcast, 48 degrees.

Hello out there in the ether. Hope today finds you well. Yesterday I completely forgot that it was Tuesday, which meant that I had a Two for Tuesday post all ready to go. That’s how much my mind is in disarray: I have to  look at my phone to see what day it is. Does anyone else have that problem?

Trees in the Mist, Hayle England, UK (FCC)

I usually begin my day here with a little organizing, trying to figure out what I have to say, thinking about accompanying images and songs, and then I usually watch a few YouTube videos that I subscribe to—Tati (beauty guru), Alexandria (unboxings and try ons), and then maybe someone else. It’s a distraction, and when I’m finished, I feel as if I’ve cleaned my palette, and I’m ready to go with the words.

For a short minute I thought about starting a YouTube channel, but man, people on there are vicious in their commentaries. One wrong word, and your channel explodes. I just don’t have either the patience or the thick skin for that, so I won’t be putting myself out there for that anytime soon.

I never get tired of watching this,
As the mists seem to move, then not move.
They don’t, of course, but merely disappear.
……………………………………………………….Perhaps that’s why I like it. ~ Charles Wright, from Littlefoot: “25”

A few mornings ago (maybe even yesterday?), the fog rolled in very quickly and lay within the trees at the back of the house like one of those old cotton Christmas tree skirts everyone used to use once upon a time. It was so fast, and by the time I thought about taking some pictures, it was gone; hence the Flickr Creative Commons pix of fog. I thought I’d try to get a variety of locations.

Trees in the Mist, Austria (FCC)

Fog has always fascinated me, ever since I was a young child in England. I’m certain that I’ve written about this before, but I still have vivid memories of being caught out in the fog in London and not being able to see anything. It was a different kind of fog—very, very thick and impenetrable. I remember a man walking in front of the buses with a lantern on a ladder to guide the driver.

I have no idea if they still get fog like that. I mean it was a long time ago, and even if they do, I’m sure that no longer use lanterns on ladders. But the first time that mom and I were out in that, it was pretty scary. I, obviously, had never seen anything like it, but then to realize that my mother was as scared as I was—something like that can really unnerve a child.

We were still living in the old house outside of London at the time, the house with the haunted bedroom. Man, if only I could remember where that was. I have absolutely no idea, and I’ve never found anything of mom’s that had that address on it.

“I really love fog. It hides you from the world and the world from you. You feel that everything has changed, and nothing is what it seemed to be. No one can find or touch you anymore.” ~ Eugene O’Neill, from Long Day’s Journey Into Night

I’ve driven through some really terrible fog more than a few times, but it doesn’t bother me. I find fog oddly comforting and beautiful. Living near the Chesapeake Bay, we could get some thick fog rolling in across the bay; of course, I wasn’t on the water at the time. I would imagine that people who work on the water as Corey used to do not find fog at all comforting.

Misty World, Vallée du Grésivaudan, French Alps (FCC)

It’s just that in heavy fog, sound changes. It can become completely muffled, and then light seems to disappear. I’ve always imagined having a scene in a book in which someone who is lost in a thick fog comes face to face with the killer. Yes, my mind does go to places like that, frequently, actually. I’m always mulling over plots for mysteries. The problem is that the mulling never moves beyond that.

It makes me wonder if I’m just a dilettante: someone who likes to know a little bit about a lot of things without ever specializing in any of them, and perhaps in a way, I am. I’m a curmudgeonly dilettante who loves words. What to make of that? Hmm . . .

Things that make you go hmm…………

“The light is flat and hard and almost nonexistent,
The way our lives appear to us,
……………………………………………..then don’t, as our inlook shifts.” ~ Charles Wright, from Littlefoot: “25”

I suppose that’s enough about the fog, but it’s such a wonderful image, and metaphor, and memory, actually. It’s taken me several years since my mother’s death to begin to remember more. Our relationship was so fractured that I think I tried very hard not to think about her in the immediate months following her death. But now, with some distance, I can begin to sort through the memories better.

One of the sad things, though, is that I know without a doubt that my mom was happiest in England. It seems like everything after that was just a disappointment for her, her marriage, her location, her family, everything. And I only realized too late that it would have been such a simple thing for me to offer to go back to London with her for a visit, but I never did. It never even occurred to me to do that, and now I cannot.

Mountains in mist and fog, Indonesia (FCC)

And so the memories of the two of us exploring every inch of London and the surrounding environs are more immediate, as it were.

It’s hard for me to think of my relationship with my mother as a whole. I’ll give you a classic example of how it was with us: My cousin once told me that my mother talked about me all of the time, and he could tell that she was proud of me. This caught me completely off guard. I never would have believed it if he hadn’t said it as I can remember exactly one time as a teenager or adult that my mother told me that she was proud of me.

One. Time.

Perhaps she said it as a matter of course when I was a child, because I was very much as Alexis was as a child: everything you could want in a daughter—smart, polite, attentive, hard-working, focused. Perhaps when I hit puberty, I became a foreigner to my mother, much as Alexis did to me when she entered high school.

Perhaps. Who knows? Certainly not I.

“Gloom is literally atmospheric, climate as much as impression . . . Gloom is more climatological than psychological, the stuff of dim, hazy, overcast skies, of ruins and overgrown tombs, of a misty, lethargic fog.” ~ Eugene Thacker, Cosmic Pessimism 

As these things are want to do, I have said much more than I had planned to say. The genesis was the fog, and then the floodgates opened. And truthfully, I’m not in the best place emotionally or mentally for open floodgates. I’ve spent the last two days in my pajamas, and when I looked in the mirror last night, I had to admit to myself that I just plain looked rough.

Der Nebel, Gilbert-Noël Sfeir Mont-Liban (FCC)

It’s been a rough kind of week. Tink isn’t out of the woods yet, and it’s hard for either of us to concentrate on much else, but I decided today to make an effort, you know, bath, put on clean clothes, maybe some lipstick, try to write, do more than just stare blankly at the screen. And so this is that effort.

Anyway, because it’s on my mind as well, I am reminded of a line from Charles Wright’s Littlefoot: “I live here accompanied by clouds.” There are so many clouds here, and I don’t yet know if that’s a year-round thing, or just fall and winter. My father would have hated that part. I’m fairly certain that he had Seasonal Affected Disorder; as the months became colder and light began to fade, his depression would worsen.

I can relate. I know that my own temperament is greatly affected by the weather. Take today, for instance: no sunlight anywhere, nothing dappling on the leaves on the trees. Just grey clouds, and clouds aren’t the same as fog. Grey clouds—unlike fluffy white clouds shaped like animals—are just, well, there, making everything look cold and grey and yes, gloomy.

So enough of that.

More later. Peace.


Music by Paloma Faith (loving her these days), “Only Love Can Hurt Like This”


Missing the Dead

I miss the old scrawl on the viaduct,
the crazily dancing letters: BIRD LIVES.
It’s gone now, the wall as clean as forgetting.
I go home and put on a record:
Charlie Parker Live at the Blue Note.
Each time I play it, months or years apart,
the music emerges more luminous;
I never listened so well before.
I wish my parents had been musicians
and left me themselves transformed into sound,
or that I could believe in the stars
as the radiant bodies of the dead.
Then I could stand in the dark, pointing out
my mother and father to all
who did not know them, how they shimmer,
how they keep getting brighter
as we keep moving toward each other.

~ Lisel Mueller

 

“My real self wanders elsewhere, far away, wanders on and on invisibly and has nothing to do with my life.” ~ Hermann Hesse, from Siddhartha


“A cold grey morning—houses have a faraway look; a bluejay screams; imminent sunshine from east light up palely the eastsides of houses.” ~ Charles Burchfield, Journal entry 3 November 1917

Tuesday afternoon, partly cloudy, 52 degrees.

Happy New Year, everyone. Hope 2019 is safe, happy, and healthy for you.

Yesterday when I realized that I couldn’t gather my thoughts adequately to write, I spent many hours going through my drafts, pairing quotes and poem for future posts. I try not to repeat quotes or poem or music selections within posts, but after so many years, I’m certain that I’ve had some repeats inadvertently.

Tumblr is a great source for the quotes and poems that I use. Several of the people who I follow always post wonderful things that serve as a source of inspiration for me. But when I first began posting, before the advent of tumblr, I used to do quotes searches on subjects, like water, or spring, or whatever I was thinking about.

The internet has a plethora of quote sites, but I would caution any of you who choose to use these sites that the attributions are not always accurate. I always try to verify any quotes that I use so that I can be sure to list the correct work or individual from which the quote was taken. Goodreads is also a source for quotes, but again, as the site itself does not verify sources, anyone who belongs can post quotes, and I have found several that are inaccurate. Just a bit of housekeeping information

“My road, that I do not understand, leads me
Toward a blue, lost distance” ~ Hermann Hesse, from “Holiday Music in the Evening” (trans. James Wright)

We think that Tink is getting better slowly. Today, she managed to keep down a bit of mashed rice and chicken that Corey made. So far, the fluffy boy shows no signs of being sick, but both Tillie and Bailey are a bit lethargic today. They’ve had all of their shots, so they cannot get canine parvovirus (CPV), but we’re thinking that maybe they can get a mild form of a virus. At least, that’s what we’re hoping is the case.

The vet said that once a dog has had the virus, they will never get it again, so if we can just get her out of the woods, we’ll be okay. Here’s hoping. There’s a lot of hoping going on in our house right now.

Dallas says that he vaccinated all of the puppies at six weeks, so if that’s accurate, Maddy cannot get the virus. The most interesting part of all of this is how the older dogs, as well as the male cat Ash are treating Tink. Maddy has been seen curling around her as she sleeps. Ash approached her very slowly and licked her, and neither Tillie nor Bailey have growled at her since she came home. The older girls are impatient with the ongoing puppy frolicking between Maddy and fluffy boy (no name seems to stick to him; it’s the strangest thing), but they all seem to know that Tink is sick.

Animals are amazing.

“And only the wildest of the forest creatures continued to hear the echo of a despairing, tortured wail in the soft whisper of the wind.” ~ Diane Hoh, from The Accident

It’s now almost four hours since I first began this post. At first, I thought that I had it in me, but apparently not. I don’t really know what to say, other than we’re taking it slowly, hoping no one else gets sick, working with the puppy, and kind of ignoring the whole idea of holidays.

Obviously the stress of such a sick animal is taxing, in many ways. I just try not to think about all of the implications, and focus instead on the good: watching Maddy and the fluffy boy have play fights; watching Tink sleep soundly on the couch, hoping that the sleep brings her rest and energy.

You might think me extreme for this focus on my dogs, and perhaps I am, but truthfully, I do not care. They are our family for now. They bring me great joy and much needed company. I cannot imagine any of these animals deliberately breaking my heart, and so I will care for them with everything that I have.

Perhaps tomorrow will allow me to write more.

Peace.


Music by Nirvana, “Where Did You Sleep Last Night” (Unplugged version)


Today’s poem is by someone I don’t know much about; I found her on tumblr: Ingeborg Bachmann. For more information on her life and work, you can visit this very good article on Alejandra de Argos.

[Everything is lost, the poems first]

Everything is lost, the poems first,
then sleep, then after that the day
then everything else, what belonged to the day
and what belonged to night, then when nothing
more could be lost, more was lost, and then more,
until there was less than nothing, not even myself,
and there really was nothing more.

Time to retreat to an inner hinterland
with all the promised years and pictured places
still before one’s eyes, where the earth
no longer exists nor the shame, far
back when there is still space, open stretches
covered with doves, silent and bright beneath
the talon, within calling range of him,
the arrival, the silencer.

For the silence, there is desolation
with its perceivable web
that softly spins its madness
until it creates its glass hotel.

~ Ingeborg Bachmann (trans. Peter Filkins)

“I allowed myself to suffer how jarringly destructive the present feels and how fragile the past. The present is over quickly, you might say, and it is, but man it goes like a wrecking ball.” ~ Ann Brashares, from My Name is Memory

Ivan Aivazovsky, “The Ninth Wave” (1850, oil on canvas)
Aivazovsky is considered the most influential seascape painter in 19th Russian art

“I thought, possibly, that what I really needed was to go where nobody knew me and start over again, with none of my previous decisions, conversations, or expectations coming with me.” ~ Maggie Stiefvater, from Forever

Friday afternoon. Rainy again, 44 degrees.

It’s funny, but when I think about Norfolk, I still get a pang. I don’t miss the house, the nosy judgmental neighbors, or even the neighborhood. But I miss the things that happened there: the two Jack Russells who used to escape regularly, and the nice neighbors who would holler at us to let us know where they had gone; walking across the field in the afternoons to pick up the boys from the local elementary school; even mowing the yard on the lawn tractor that my dad bought me once upon a time. Those things are part of that life, that place.

Ivan Aivazovsky, “Sea View by Moonlight” (1878, oil on canvas)

My kids were raised in that small ranch house with one bathroom. Their friends all lived within a few miles. And now that house is gone. Who knows who will buy it and make all of the repairs that we never got around to making. It’s hard to take care of a house that you hate, which is how it came to be for us the last few years that we were still there. It was as if the house knew that there existed an antipathy and went out of its way to break down piece by piece.

We redid the bathroom a few years ago, from the studs up. We had plans to redo the kitchen and the hardwood floors, but that never happened, and in the end, we left it as a mess, things all over the backyard, a pool that had fish in it, a shed that had old tools in it, an attic that probably still had kids toys in it. It was like shedding a carapace and leaving it where it lay.

You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.” ~ Azar Nafisi, from Reading Lolita in Tehran

It’s hard not to think of the things that neighbors must have thought about the way that we left things, but at the same time, there is no way that they could possibly understand the stress and pressure that we were under when we left. If they snooped, which I’m certain that some of them did, they would have seen the hole in the ceiling, the broken back door, the tools that lay in the yard, and their worst impressions would have been confirmed.

Ivan Aivazovsky, “Yalta” (1899)

Listen, not all of our neighbors were assholes. The guy across the street helped Corey and me countless times, especially when Corey was at sea. He gave me a jump when my battery was dead, repaired things, helped when the yard was overgrown and my back wouldn’t let me mow. He was a great guy, and because he was always hurting for money, we always tried to pay him whenever he did anything. But he was a minority in that neighborhood. There used to be a really nice woman who lived on the other side across the street, but she died; her kids were always friendly, though. Still, I know that we didn’t make as much of an effort as we could have, but there was a history there that made it hard.

And the fact is that I really shouldn’t care any more about what any of them think or thought, but a part of me still does. I still feel as if that house is mine, even though it isn’t. I lived there for so long, and there are so many good memories from there, probably more good than bad. But there are painful memories from there, and it was definitely time to move away, and now here we are, living in a completely different kind of place, with a different pace of life, and different kinds of neighbors.

“I don’t know. You know the mind, how it comes on the scene again
and makes tiny histories of things. And the imagination
how it wants everything back one more time, how it detests
all progress but its own . . . ” ~ Richard Hugo, from “Letter to Matthews from Barton Street Flats”

We had told ourselves that when we finally moved, that we were going to make a true effort to get to know our neighbors, and we have. Of course, it’s different here. Neighbors are curious as to who bought the ridge. They show up and ask questions, introduce themselves, offer to help. And of course, Dallas knows every last person, so there’s that as well.

Ivan Aivazovsky, “Sea View” (1841)

When we were moving in, Corey was driving the box truck and I was driving the rental Ryder truck, which I was very proud of handling the entire seven-hour trip, but then I came down the driveway crooked and ended up driving the front part of the truck off the drive and getting it stuck. We were so worried about how much it would cost us to get someone to come out and unstick it. But instead, two of our neighbors spent hours helping Corey to get it free. I was simultaneously amazed and grateful. We didn’t even know these people, yet there they were, working their butts off for two people who they didn’t know from Adam’s off ox.

And since that day, Dallas has graded the driveway, made it straight and wider, so that coming down isn’t a problem. That’s what I mean about things being different here. No one asks you for anything, yet of course, there is the expectation that you will repay them in kind somehow when the need arises, and so we will. It was never like that in Norfolk. Perhaps the city was too big, the neighborhood too set in its ways. Who knows?

I seem to be asking that question quite a lot lately . . .

“So, this is my life. And I want you to know that I am both happy and sad and I’m still trying to figure out how that could be.” ~ Stephen Chobsky, from The Perks of Being a Wallflower

So the Chobsky quote above is probably the most fitting one that I could choose today. I am both happy and sad, but the difference is that I’m fairly certain as to why. I mean, aside from the fact that I’m still missing one of my antidepressants, and I still haven’t found a good neurologist, and I still don’t have a phone that works—other than those things . . .

Ivan Aivazovsky,”Sunset at Sea” (1853, oil on canvas)

But in honesty, those are relatively minor things—other than the pain, which, like it or not, I’m used to—what makes me sad is that in spite of the beauty and life that surrounds me, there is no water, and there are no children, grown or otherwise.The water? That’s just a part of me. I’m an Aquarius, and even though I’m not a strong swimmer, I have always loved water, in all forms. That, and I lived so very near the Chesapeake Bay and the Atlantic Ocean for most of my life that it’s odd not to smell the saltwater, or to see the violence of the waves during a storm.

And yet, to put that down here makes me feel so very ungrateful. I used to say that my ideal place to live would be on a mountaintop overlooking the ocean; the reality is that such a place would cost a fortune. But here, I have the mountaintop, the horses, the deer, the dogs. And god how I love it all. I truly do. I cannot imagine going back to where we were. So why can I not be satisfied?

“I don’t know what’s worse: to not know what you are and be happy, or to become what you’ve always wanted to be, and feel alone.” ~ Daniel Keyes, from Flowers for Algernon

Will I ever be satisfied? I really don’t know. I do know that I can be happy—happy for me. It may sound as if I’m trying to convince myself, but that’s really not the case. I have a lot to be happy about, a lot to be grateful for in this new life. The caveat, for me, is not said lightly. It’s too complicated, and yet maddeningly simple: I am just too aware of my chemical makeup the way that my brain and heart work. I can be absolutely ecstatic about how my life is going, and yet there will always be this still small voice within that doubts, doubts my worthiness to be happy.

Ivan Aivazovsky, “Sunset a Lone Sailboat” (1853, oil on canvas)

How to explain to someone who has never met this voice? I don’t know if that is even possible. However, that state of being satisfied is not tied to my ability to be happy. Satisfaction, for me, is something entirely different, dependent upon reconciliation with my sons—in other words, I don’t believe that I can ever be completely satisfied until I am able to know that they are an active part of my life again, and since I don’t have any way of making that happen at this point, I just have to live with things as they are for now.

Look, that’s life. You know it, dear reader, and so do I. The basket will never be completely full of unbroken eggs. The day will never be without a cloud somewhere on the horizon. Yet there is always a horn-a-plenty if we but recognize it. What I’m trying to say is that life is complicated. I’m complicated. Every human is a mixture of good and bad, happy and sad; I’m no different, but I am trying very hard to be this person here, the one who is present in her life as it is. I may not be entirely succeeding, but at least I am aware, and for me, that is more than you can ever know.

More later. Peace.

Music by Adele, “Hello”

 

 


She Loved Mozart

There’s a sadness to it, of course, my becoming more
and more isolated from the world. I remember, years ago,
when I was living at the motel, there was this woman who
used to come and go, sometimes staying for months at a time.
Every so often I’d go over to her room, sit around, and talk with her.
The room would smell from clove cigarettes and dirty wash.
Over the lampshades pieces of clothing were draped, to bring
the light down to the most remarkable dimness. This light
never failed to charm and attract me, as a moth would be
attracted to a bright light (although, I suppose moths are
drawn to dim light also). Anyway, I find myself steadily
becoming increasingly like this woman, and it’s not always
the most comfortable realization. Although, I cannot say
that I am living with dirty wash. No, this I cannot admit to.
If anything, I’m fanatical about washing clothes. My
clothing has worn thin, not from my wearing it but from
the continuous washings. But, my god, like this woman
I’m letting the house go dark. She died at the motel, from cancer.
Some nights I’d see her crossing the parking lot, meager flesh
on her bones, and she’d knock on my door and she’d ask me
to play Mozart on my stereo set. She loved Mozart.
In her youth she had been a very promising violist, but
injury and shock from a fire had made her a ghost
of her old talent, her old self. I used to feed her also,
the miniscule amount she was capable of eating.
She loved sharing a thin sandwich as much as
she loved Mozart. I told her it takes
a lot of solitude to write a poem.
She told me it takes a lot of solitude
to die.

~ Marge Piercy

“Do you ever feel words have gone dry and dull in your mind? Your mind like a sponge in the dust? You squeeze it and nothing comes?” ~Virginia Woolf, from a letter to Vita Sackville-West, The letters of Virginia Woolf, Vol. 3

Frank Dicksee, “The Funeral of a Viking” (1893)

“Those words had gone deep into her eyes, deep into her nerves, deep into her brain, far into the blackness of her brain behind that white face. They had made a gash back there, a match streak of memory, a flare she would carry to the grave, an impression.” ~ John Fante, from The Road to Los Angeles

Thursday afternoon. Overcast again and rainy, 46 degrees.

I haven’t been walking on the property in weeks. It’s a mosh pit out there in the driveway. And each day that I wake up and look out the window and see nothing but clouds, my heart becomes heavy. It does rain a lot here, definitely more than in Norfolk. But it’s the clouds. They just seem to cover the ridge and cloak all of the beauty.

Anne Burgess, “The Burning Galley” (Wikimedia Commons)

Between that and trying to house train the puppy—unsuccessfully at the moment, I might add—I’m feeling a bit lost in the fog. Yes, I finally took my puppy from Dallas because it was the only way that I could get her as he is so attached to his dogs, but he had promised me one, and I had taken a shine to the runt. Her name is Maddie, for Madeleine L’Engle, and she’s black with hound ears. She won’t be nearly as big as Tillie or Bailey, both of whom act as if she’s an alien, and the cats are definitely not taken with her.

Don’t ask me why a puppy now, other than it seemed like a good idea at the time, and she’s adorable. It doesn’t take any kind of Freudian to tell me that I substitute the animals for my kids, so whatever . . .

“We walk
and walk towards meaning
and don’t arrive” ~  Mahmoud Darwish, from “How far is far?”
Dave Brockie AKA Oderus Urungus gets a viking funeral from his GWAR bandmates, by D. Randall Blythe

So it’s December 20, five days until Christmas. Corey and I are having a very small Christmas this year, which is fine. It’s not about the presents for me, ever. It’s about the pageantry: the tree, the wrappings, the centerpieces, the dishes—just the way that I can make the house look. One year Corey’s mom finally got to see our house decorated, and she commented that everywhere she looked, she saw something. That’s what I strive for when I decorate—creating an experience.

So I’m going to suck it up today and put up the tree. I know that it will be a lot of work to make it look the way that I want it to look, and no, I can’t just put on a few ornaments, so there’s no point in suggesting that approach, but thank you anyway. I know that once it’s up, I’ll feel better. So maybe I won’t have the snowmen and the Santas, and all of the rest, but at least there will be a tree.

I need that, and the only way that  I’m going to get that is if I do it. So, ‘nuf said.

“That’s all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they can best say what they are meant to say.” ~ Raymond Carver, from Call If You Need Me: The Uncollected Fiction and Other Prose

The other major thing that I need to accomplish is to write some people and send cards. I still cannot find my Christmas card box with addresses and all of the rest, but I’m hoping that Corey can find it for me. If nothing else, I’ll just send the letters. It’s important, and I really want to communicate with my sister-in-law in Germany. She has gone out of her way to write to both of us, and as usual, I have been lax in replying, so that’s a must do, maybe later today or tomorrow.

Bálför Viking Funeral Card

It’s the words, you see. I just don’t have the words to say how life is, how we’re doing. I need to lie, to say that things are good, that I’m fine, that we’re both doing well. Making pleasant conversation used to not be so hard for me. I suppose I’m making too much out of it, that it will be fine once I start, which is how things usually are, or at least I hope so.

Being a self-imposed recluse can become problematic when moving beyond the safety of my environs enters into the equation. The irony, of course, is that writing this blog is taking me out of my safety zone, but now that I’m back into it, it seems to be working, at least most of the time. Granted, some days are harder than others, but my goal is to try to write at least a little each day, to get back into the practice of using words, so that I can try to get myself going and maybe, just maybe, begin to polish my manuscript.

Who knows? Certainly not I.

“It’s a losing battle:
my words have no chance against time.
Sometimes,
unable to catch up with imagination,
I leave the battle,
candle in hand,
in complete darkness.” ~ Jalal Barzanji, from “Trying Again to Stop Time”

I had a very disturbing dream last night, featuring someone from my past, a gay man with whom I used to be very close. I had met him at the museum, and we developed a very fast friendship, for lack of a better word. We used to do all kinds of things together. I know that he filled the gap that I had in my first marriage as far as doing things with my spouse.

Viking Funeral, Created by yoguy108

By the time this person came on the scene, my spouse and I had developed a separate set of friends and weren’t doing much of anything together. I don’t blame him. That’s just what happens when neither of you work on your marriage. Of course, there were many other factors at play that I just would rather not go into. It’s still a tender wound all of these years later, although, not quite as tender.

Anyway, in this dream, this person had photographs of me at a lake that I just couldn’t remember visiting. I was very bothered that he had proof that I’d been somewhere that I could not recall. It was disconcerting. The dream happened at my parent’s house, and in the end, both of my parents made an appearance; overall, one of those dreams that leaves you gasping when you awaken because they are so disturbing. Well, at least, that’s how I awaken from them.

“I go to meet my words and feel I bring them back to the surface, unaware that I lead them to their death.
But this is an illusion.” ~ Edmond Jabès, from The Book of Questions Vol. 1 (Trans. Rosmarie Waldrop)

So, I have plans for today, and perhaps putting them out there isn’t the best thing, especially if I have to come back tomorrow and say, “never mind.” But it’s raining, and I’m really trying to accomplish a goal that I’ve set for myself. It might seem silly, that my goal is to put up a tree and to write letters. Maybe normal people can do all of that in the span of a few hours in the morning with their first cup of coffee. And once, I would have done all of that and more by December 5.

My friend Kathleen used to give me a hard time for being so type A over Christmas. I used to vow to have my shopping done and my cards in the mail by the beginning of December. My tree was up and the house decorated by December 15 at the latest. That was another time. Another life. One in which I had boundless energy and a very different outlook on life. I would be lying if I said that I didn’t miss that version of me. Well, at least the more positive aspects of that person. Some aspects I’d just as soon convey to the ash heap of time

Viking Boat Funeral, via the Good Funeral Guide

That ash heap is very, very tall, and I am reminded of it whenever that stupid commercial comes on that shows a woman climbing a mountain of cigarettes. I understand the symbology, but it’s disgusting, nevertheless (this, of course, from someone who used to smoke occasionally). My ash heap is composed of old letters, bad poems, broken hearts, scents I can no longer recall, and many, many, many regrets.

In some ways, it reminds me of the funeral pyres in India, except that once the body burns, onlookers are left with a sense of freedom and peace that the departed has gone on to a new life. My ash heap has a slow burn, and absolutely nothing is resolved, so maybe not so much like the cleansing cremation fires of the Hindus. Maybe more like the supposed Viking funerals that happen in movies: a slow-moving vessel floating out to sea, the flaming arrows shot and hitting home, and no one really knows if the person makes it to Valhalla or just disappears into the flowing waters.

Sorry. Morbid? Then you’ll love the Lorca poem below . . .

More later. Peace. 


Music by Fever Ray, “If I Had a Heart” (still miss Ragnar)


Gacela of Dark Death

I want to sleep the sleep of apples,
far from the tumult of cemeteries.
I want to sleep the sleep of that child
who longed to cut out his heart at sea.

I don’t wish to hear that the dead lose no blood;
that the shattered mouth still begs for water.
don’t wish to know of torments granted by grass,
nor of the moon with the serpent’s mouth
that goes to work before dawn.

I want to sleep for a while,
a while, a minute, a century;
as long as all know I am not dead;
that in my lips is a golden manger;
that I’m the slight friend of the West Wind;
that I’m the immense shadow of tears.

Cover me, at dawn, with a veil
since she’ll hurl at me fistfuls of ants;
and wet my shoes with harsh water,
so her scorpion’s sting will slide by.

For I want to sleep the sleep of apples
learn a lament that will cleanse me of earth;
for I want to live with that hidden child
who longed to cut out his heart at sea.

~ Federico García Lorca

“ . . . She had wild eyes, slightly insane. She also carried an overload of compassion that was real enough and which obviously cost her something.” ~ Charles Bukowski, from Women

Leon Spilliaert, “Tree Trunks” (1929 watercolor and gouache on prepared board)

“As if keening on your knees
were somehow obscene
As if there were a control
so marvelous
you could teach it
to eat pain.” ~ Maggie Nelson, from Jane: A Murder

Wednesday, late afternoon. Cloudy and 52 degrees.

I’ve been sitting at this keyboard for hours, trying to figure out what to say, or if I had anything to say because I feel guilty that I haven’t posted in a few days. There’s that operational word: guilt. But the truth is that I don’t think that I really have anything to say. I answered a long email from my daughter this morning, and then I put together a small package of things for her so that Corey could take it to the post office for me; in that, I also included a handwritten note.

I seem to have run out of words.

Only this: two days ago, I was on a cleaning binge, and I thought to myself, I can put up a tree. I can do this. That was two days ago. I realize now that I was only deluding myself. Unless Corey helps me to decorate it, and he really doesn’t get much out of decorating the tree, then I cannot do it. Look. I’m forcing myself to wash my face and get dressed. I just don’t think there’s enough energy for more than that. Just as there just isn’t enough energy for here. Maybe tomorrow.

Peace.


Music by The Dixie Chicks (I always think of this song when I think of my daughter)

 


Postscript: I will share a poem from a poet who I haven’t posted in too long: Lisel Mueller. I cannot believe that I haven’t posted one of her poems for over five years. For a good description of her background and thoughts, go here.

Why We Tell Stories
……….For Linda Foster

I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak

2
We sat by the fire in our caves,
and because we were poor, we made up a tale
about a treasure mountain
that would open only for us

and because we were always defeated,
we invented impossible riddles
only we could solve,
monsters only we could kill,
women who could love no one else
and because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees

3
Because the story of our life
becomes our life

Because each of us tells
the same story
but tells it differently

and none of us tells it
the same way twice

Because grandmothers looking like spiders
want to enchant the children
and grandfathers need to convince us
what happened happened because of them

and though we listen only
haphazardly, with one ear,
we will begin our story
with the word and

~ Lisel Mueller