“Watching the sunlight on distant smoke today–how far away and remote it seemed” ~ Charles Burchfield, Journal entry January 2, 1931

Low Lying Fog in California, by Ken Xu, FCC

“Let the light and the winds colour and cleanse my blood.” ~ Gabriela Mistral, from “Quietness”

Wednesday  afternoon, overcast, 48 degrees.

Hello out there in the ether. Hope today finds you well. Yesterday I completely forgot that it was Tuesday, which meant that I had a Two for Tuesday post all ready to go. That’s how much my mind is in disarray: I have to  look at my phone to see what day it is. Does anyone else have that problem?

Trees in the Mist, Hayle England, UK (FCC)

I usually begin my day here with a little organizing, trying to figure out what I have to say, thinking about accompanying images and songs, and then I usually watch a few YouTube videos that I subscribe to—Tati (beauty guru), Alexandria (unboxings and try ons), and then maybe someone else. It’s a distraction, and when I’m finished, I feel as if I’ve cleaned my palette, and I’m ready to go with the words.

For a short minute I thought about starting a YouTube channel, but man, people on there are vicious in their commentaries. One wrong word, and your channel explodes. I just don’t have either the patience or the thick skin for that, so I won’t be putting myself out there for that anytime soon.

I never get tired of watching this,
As the mists seem to move, then not move.
They don’t, of course, but merely disappear.
……………………………………………………….Perhaps that’s why I like it. ~ Charles Wright, from Littlefoot: “25”

A few mornings ago (maybe even yesterday?), the fog rolled in very quickly and lay within the trees at the back of the house like one of those old cotton Christmas tree skirts everyone used to use once upon a time. It was so fast, and by the time I thought about taking some pictures, it was gone; hence the Flickr Creative Commons pix of fog. I thought I’d try to get a variety of locations.

Trees in the Mist, Austria (FCC)

Fog has always fascinated me, ever since I was a young child in England. I’m certain that I’ve written about this before, but I still have vivid memories of being caught out in the fog in London and not being able to see anything. It was a different kind of fog—very, very thick and impenetrable. I remember a man walking in front of the buses with a lantern on a ladder to guide the driver.

I have no idea if they still get fog like that. I mean it was a long time ago, and even if they do, I’m sure that no longer use lanterns on ladders. But the first time that mom and I were out in that, it was pretty scary. I, obviously, had never seen anything like it, but then to realize that my mother was as scared as I was—something like that can really unnerve a child.

We were still living in the old house outside of London at the time, the house with the haunted bedroom. Man, if only I could remember where that was. I have absolutely no idea, and I’ve never found anything of mom’s that had that address on it.

“I really love fog. It hides you from the world and the world from you. You feel that everything has changed, and nothing is what it seemed to be. No one can find or touch you anymore.” ~ Eugene O’Neill, from Long Day’s Journey Into Night

I’ve driven through some really terrible fog more than a few times, but it doesn’t bother me. I find fog oddly comforting and beautiful. Living near the Chesapeake Bay, we could get some thick fog rolling in across the bay; of course, I wasn’t on the water at the time. I would imagine that people who work on the water as Corey used to do not find fog at all comforting.

Misty World, Vallée du Grésivaudan, French Alps (FCC)

It’s just that in heavy fog, sound changes. It can become completely muffled, and then light seems to disappear. I’ve always imagined having a scene in a book in which someone who is lost in a thick fog comes face to face with the killer. Yes, my mind does go to places like that, frequently, actually. I’m always mulling over plots for mysteries. The problem is that the mulling never moves beyond that.

It makes me wonder if I’m just a dilettante: someone who likes to know a little bit about a lot of things without ever specializing in any of them, and perhaps in a way, I am. I’m a curmudgeonly dilettante who loves words. What to make of that? Hmm . . .

Things that make you go hmm…………

“The light is flat and hard and almost nonexistent,
The way our lives appear to us,
……………………………………………..then don’t, as our inlook shifts.” ~ Charles Wright, from Littlefoot: “25”

I suppose that’s enough about the fog, but it’s such a wonderful image, and metaphor, and memory, actually. It’s taken me several years since my mother’s death to begin to remember more. Our relationship was so fractured that I think I tried very hard not to think about her in the immediate months following her death. But now, with some distance, I can begin to sort through the memories better.

One of the sad things, though, is that I know without a doubt that my mom was happiest in England. It seems like everything after that was just a disappointment for her, her marriage, her location, her family, everything. And I only realized too late that it would have been such a simple thing for me to offer to go back to London with her for a visit, but I never did. It never even occurred to me to do that, and now I cannot.

Mountains in mist and fog, Indonesia (FCC)

And so the memories of the two of us exploring every inch of London and the surrounding environs are more immediate, as it were.

It’s hard for me to think of my relationship with my mother as a whole. I’ll give you a classic example of how it was with us: My cousin once told me that my mother talked about me all of the time, and he could tell that she was proud of me. This caught me completely off guard. I never would have believed it if he hadn’t said it as I can remember exactly one time as a teenager or adult that my mother told me that she was proud of me.

One. Time.

Perhaps she said it as a matter of course when I was a child, because I was very much as Alexis was as a child: everything you could want in a daughter—smart, polite, attentive, hard-working, focused. Perhaps when I hit puberty, I became a foreigner to my mother, much as Alexis did to me when she entered high school.

Perhaps. Who knows? Certainly not I.

“Gloom is literally atmospheric, climate as much as impression . . . Gloom is more climatological than psychological, the stuff of dim, hazy, overcast skies, of ruins and overgrown tombs, of a misty, lethargic fog.” ~ Eugene Thacker, Cosmic Pessimism 

As these things are want to do, I have said much more than I had planned to say. The genesis was the fog, and then the floodgates opened. And truthfully, I’m not in the best place emotionally or mentally for open floodgates. I’ve spent the last two days in my pajamas, and when I looked in the mirror last night, I had to admit to myself that I just plain looked rough.

Der Nebel, Gilbert-Noël Sfeir Mont-Liban (FCC)

It’s been a rough kind of week. Tink isn’t out of the woods yet, and it’s hard for either of us to concentrate on much else, but I decided today to make an effort, you know, bath, put on clean clothes, maybe some lipstick, try to write, do more than just stare blankly at the screen. And so this is that effort.

Anyway, because it’s on my mind as well, I am reminded of a line from Charles Wright’s Littlefoot: “I live here accompanied by clouds.” There are so many clouds here, and I don’t yet know if that’s a year-round thing, or just fall and winter. My father would have hated that part. I’m fairly certain that he had Seasonal Affected Disorder; as the months became colder and light began to fade, his depression would worsen.

I can relate. I know that my own temperament is greatly affected by the weather. Take today, for instance: no sunlight anywhere, nothing dappling on the leaves on the trees. Just grey clouds, and clouds aren’t the same as fog. Grey clouds—unlike fluffy white clouds shaped like animals—are just, well, there, making everything look cold and grey and yes, gloomy.

So enough of that.

More later. Peace.


Music by Paloma Faith (loving her these days), “Only Love Can Hurt Like This”


Missing the Dead

I miss the old scrawl on the viaduct,
the crazily dancing letters: BIRD LIVES.
It’s gone now, the wall as clean as forgetting.
I go home and put on a record:
Charlie Parker Live at the Blue Note.
Each time I play it, months or years apart,
the music emerges more luminous;
I never listened so well before.
I wish my parents had been musicians
and left me themselves transformed into sound,
or that I could believe in the stars
as the radiant bodies of the dead.
Then I could stand in the dark, pointing out
my mother and father to all
who did not know them, how they shimmer,
how they keep getting brighter
as we keep moving toward each other.

~ Lisel Mueller

 

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“I allowed myself to suffer how jarringly destructive the present feels and how fragile the past. The present is over quickly, you might say, and it is, but man it goes like a wrecking ball.” ~ Ann Brashares, from My Name is Memory

Ivan Aivazovsky, “The Ninth Wave” (1850, oil on canvas)
Aivazovsky is considered the most influential seascape painter in 19th Russian art

“I thought, possibly, that what I really needed was to go where nobody knew me and start over again, with none of my previous decisions, conversations, or expectations coming with me.” ~ Maggie Stiefvater, from Forever

Friday afternoon. Rainy again, 44 degrees.

It’s funny, but when I think about Norfolk, I still get a pang. I don’t miss the house, the nosy judgmental neighbors, or even the neighborhood. But I miss the things that happened there: the two Jack Russells who used to escape regularly, and the nice neighbors who would holler at us to let us know where they had gone; walking across the field in the afternoons to pick up the boys from the local elementary school; even mowing the yard on the lawn tractor that my dad bought me once upon a time. Those things are part of that life, that place.

Ivan Aivazovsky, “Sea View by Moonlight” (1878, oil on canvas)

My kids were raised in that small ranch house with one bathroom. Their friends all lived within a few miles. And now that house is gone. Who knows who will buy it and make all of the repairs that we never got around to making. It’s hard to take care of a house that you hate, which is how it came to be for us the last few years that we were still there. It was as if the house knew that there existed an antipathy and went out of its way to break down piece by piece.

We redid the bathroom a few years ago, from the studs up. We had plans to redo the kitchen and the hardwood floors, but that never happened, and in the end, we left it as a mess, things all over the backyard, a pool that had fish in it, a shed that had old tools in it, an attic that probably still had kids toys in it. It was like shedding a carapace and leaving it where it lay.

You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.” ~ Azar Nafisi, from Reading Lolita in Tehran

It’s hard not to think of the things that neighbors must have thought about the way that we left things, but at the same time, there is no way that they could possibly understand the stress and pressure that we were under when we left. If they snooped, which I’m certain that some of them did, they would have seen the hole in the ceiling, the broken back door, the tools that lay in the yard, and their worst impressions would have been confirmed.

Ivan Aivazovsky, “Yalta” (1899)

Listen, not all of our neighbors were assholes. The guy across the street helped Corey and me countless times, especially when Corey was at sea. He gave me a jump when my battery was dead, repaired things, helped when the yard was overgrown and my back wouldn’t let me mow. He was a great guy, and because he was always hurting for money, we always tried to pay him whenever he did anything. But he was a minority in that neighborhood. There used to be a really nice woman who lived on the other side across the street, but she died; her kids were always friendly, though. Still, I know that we didn’t make as much of an effort as we could have, but there was a history there that made it hard.

And the fact is that I really shouldn’t care any more about what any of them think or thought, but a part of me still does. I still feel as if that house is mine, even though it isn’t. I lived there for so long, and there are so many good memories from there, probably more good than bad. But there are painful memories from there, and it was definitely time to move away, and now here we are, living in a completely different kind of place, with a different pace of life, and different kinds of neighbors.

“I don’t know. You know the mind, how it comes on the scene again
and makes tiny histories of things. And the imagination
how it wants everything back one more time, how it detests
all progress but its own . . . ” ~ Richard Hugo, from “Letter to Matthews from Barton Street Flats”

We had told ourselves that when we finally moved, that we were going to make a true effort to get to know our neighbors, and we have. Of course, it’s different here. Neighbors are curious as to who bought the ridge. They show up and ask questions, introduce themselves, offer to help. And of course, Dallas knows every last person, so there’s that as well.

Ivan Aivazovsky, “Sea View” (1841)

When we were moving in, Corey was driving the box truck and I was driving the rental Ryder truck, which I was very proud of handling the entire seven-hour trip, but then I came down the driveway crooked and ended up driving the front part of the truck off the drive and getting it stuck. We were so worried about how much it would cost us to get someone to come out and unstick it. But instead, two of our neighbors spent hours helping Corey to get it free. I was simultaneously amazed and grateful. We didn’t even know these people, yet there they were, working their butts off for two people who they didn’t know from Adam’s off ox.

And since that day, Dallas has graded the driveway, made it straight and wider, so that coming down isn’t a problem. That’s what I mean about things being different here. No one asks you for anything, yet of course, there is the expectation that you will repay them in kind somehow when the need arises, and so we will. It was never like that in Norfolk. Perhaps the city was too big, the neighborhood too set in its ways. Who knows?

I seem to be asking that question quite a lot lately . . .

“So, this is my life. And I want you to know that I am both happy and sad and I’m still trying to figure out how that could be.” ~ Stephen Chobsky, from The Perks of Being a Wallflower

So the Chobsky quote above is probably the most fitting one that I could choose today. I am both happy and sad, but the difference is that I’m fairly certain as to why. I mean, aside from the fact that I’m still missing one of my antidepressants, and I still haven’t found a good neurologist, and I still don’t have a phone that works—other than those things . . .

Ivan Aivazovsky,”Sunset at Sea” (1853, oil on canvas)

But in honesty, those are relatively minor things—other than the pain, which, like it or not, I’m used to—what makes me sad is that in spite of the beauty and life that surrounds me, there is no water, and there are no children, grown or otherwise.The water? That’s just a part of me. I’m an Aquarius, and even though I’m not a strong swimmer, I have always loved water, in all forms. That, and I lived so very near the Chesapeake Bay and the Atlantic Ocean for most of my life that it’s odd not to smell the saltwater, or to see the violence of the waves during a storm.

And yet, to put that down here makes me feel so very ungrateful. I used to say that my ideal place to live would be on a mountaintop overlooking the ocean; the reality is that such a place would cost a fortune. But here, I have the mountaintop, the horses, the deer, the dogs. And god how I love it all. I truly do. I cannot imagine going back to where we were. So why can I not be satisfied?

“I don’t know what’s worse: to not know what you are and be happy, or to become what you’ve always wanted to be, and feel alone.” ~ Daniel Keyes, from Flowers for Algernon

Will I ever be satisfied? I really don’t know. I do know that I can be happy—happy for me. It may sound as if I’m trying to convince myself, but that’s really not the case. I have a lot to be happy about, a lot to be grateful for in this new life. The caveat, for me, is not said lightly. It’s too complicated, and yet maddeningly simple: I am just too aware of my chemical makeup the way that my brain and heart work. I can be absolutely ecstatic about how my life is going, and yet there will always be this still small voice within that doubts, doubts my worthiness to be happy.

Ivan Aivazovsky, “Sunset a Lone Sailboat” (1853, oil on canvas)

How to explain to someone who has never met this voice? I don’t know if that is even possible. However, that state of being satisfied is not tied to my ability to be happy. Satisfaction, for me, is something entirely different, dependent upon reconciliation with my sons—in other words, I don’t believe that I can ever be completely satisfied until I am able to know that they are an active part of my life again, and since I don’t have any way of making that happen at this point, I just have to live with things as they are for now.

Look, that’s life. You know it, dear reader, and so do I. The basket will never be completely full of unbroken eggs. The day will never be without a cloud somewhere on the horizon. Yet there is always a horn-a-plenty if we but recognize it. What I’m trying to say is that life is complicated. I’m complicated. Every human is a mixture of good and bad, happy and sad; I’m no different, but I am trying very hard to be this person here, the one who is present in her life as it is. I may not be entirely succeeding, but at least I am aware, and for me, that is more than you can ever know.

More later. Peace.

Music by Adele, “Hello”

 

 


She Loved Mozart

There’s a sadness to it, of course, my becoming more
and more isolated from the world. I remember, years ago,
when I was living at the motel, there was this woman who
used to come and go, sometimes staying for months at a time.
Every so often I’d go over to her room, sit around, and talk with her.
The room would smell from clove cigarettes and dirty wash.
Over the lampshades pieces of clothing were draped, to bring
the light down to the most remarkable dimness. This light
never failed to charm and attract me, as a moth would be
attracted to a bright light (although, I suppose moths are
drawn to dim light also). Anyway, I find myself steadily
becoming increasingly like this woman, and it’s not always
the most comfortable realization. Although, I cannot say
that I am living with dirty wash. No, this I cannot admit to.
If anything, I’m fanatical about washing clothes. My
clothing has worn thin, not from my wearing it but from
the continuous washings. But, my god, like this woman
I’m letting the house go dark. She died at the motel, from cancer.
Some nights I’d see her crossing the parking lot, meager flesh
on her bones, and she’d knock on my door and she’d ask me
to play Mozart on my stereo set. She loved Mozart.
In her youth she had been a very promising violist, but
injury and shock from a fire had made her a ghost
of her old talent, her old self. I used to feed her also,
the miniscule amount she was capable of eating.
She loved sharing a thin sandwich as much as
she loved Mozart. I told her it takes
a lot of solitude to write a poem.
She told me it takes a lot of solitude
to die.

~ Marge Piercy

“ . . . She had wild eyes, slightly insane. She also carried an overload of compassion that was real enough and which obviously cost her something.” ~ Charles Bukowski, from Women

Leon Spilliaert, “Tree Trunks” (1929 watercolor and gouache on prepared board)

“As if keening on your knees
were somehow obscene
As if there were a control
so marvelous
you could teach it
to eat pain.” ~ Maggie Nelson, from Jane: A Murder

Wednesday, late afternoon. Cloudy and 52 degrees.

I’ve been sitting at this keyboard for hours, trying to figure out what to say, or if I had anything to say because I feel guilty that I haven’t posted in a few days. There’s that operational word: guilt. But the truth is that I don’t think that I really have anything to say. I answered a long email from my daughter this morning, and then I put together a small package of things for her so that Corey could take it to the post office for me; in that, I also included a handwritten note.

I seem to have run out of words.

Only this: two days ago, I was on a cleaning binge, and I thought to myself, I can put up a tree. I can do this. That was two days ago. I realize now that I was only deluding myself. Unless Corey helps me to decorate it, and he really doesn’t get much out of decorating the tree, then I cannot do it. Look. I’m forcing myself to wash my face and get dressed. I just don’t think there’s enough energy for more than that. Just as there just isn’t enough energy for here. Maybe tomorrow.

Peace.


Music by The Dixie Chicks (I always think of this song when I think of my daughter)

 


Postscript: I will share a poem from a poet who I haven’t posted in too long: Lisel Mueller. I cannot believe that I haven’t posted one of her poems for over five years. For a good description of her background and thoughts, go here.

Why We Tell Stories
……….For Linda Foster

I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak

2
We sat by the fire in our caves,
and because we were poor, we made up a tale
about a treasure mountain
that would open only for us

and because we were always defeated,
we invented impossible riddles
only we could solve,
monsters only we could kill,
women who could love no one else
and because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees

3
Because the story of our life
becomes our life

Because each of us tells
the same story
but tells it differently

and none of us tells it
the same way twice

Because grandmothers looking like spiders
want to enchant the children
and grandfathers need to convince us
what happened happened because of them

and though we listen only
haphazardly, with one ear,
we will begin our story
with the word and

~ Lisel Mueller

 

“Like the canyon, I am shaped by what I miss.” ~ Joanna Hoffman, from “Grand Canyon”

Wiesbaden Twinkling Star Christmas Market, Germany (FCC)

“You could rattle the stars . . . You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most.” ~ Sarah J. Maas, from Throne of Glass

Sunday afternoon. Cloudy and 44 degrees.

Another cloudy day on the ridge. This morning, both Sassy and Napoleon were outside the pasture and the top of the driveway. I wonder where they thought they were going . . .

Toronto Christmas Market (FCC)

I’ve been doing some clean up on my blog, looking at drafts that I’ve put together with quotes and poems, and I noticed in my stats that I’ve published 1,859 posts. That’s a lot, isn’t it? Yes, some of those are just Friday leftovers and such, but for the most part, it’s all my writing crammed in between quotes and images, with the average word count being around 1800 words. If you deduct about 150 for the quotes and about 250 for the average length of poems, that still means that I’ve rambled on for about 1400 words.

I hadn’t realized that I was so verbose; actually, that’s just not true. I know that I’m verbose. All. The. Time. I remember when I had been into this blog for about half a year that I posted an explanation that my posts are actually blongs, or long blogs. It appears that not much has changed on that front—I’d be surprised if it had.

“Alive, it all returns to the mind,
Unattainable now time has passed;
Like a sharp sure dagger
Its memory pierces my breast.” ~ Luis Cernuda, from “Native Land”

I’m trying to post every day, but obviously I’m not quite there yet. Part of me feels guilty sitting here for hours at this keyboard while there is still so much to do. I suppose that I’m resigned that there will be no Christmas decorations this year. It doesn’t happen if I don’t do it, and I truly don’t think that I can, at least not this year. I’ve never not had at least a tree. I remember one time in England that my mom put up one of those small silver trees on a table; they probably don’t make those any more.  I still have wonderful memories of Christmas in London: Everything in the city was decorated and lit.

Christmas Lights Oxford Street, London (FCC)

When I was a teenager, I kind of assumed the responsibility for buying a tree and decorating it, back when we still used live trees, until we found out that the tree was directly affecting my mom’s lungs, my lungs, and Brett’s lungs. Of all of us, Brett had the worst asthma; he would get so sick. It was artificial trees after that. But I’ve always tried to have a real wreath on the door so that there would at least be the smell of Christmas when you came to the door. This year, no wreath either. Le sigh.

It was always my responsibility, or rather, I always took on the responsibility for decorating the tree, the house, everything. In my old house, once upon a time I used to also do the outside lights, climbing the branches and wrapping the lights around each one, that is until the trees became too tall. I have always loved climbing trees, that is, until I couldn’t. Once Brett was older, he actually helped with the outside lights. I wonder if he misses that as much as I do.

Probably not.

“Listen: you are not yourself, you are crowds of others, you are as leaky a vessel as was ever made, you have spent vast amounts of your life as someone else, as people who died long ago, as people who never lived, as strangers you never met. Rebecca Solnit, from The Faraway Nearby 

Corey’s brother is supposed to be here tomorrow evening to go to an auction for some property near here. There’s a house (bigger than this one), garage and some outbuildings on the block; it all used to belong to Dallas’s sister. There’s also a stream that runs next to the property. Steve has been here a few times, and out of all of Corey’s family, he’s the one that seems to like it here the most. I was the one who had actually suggested to Corey that he tell Steve about the property. Ironically, it’s situated on the other side of the ridge from here, but that’s not how you get there unless you’re hiking.

Chester Shooting Star, UK (FCC)

I imagine that his brother is looking at it for an investment for now, but it would be nice if his family had access to it for visits. It’s less remote than here, so his father would feel more comfortable, I think. When we were first talking about buying this, we thought about maybe getting a trailer for visitors since there are only two bedrooms and one bath in this house; it’s perfect for the two of us, but a bit small for more than a few visitors.

I have no idea if Steve will actually bid on the property, but he’s coming to take a look at it and then plans to leave the next day. I’m trying not to stress over his visit, but that’s impossible for me. I always feel such a weight whenever anyone, I mean anyone visits. Even for a few hours. I suppose it comes from years and years of keeping an immaculate house, first at my mom’s and then later in my first house. And now that I don’t clean like that any more because of my back, I always feel as if I don’t want anyone to see my house.

Yes, I know. It’s weird.

“We re-enact
the rituals, and our faces, like smoky icons
in a certain light, seem to learn nothing
but understand all.” ~ Tim Dlugos, from “Pretty Convincing”

Last night I had one of those dreams that stick with you: First, Corey and I were at Nags Head with the dogs, and I walked to the water’s edge to sea how cold it was. The dogs were standing in the surf, and Corey was a few feet out getting ready to throw the ball for Tillie. Then suddenly I was in the backyard of my mother’s house. There was a split tree running the entire length of the back fence, and there was a huge pile of sticks that I thought would have been good for kindling. I told myself to remember to tell Corey.

Christmas in Kansas City (FCC)

Then I was inside in my mother’s bedroom with Corey, and I knew that my mom was dead. We were still going through stuff in her closets. Then I heard my father coming down the hall with three of the Yorkies we had when I was younger. He was getting ready to go to his apartment and couldn’t take the dogs with him. (My dad never had an apartment.) But I saw him so clearly and talked to him, heard his voice, and part of me knew that he couldn’t be there if my mother wasn’t also there.

Then there was one more part in which I was in a candy store in Nags Head, and I was looking for a Chik-o-Stik, something I haven’t eaten since I was a kid. There was a man there who was slightly mentally challenged, and he was helping me to find the candy. But he was also upset with me because I had sold my mother’s house and now he had nowhere to live, and I was so upset that I wanted to cry. But I really wonder how that candy stick made its way into my consciousness . . .

I woke up wanting to write. That’s been happening with more frequency.

“Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.” ~ Rebecca Solnit, from A Field Guide to Getting Lost

Now that I’m back here and back on tumblr, I’m finding all kinds of new poems that I haven’t read, and it’s stirring something in me. I read one yesterday that actually took my breath away because it was so freaking beautiful, and I thought to myself that it was something that I wished I had written.

The main entrance for Copenhagen’s Tivoli (FCC)

I have to admit that I haven’t had that particular feeling in several years. I haven’t felt inspired, and I haven’t felt that I could actually create—sit down and write a real poem. I just don’t know how to describe this particular feeling well enough to relate it to you, dear reader.

It’s like for years there has been this dam in my brain, a thick wall keeping the words from forming and exiting. But not just the words—the actual feeling in my soul that there were particular words within me that I needed to put down on the page, that I needed to place and rearrange and take out and insert until there was something there that meant something, at least to me.

So now, maybe, perhaps, the dam is breaking? I really hope so because I have missed that ritual of creation, creating something beyond here but a companion to here, if that makes any sense. I have missed words, the magic of them, running them through my brain, rolling them on my tongue to see how they sound together. And when it works, it’s like music in my brain and in my soul.

Enough for now. More later. Peace.


Music by Lady Gaga, “Joanne” (forgive me if this is a repeat, but I really love this song)

 

 


Words

He lets me listen, when he moves me,
Words are not like other words
He takes me, from under my arms
He plants me, in a distant cloud
And the black rain in my eyes
Falls in torrents, torrents
He carries me with him, he carries me
To an evening of perfumed balconies

And I am like a child in his hands
Like a feather carried by the wind
He carries for me seven moons in his hands
and a bundle of songs
He gives me sun, he gives me summer
and flocks of swallows
He tells me that I am his treasure
And that I am equal to thousands of stars
And that I am treasure, and that I am
more beautiful than he has seen of paintings
He tells me things that make me dizzy
that make me forget the dance and the steps

Words…which overturn my history
which make me a woman…in seconds
He builds castles of fantasies
which I live in…for seconds…
And I return…I return to my table
Nothing with me…
Nothing with me…except words

~ Nizar Qabbani, found on Poem Hunter

 

 

“The snow was endless, a heavy blanket on the outdoors; it had a way about it. A beauty. But I knew that, like many things, beauty could be deceiving.” ~ Cambria Hebert, from Whiteout

Napoleon and Sassy in the side yard, waiting for hay, by C. Fickel

The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winter sun drawing cold blue shadows from the trees. ~ Sara Teasdale, from “Places”

Tuesday afternoon. Sunny and still cold, 30 degrees.

We lost power yesterday until mid afternoon. Luckily, we have a couple of small generators; although, we didn’t really need then for more than coffee. It was cold enough that everything in the freezer and fridges was fine, and we had the wood stove for heat. So I read a book—The Good German, by Joseph Kanon—and Corey and the dogs napped. It was that kind of day. And then once again last night, I couldn’t sleep, wide awake at 3 a.m., 4 a.m., etc.

My car under the snow near the grand old oak, by C. Fickel

Today everything is still snow covered, but the temperatures are supposed to start climbing in the next few days, which means we’ll probably have a muddy mess. The last time that it rained a lot, my car got stuck in the mud when I tried to go up the driveway. Eventually, we’re going to have to invest in some kind of gravel or shale.

The first four of today’s images were taken by Corey on the first day that it snowed, and the last two are by me. I spent almost two hours trying to convert a short video that Corey shot into a format that WordPress would accept but to no avail. Sorry.

No stars tonight; the snowflakes came down out of the dark, rushing towards him, endless, uncountable. Silent, too, but not like the stars. Falling snow whispered secrets to itself. ~ Diana Gabaldon, from Lord John and the Brotherhood of the Blade
Another view from the back deck, by C. Fickel

My other mother Yvonne gave me the book The Good German years ago, but for some reason, I never picked it up. I think that I thought that it was some kind of family saga, but it’s more of a mystery. She had told me that it was good; now, I wish that I had read it then so that we could have talked about it.

That’s what we used to do: swap books and then talk about them. We were the two big readers in the family. When she died, I was supposed to get all of her books, but that didn’t happen, for various reasons. But she had told me that no one else would want them and that she wanted me to have them.

The funny thing is that I had given her many of the books in her collection. We used to give one another books as presents for Christmas and birthdays. Now, I have no one to swap books with or to discuss them with over cups of coffee or tea. I miss her every single day.

“Since it has quietly began to snow,
new distances have awakened within me.” ~  Gerrit Achterberg, from Snow Passage

Anyway, I’m waiting for the weather to get a bit more temperate before venturing out for a long walk with the dogs. I haven’t been out for one in days.

Top of the ridge, by C. Fickel

I had mentioned to Corey before we moved that I wanted a small ballet barre to exercise on inside the house, and then I forgot about it until the weather got cold quickly. I know how to do basic barre exercises, and I always enjoyed doing them, so today I mentioned it again. There’s really no need to purchase a kit; I mean, I’m not a dancer who needs a professional barre and full length mirrors; I always hated all of the mirrors at the gyms I frequented. Who wants to see themselves sweat and strain, besides body builders, that is . . . Anyway, it should be fairly simple and cheap to make one that’s about 48″ long using supplies from Home Depot.

A wooden rod, probably a closet rod, would come closest to the 1.5″ diameter of a barre, and then all that you need are some heavy-duty brackets, again, probably closet brackets and some bolts to anchor the bar on the brackets. A barre is great for stretching, which is what I’m mostly limited to, but you can do core exercises as well. So here’s hoping I can get that barre sometime in the next month or so.

The earth is covered with it, and it is falling still in silence so deep that you can hear its silence . . . It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.” ~ Frederick Buechner, from  Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale

I do have something on my mind that I’ve been thinking about quite a bit: For the first time in my entire life, I’m not looking forward to Christmas. In fact, the idea of decorating for Christmas does not appeal to me at all.

The huge holly tree in the front yard with St. Francis standing watch below, by L. Liwag

Dear reader, you’ve never seen my house at Christmas, but I decorate everything, every doorknob in the house, even the bathroom and kitchen. But this year? I just don’t think that I can do it, and there are several reasons. First, we still haven’t finished organizing the house, and every time that I think that I might have the energy, I just don’t, so there’s no place for a tree.

But secondly, and more importantly, I just don’t see the point, and that might sound harsh, but why, really? None of my kids will be here, and Olivia will not be here. It will just be Corey, me, and the animals. I know that Corey is thinking about going to Ohio for the holidays, and actually, that’s fine with me. I’ll stay here with the animals.

The idea of a beautiful Christmas with decorations and packages only makes me feel more acutely what isn’t here, and I really don’t want to feel that. To feel that would make me also feel ungrateful for what I do have. Being here on this piece of land is everything I ever wanted. Looking out my window and seeing snow and horses and trees? How can I not appreciate that?

That fact is that I do. I do truly appreciate that. It’s just that right now, what isn’t here is standing out more.

“Small, red, and upright he waited,
……….
while the first snows of winter
floated down on his eyelashes and covered the branches around him and silenced
all trace of the world.” ~ Anne Carson, from Autobiography of Red

I do so wish that there was a way that I could truly compartmentalize everything, but I’ve never been able to do that even though I’ve tried. And right now I’m just past trying to pretend that everything is okay.

View of the small pond from the pasture, by L. Liwag

I mean, every time I think about youngest son, I just want to cry. I really want to understand the state of my relationship with him, but I don’t. I want to call him, but I can’t. I cannot contact him until he is ready, and you cannot imagine the pain that causes me. And then eldest son has been removed for years, yet I crave to hear his voice, see his goofy smile, hear his stupid jokes.

I cannot even attempt to discuss the lack of Olivia for Christmas as it’s too acute, and I cannot imagine how Alexis is handling it this year, being so far away from her for the holidays, connected only by phone and texts. And of course, there is the lack of Alexis, the lack of a family Christmas dinner, all of the stress of preparation and the satisfaction of seeing everyone sitting around the table with their constant chatter. It just hurts too much.

And so I have absolutely not idea as to what I’ll do. Maybe I’ll cave right before Christmas and want to decorate, or maybe I’ll just spend the days reading books and trying not to think about the time of year. Am I ungrateful? No. Yes. I don’t know. Who knows? Certainly not I.

More later. Peace.


Music by Natalie Taylor, “Come to This”


Antilamentation

Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook, not
the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication, not
the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.

You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the window.
Harmless as a broken ax. Emptied of expectation.
Relax. Don’t bother remembering any of it. Let’s stop here,
under the lit sign on the corner, and watch all the people walk by.

~ Dorianne Laux

“Certain moments send adrenaline to the heart, dry out the tongue, and clog the lungs. Like thunder they drown you in sound, no, like lightning they strike you across the larynx.” ~ Claudia Rankine, from Citizen: An American Lyric

French apartment of a Mrs. DeFlorian, found unchanged for 70 years.*

“The wind of longing blows to your right, from the orange groves, and to your left, from the sea salt. A fog, approaching the chambers of your heart from the north, makes it difficult for memory to distinguish what is private from what is public ” ~ Mahmoud Darwish, from In the Presence of Absence (Trans. by Sinan Antoon)

Saturday afternoon, cloudy and cold, 34 degrees, winter storm warning.

I spent the entire day yesterday alone, just the animals and me. It’s the first full day into evening that I’ve been entirely alone. I didn’t mind it. It made me think of how originally the plan was that Corey would go to sea for a few months, and I would be here alone with the animals. I was fully prepared to embrace that, although I’m not sure if Corey believed that.

Marthe DeFlorian painting by Giovanni Boldini found in apartment

Before moving here permanently, I wrestled with the idea of loneliness versus being alone, and truthfully being alone does not make me feel lonely. I know, though, that if I had been in a better place with both of my sons before I left, that it might be different, that the loneliness might be more present. I mean, the person I miss the most is Alexis. I miss seeing her and talking to her, however briefly our encounters might have been. I miss my sons constantly, but it’s not so immediate as the lack of my daughter, if that makes sense. The way in which I miss them is an internal ache that is always there, but I have become accustomed to it.

I never thought that I would be saying something like that.

But as far as being lonely? No, not so much. I miss fast access to any kind of food and easy access to my physicians. I miss the idea of living in Norfolk and being able to see my parents’ house anytime I needed to, or being able to ride over to where my other mother used to live just to see the house for a few minutes. I miss those ideas of things.

“Between the idea
And the reality
Between the motion
And the act
Falls the Shadow” ~ T. S. Eliot, from “The Hollow Men”

I have always known that I don’t need a lot of people around me. My friends have been few but fast. And as an only child, you become comfortable with the idea of yourself. You have to. No matter how much I told my parents that I wanted siblings when I was a child, I always kind of knew that I’d never have any.

Being an only can be very lonely, but it can also make you able to withstand things that people with siblings might not be able to withstand alone—like death. I never had siblings to lean on during tough times. It was just me, the dogs, and to some extent, my parents. Whenever we lost a dog when I was a child, I grieved alone. I would go into myself and just deal. Maybe that’s part of the reason why I learned to build walls and had a harder time taking them down. Who knows . . .

Look. I know that for a lot of people siblings are a burden. Not everyone loves, let alone gets along with their siblings. Brothers and/or sisters can be an incredible pain, especially if there is a big age difference, and brothers/sisters who grew up very close can grow apart as years pass. That’s what I saw happen to my sons, who were the best of friends when they were young but who became one another’s nemeses as they got older. That bothered me, but you cannot control your children’s emotions. A hard reality.

Still, I always wanted a sister.

You fear for the present stifled by the hegemony of the past and fear for the past from the absurdity of the present. You do not know where to stand at this crossroads.” ~ Mahmoud Darwish, from In the Presence of Absence (Trans. by Sinan Antoon)

Perhaps if I had a sister, this alone thing would be different. I’ll never know now. The person most like a sister to me for so many years is now in a different city, living a different life, and liking me not at all, for a variety of reasons, some of which I will never even know or understand.

But getting back to the idea of loneliness—I do not claim to be immune from the emotion. There have been times when I have been so lonely that I just wanted to find a dark closet and hide. I remember being very lonely in my first marriage. In fact, I remember one day standing at the bedroom window and watching my then spouse drive away, going to work, and just holding my hand to the windowpane and weeping. I don’t remember the why, only the what. It’s not a good memory.

And when our marriage fell apart, I would spend many weekends alone while the kids visited with their father, and the house seemed too big to hold me. In fact, I went to my boss at the time and told him to schedule me for every Saturday because I didn’t have a life. The arrangement worked well for both of us. If I was working, I didn’t have to think about the state of my life, so I worked a lot.

“Rising from the past, my shadow
Is running in silence to meet me.” ~ Anna Akhmatova, from “The souls of those I love are on high stars” (trans. A. S. Kline)

My job, my career was always important to me, always an extension of my self, but never my total identity once my children were born. But before that, I relished the self-importance of my career, the power, the seeming limitless ways in which I could grow and prosper. The thing is that it was only years later that I realized that while I considered myself a groundbreaking female in a mostly man’s world, my ability to grow and prosper was always hampered by the positions I held simply because I was a woman. Funny, that.

I once had to make the case for being paid more than certain males because I had more education and experience, and they were just out of college. That shouldn’t have happened, but it did. I did win that argument, by the way, but that’s the kind of thing I faced regularly. I know that things have gotten better for women in the workplace, but that’s not to say that sexism does not still exist. We all know that it does . . .

Ah, but that was then, as they say.

Now? Now, I have no job, no career, no profession, unless I own up to the fact that writing is a profession, well, maybe for other people. It’s just that I’ve never made money with my writing, never even tried, even though I’ve had probably hundreds of ideas for books. So I refrain from calling myself a writer because it’s not like I’ve ever done anything with it.

Are you what you were, or what you are now? You fear you will forget tomorrow while mired in the question: In which time do I live?” ~ Mahmoud Darwish, from In the Presence of Absence (Trans. by Sinan Antoon)

Which brings me to the Darwish quotes, which are from one longer passage that I broke up for the purposes of this post. It’s this last part really: “Are you what you were, or what you are now?”

That’s the real question, isn’t it? Who am I? Who do I want to be? Is that the same person I wanted to be before or different? In which time do I live?

I live in all of them, really. My past is so intricately woven into my present that it’s impossible to separate them. But my present self is so very different from my past self that sometimes I have a hard time reconciling the two. I care little for money, or fame, or things, or what anyone else has. In fact, more and more, I am genuinely put off by the excesses of life today.

Will I always want to buy and to own books? Of course. But do I need a big house with a separate library just for my books? No. Maybe my answer would be different if I still owned the hundreds and hundreds of books that I once had, but I lost those when we lost the storage unit, so there’s that. Losing a collection like that, over 1,000 books, changes you, definitely.

But possessions? Thousand dollar purses or shoes? What good would they do me? My house is old. My furniture is old. My clothes, for the most part, are old. And you know what? I like old things. It’s another thing that my mother never understood, my love for things with history. If you showed me a brand new chair that was the perfect color of red, and placed an old Queen Anne covered in faded red brocade beside it, there’s no questions to which I would be drawn. History over new. Worn over pristine.

So ultimately, standing at the crossroads between past and present, more than likely I just wouldn’t move, I think, which is why I find myself always wondering in which time I really live.

More later. Peace.

*All images are taken from the former apartment of Mrs. DeFlorian, a Parisian woman who fled before the German occupation of WWII. The apartment was found to be exactly as she left it when it was opened in 2010. For an article on this beautiful artifact, go here.

Music by Julia Brennan, “Inner Demons”


A Person Protests to Fate

A person protests to fate:

“The things you have caused
me most to want
are those that furthest elude me.”

Fate nods.
Fate is sympathetic.

To tie the shoes, button a shirt,
are triumphs
for only the very young,
the very old.

During the long middle:

conjugating a rivet
mastering tango
training the cat to stay off the table
preserving a single moment longer than this one
continuing to wake whatever has happened the day before

and the penmanships love practices inside the body.

~ Jane Hirshfield, as found on poets.org

“Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly, and applying the wrong remedies.” ~ Groucho Marx

Mark Twain

“Everything is changing. People are taking their comedians seriously and the politicians as a joke.” ~ Will Rogers

Thursday afternoon. Mostly cloudy and cold, 38 degrees.

The snow from recent days made me remember something funny in politics, and there just hasn’t been much humor in politics for the past few years. Plus I’ve been so intense the last few days that I thought that you, dear reader, and I could use a break, hence, Throwback Thursday. Enjoy.


On Sunday, February 15, 2015, Jeff Jackson, a young Democratic NC State senator, was the only senator in the general assembly because of snow. Obviously a man with a sense of humor, Jackson passed sweeping legislation while he had the run of the floor. If only . . .


Music by Midnight Oil, “Beds are Burning” (late 80’s protest song by former Australian band)


Of History and Hope

We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.

But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands—oh, rarely in a row—
and flowering faces. And brambles, that we can no longer allow.

Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who have seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become—
just and compassionate, equal, able, and free.

All this in the hands of children, eyes already set
on a land we never can visit—it isn’t there yet—
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.

~ Miller Williams (1930-2015), President Clinton’s Inaugural Poet, 1997