“We never know the quality of someone else’s life, though we seldom resist the temptation to assume and pass judgement.” ~ Tami Hoag, from Dark Horse

Henri Matisse, “Open Door, Brittany” (1896, oil on board)

“Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.” ~ Paulo Coelho, from The Alchemist

Saturday afternoon, partly cloudy, 45 degrees.

Corey has gotten a ride into Coeburn to pick up the second round of shots for the puppies. The rescue coordinator managed to get someone to donate the shots, not sure who, but it’s a definite boon. The pups are a bit overdue for this round. Here’s hoping that the woman who was on tap to foster them will be willing to take them soon once they’ve gone through this round of vaccinations.

Richard Diebenkorn, “Interior with Doorway” (1962, oil on canvas)

Lately, when I make it into the living room in the morning, I really want to turn around and go back to bed and hide beneath the covers. The living room can best be described as a disaster area. Let me back up: When we moved, we bought an oversized bean bag chair at Sam’s that could be opened into a full-sized mattress. We slept on this  during the moving process. Recently, we decided to let the dogs sleep on it temporarily, mostly for Tillie’s arthritis. Since the arrival of the pups and goats, the bean bag has been appropriated at various times and is in a state of complete breakdown. Someone or the other made a hole in the middle of the cover, and it has become a game to pull out the pieces of memory foam with which it has been stuffed.

The living room floor is covered in pieces of memory foam, and as soon as I sweep, more pieces appear. It’s our own version of a ball pit, albeit one composed of memory foam. Why do I let the puppies do this,  you may wonder. I’m swimming against a tide composed of 17 rapidly growing puppies and two goat kids. What would you do? How would you go about handling all of this . . . this . . . what this is?

I know. You wouldn’t be in this situation, would you? You would have had the females spayed last year. Or you wouldn’t have taken on more dogs when Dallas died. Or you would have taken the puppies to any available shelter and been done with it. Or you would have put all of the animals in the big barn that doesn’t exist. Or you would have gathered all of your family and friends and held a big ol’ barn raising. Or you never would have moved onto a farm without the proper equipment, or structures, or working capital. Or………….

“but we can’t know what suffering will cost us.
It could cost the very self that longed for it,
that winked at its specter, lurking,
blueing the sky. In the wake of its coming,
the small boat of our souls—” ~ Eliza Griswold, from “In Another Year of Fewer Disappointments”

Sunday afternoon, overcast, 49 degrees.

So just as I began to fall into the familiar rhythm of writing, the laptop decided to throw the old problems at me: repeated scripts and constant screen blackouts. It was all too much, and so I abandoned the post in the hopes that I would be able to finish today. It’s odd, really, how one day this laptop will work just fine, and then the next, nothing works, or works consistently. Today seems to be a better day; you could almost believe that this machine has moods.

Almost.

Marcus Stone, “Doorway” (nd, oil on canvas)

Anyway, where was I? Oh yes, your smooth judgment of our ragged current state of affairs. Granted, I’m assuming that you are judging, and maybe you aren’t, but if the tables were turned, I would probably judge. That’s the kind of person that I am, or rather, used to be. I’ve become much kinder in the ways in which I view people and their circumstances. I suppose that it’s one of the benefits of being on the far side of youth: experience has in fact taught me not to be so swift in my condemnation of others, has taught me the pitfalls of doing so, among many other life lessons that youth in general can never begin to understand.

The fact is that I probably judge myself much more harshly than anyone else ever could. My critical eye is most keen when turned inward. Funny, I just remembered something that my first serious boyfriend said to me, quite without malice—that I should be a critic when I grew up because I was always criticizing everyone and everything. I was maybe 15 at the time. I wonder how I had already become so damned cynical at such a young age, but truthfully, I don’t have to wonder much. My mother was one of the most judgmental people that I have ever encountered. Hands down.

My Aunt Betty, my mom’s best friend for years, once used the word deluge to describe a heavy rain that had been going on for days, and I remember my mom being so put out about the word, going on and on about how Betty used these strange words. But I also remember that at the time I thought that it was such a cool-sounding word, and I immediately looked it up in the dictionary (you know, those books we used pre-Google). So weird when those little blips of memory arrive unbidden.

But I digress . . .

“All I ever really want to know is how other people are making it through life —where do they put their body, hour by hour, and how do they cope inside of it.” ~ Miranda July, from It Chooses You

Back to my assessment of my critical eye and my mother: She was always most critical of those closest to her—me, my dad, her family, her friends. I’m not sure if any of us ever measured up, so I’m not surprised that I too grew up to be hyper critical, but for the most part, I have reserved that criticism for those outside of my inner circle, so I was truly surprised when that boyfriend made that comment. I denied it and laughed it off, but alone with my thoughts, I mulled it over. Was I that critical? And for that matter, how does one go about being paid to criticize?

John Singer Sargent, “Venetian Doorway” (c1902, watercolor on paper)

So as regards the current situation in which we no find ourselves—anything that you could say or think, I have already said and thought. Like it or not, having three bitches become impregnated is irresponsible, regardless of the reasons that led to such a turn of events. Corey and I never quite seem to be able to make it to this side of being responsible adults, at least not when it comes to finances. Try as we might, we never seem to get it right, so we keep finding ourselves in these impossible situations.

How does that happen exactly? Seriously. How?

We genuinely try and try and try. We have no extravagances in our lives now, never go to bars or movies, never buy clothes, rarely buy books, never go out to eat. His biggest personal expense is cigarettes, and mine is makeup/skincare, but even those things have been pared back to the barest of bones. We do have internet, and we do have a television subscription service (a cable alternative), but being able to at least watch a few key shows is frankly one of the only things keeping me sane.

“Sometimes you imagine that everything could have been different for you, that if only you had gone right one day when you chose to go left, you would be living a life you could never have anticipated. But at other times you think there was no other way forward–that you were always bound to end up exactly where you have.” ~ Kevin Brockmeier, from The View from the Seventh Layer

I have no answers to any of this. Right now, my biggest concern is transferring these puppies to the rescue people and then doing a major deep clean of the house. Exciting, right?

And in the meantime, I keep questioning my life choices and wondering how and why it seems that an emotional bomb exploded and destroyed any normalcy I once had in my life. I continue to wonder how best to fix everything that is wrong while simultaneously wondering if any of this is in fact fixable. Look, I know that few people actually have lives that are as seamless as they might appear. Behind the safety of doors firmly fixing outside factors and circumstances externally, what happens inside, physically or mentally, can never truly be known by others.

So this brings me back to my original query: What would you do? What would anyone do? How do people with seemingly smooth-sailing lives handle it when it all goes to hell? Drugs? Alcohol? Emotional addictions? I’m not being facetious. Truly. When Corey makes my morning cup of coffee, I ask him to add opium. Am I joking? Yes. No. Probably.

Panaylotis Tetsis, “French Door” (1961)

Let me back up. I don’t have a drug problem. In fact, it would be damned hard for me to do so, first because of the money such a thing would take, and second, and more importantly, because I hate relinquishing control, to anyone or anything, which is why I’ve never even tried anything more than pot and speed (way back in the day). But it feels good to make such facetious comments because it lets me know that I haven’t completely lost myself, haven’t lost the sardonic side, haven’t lost the small ability to make feeble jokes in the face of mountains of ca ca.

And so I continue to slog through it as best I can, and while that may not seem the best way to handle things, especially to someone just looking in, it’s the only way I can, the only way I know how. And that means that at this precise moment, there is a passel of puppies sleeping in a scrum on the bean bag behind me. Small pieces of memory foam cover at least half the surface of the living room floor. Corey is in the kitchen with the two goats and the rest of the puppies trying to put together soup for our dinner, and my most recent to-do list was probably shredded by the goats when I wasn’t looking.

Ask me next week how things are, and I probably won’t be able to cite any major changes or improvements in our current circumstances. But at least we’ll be here, on the ridge, in the midst of over 100 acres of rambling land just ripe with possibilities. And perhaps that’s the most important word of all: possibilities.

There are still possibilities. And so I go on.

More later. Peace.


Music by Onuka, “Time”


Sometimes, When the Light

Sometimes, when the light strikes at odd angles
and pulls you back into childhood

and you are passing a crumbling mansion
completely hidden behind old willows

or an empty convent guarded by hemlocks
and giant firs standing hip to hip,

you know again that behind that wall,
under the uncut hair of the willows

something secret is going on,
so marvelous and dangerous

that if you crawled through and saw,
you would die, or be happy forever.

~ Lisel Mueller

 

“We are always ripe and ready to be taken.” ~ Charles Bukowski

Old Boat Near Clifden, Ireland, by afslag7 (FCC)

                   

“Being a somewhat dark person myself, I fell in love with the idea that the mysterious thing you look for your whole life will eventually eat you alive.” ~ Laurie Anderson, Notes on Melville’s Moby Dick

Monday late afternoon. Party cloudy and cool. Lovely

Old Boat, China, by oceanaris (FCC)

I had the most horrendous nightmare this morning, and of course, I awoke with a migraine. Actually, what I awoke with was spots, a harbinger of a migraine. I took my medication, and at the moment, the pain is in my left eye.

I dreamed about this crazy man named Viktor (I don’t know why I know that it’s spelled like that, but it is). I was in a beauty supply store looking at combs and nail polish. I remember that I was looking for a particular shade of Revlon lipstick, and I was pondering the purchase of a yellow comb (?). The bad guy came in with two women and one other man, and apparently, I offended him by something that I said. He started to rant at me. Other things happened that I cannot remember. Something about a former Navy Seal tackling him so that he couldn’t kill everyone in the store.

Cut to new scene: I ran into a grocery store to get away from him. When I came out, I noticed a fracas in the parking lot, so I walked over. He was lying there with one of his legs cut off. The leg was about 20 feet from him. Somehow I knew that I had to keep him from getting to his leg or he would be able to put himself back together and come after me again.

More fuzzy details. I awoke panting. Really hate dreams like that.

Later Corey told me about his dreams, and there were men with knives in his dream too. Weird, huh?

“. . . the time was neither wrong nor right.
I have been one acquainted with the night.” ~ Robert Frost, from “Acquainted with the Night”

Wednesday afternoon. Absolutely beautiful blue skies, low 70’s.

Old Boat, Spain, by piltri (FCC)

Monday just wasn’t cutting it as far as having something worthwhile to say plus I had things around the house that I needed to take care of, and then yesterday, we had electrical problems, so here I am, 48 hours later.

When I drove Brett and Em to school this morning, it felt more like a spring morning than a fall one. I had the sunroof open, and I kept hearing birdsong each time I stopped. The long pants and hoodies that were on campus just a few days ago were replaced by shorts. I know that a lot of students from up north come to ODU because it’s considered a beach school, what a hoot. Well, it is definitely warmer that upstate New York, but I used to love the kids who came to class in shorts and sandals all winter long, as if to say, “Winter? This is not winter.

Today reminded me of that.

This week the annual literary festival is going on at ODU. I looked at the schedule, and I have to say that it was pretty unimpressive. The lit festival used to be such a big deal, drawing names from all over the country. I remember seeing Mary Oliver one year before she changed her style drastically and got much more mainstream. Then there was the year that Carolyn Forché read. She had a big impact on me.

The great thing about being on faculty was being able to meet all of these writers, talking to them in a casual setting after the readings. I really miss that. The bad thing about the literary festival was that I could pretty much count on its timing to coincide with my fall cold. It never failed to happen.

“Everybody’s born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I’d really like to do is find a way to communicate that feeling to another person.” ~ Haruki Murakami

Old Boat, Norway, by magnethy (FCC)

Yesterday I read a book by Ian Rankin, one of my favorite authors. his Detective Superintendent Andy Dalziel (pronounced Dee-ell) is such a finely crafted character, the kind of character that aspiring writers envy. He is complex and multilayered, irreverent and serious. I haven’t read all of the Dalziel and Pascoe books in the series, and one day I hope to get my hands on the ones I haven’t read and read them through chronologically. That would be lovely.

I fear that this computer is truly on its last legs, which is painful for me as its demise means the end of computer access for me until I can get my new hard drive installed on my computer. But each time I begin to write on this one, I never know if the damned thing is going to lock up on me or give me a blue screen or a black screen. There is definitely too much junk on the hard drive, but that comes from having three different people share the computer.

I’m on the third or fourth day of this particular migraine, can’t remember. It’s settled mostly into my right eye, which means that the afternoon sunshine that streams through Eamonn’s window that I usually love is causing me great discomfort at the moment. I’ve adapted by typing with my eyes partially closed. It sort of works.

I really want to call that nurse at the neurologist’s office and say “Hey! I’m on the third day of this particular migraine. Does this count?” But I’m not going to. Instead I’ve decided to see if any other neurologist’s in the area treat migraineurs (such a cool name for such a horrid thing) with Botox.

“This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.” ~ Henry Wadsworth Longfellow, Snow-Flakes

Old Boat and Point Wilson Lighthouse, Washington State, by KellBailey (FCC)

When I was a child, Longfellow was one of the first poets I read, him and Robert Louis Stevenson. My dad bought me A Child’s Garden of Verses, and I carried that book with me everywhere. I wonder whatever became of it . . .

Then, believe it or not, I got my hands on some poetry compilation with a yellow cover. Odd the details you remember. My favorite poem in the book was by Shakespeare:

Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.

I memorized it and recited it to myself in kind of a sing-song. Who knew that it was from The Tempest? Who cared? I remember singing this to myself when we were in the Philippines. I didn’t really have any friends, so I would go out in the tiny front yard of our apartment and sit under the mango tree and sing to myself.

These memories just came to me, not really certain as to why.

“This pain, this dying, this is just normal. This is how life is. In fact, I realize, there never was an earthquake. Life is just this way, broken, and I am crazy for dreaming of something else.” ~ Miranda July, No One Belongs Here More Than You

 

 

Old Boat at Sunset, UK, by Dorcas Sinclair (Wikimedia Commons)

When my dad retired from the Navy, he took us to the Philippines. Of course, my mother did not want to go. I remember huge rows over what we were going to do, and I remember my mother threatening to take me away. God the fights they had were nasty.

Anyway, we did go to the Philippines, where we lived for about six months or so. We started out in my dad’s village of Gapan, which is on the island of Luzon. It really was a village, dirt roads, water from wells, ice from ice trucks. Then we got an apartment in Quezon City. I hated the apartment because at least in Gapan I had cousins that I could play with.

I remember that during the rainy season, it began to flood, and my mom and the two relatives who lived with us had to open the back and front doors and just let the water run through the apartment. In the meantime, my dad had gone back to the village for someone’s funeral. He was on a bus with one of my uncle’s, I think, and the bus got stuck on a bridge and began to fill with water. My dad got a cramp in his leg, and his brother helped to get him off the bus.

Scary stuff, but for me it was a grand adventure, sitting on the staircase (we had two floors) and watching the furniture float out the door. Soon after, we came back to the states. My grand adventure resulted in pneumonia in both of my lungs and hospitalization, which, for my mother, was the last straw. I’ve never been back.

I really don’t know where these memories are coming from, the part about my dad getting a leg cramp? I had completely forgotten about that.

“I wanted to feel the blood running back into my veins, even at the cost of annihilation.” ~ Henry Miller, Tropic of Capricorn

Old boat on Càrna overlooking Caol Chàrna, Scotland (Wikimedia Commons)

My mother called me the other day. She wants me to go to the funeral home with her so that she can plan her funeral. Her logic? That she doesn’t want us to have to go through that when she dies. She doesn’t want a viewing. She doesn’t want a service. I don’t even know if she’ll let us have a graveside service.

My mother is really quite morbid. At the same time, she has this great fear of death and the dead. I know that a lot of this stems from her being so young when her own mother died, eight, I think. In those days, the dead person’s body was kept at home. She still remembers seeing her death mother. I think that it scarred her; actually, I know it.

She hates funerals, refuses to go. I’m amazed that she did the whole viewing and service thing for my dad. Probably because I was with her when she made the plans. I was equally amazed that she went to my m-in-law’s service, but I know that she did it because there was no body there, just ashes.

The whole concept that funerals and memorial services are for those left behind doesn’t mean anything to my mother because she doesn’t think that way. She’s thinking about how she feels about death, so those of us who might want to attend a memorial service for her are basically SOL.

So I told her I would go with her to this place to make the arrangements that she wants. I so hate this. She got really, really morbid right after my dad died, looking for containers to put her ashes in because she wanted to be cremated. Now the cremation’s out, and she’s back to being consumed with making preparations for her own death. Is everyone in my family insane? Probably.

Is it any wonder that I keep a constant headache?

More later. Peace.

Music by The Cure, “Something More than This”

                   
October, An Elegy

The whole month of October
is an elegy, a used book store
getting rained on.  This weather
makes me read endings first.  Partings
and farewells, the way we’re baffled, startled
when happiness falls.  Let me tell you something about darkness, though,
because there’s been enough about light.  But first
about the handwritten poem copied out in the back
of a Rilke translation.  It begins with beloved,
I’m tempted to tell you, or with rest,
and is written in the kind of couplets that are made
for each other, lines with stories of how they first met,
and I’m tempted to say that after I read it, light didn’t matter,
nor darkness, that poetry somehow gathers
them both into one word.  O, how often we are baffled,
startled by our own happiness.  I read the poem
and kept its last three unresolved lines:  our
line break hearts.  There is a pause always around the word
heart, the history
of leaving, the small right-angled scars of loss.  Another line break
then into, a space, then the words:  like small trees.  We are made up
of small trees, limbs that reach for each other, forest
of longing, root systems of light, small blossoms of darkness
and there is a poem handwritten after pages of Rilke and, after Rilke,
how can our hearts be anything but small trees.  The book was used.  The lines
unresolved.  It was raining so I sat in the store and read
the ending first.  Here happiness falls, sometimes
the only difference between our
and hearts is a line break after a long elegy.  This is the season that begins
by ending.  The space between light
and darkness is unresolved
as the space between our hearts
and small trees.  Beloved, rest.  It’s true.  I read the ending first
but I kept reading it until I got all the way back
to the beginning.

~ Sue Goyette, from Undone